Showing posts with label Bromwich. Show all posts
Showing posts with label Bromwich. Show all posts

Friday, October 07, 2016

The Legacy of Group Thinking, IV

“Race and the Limits of the Rhetoric of Fiction“

1.      Matthew McKnight recently took up the position David Bromwich occupied facing multiculturalism, but now facing the much more politically energized and organized force of the Black Lives Matter movement. BLM is in fact the eruption of the stance that underlied ‘80s and ‘90s multiculturalism, just as multiculturalism was the diffusion of the energy that underlied ‘60s and ‘70s black nationalism. If there is an important difference with BLM, it might simply be that the accessibility and fluidity of social media has made the reality of police brutality to non-white persons inescapable. You didn’t have to tell African-Americans growing up in the ‘50s and ‘60s about that reality, but too often it didn’t escape the communities where it existed. Like gossip, it was an immutable code of operation for some and an easily dismissed apparition for others.

It is the ghost of American slavery that we are still haunted by, and it is that ghost that McKnight and Bromwich—like everyone else on the left—want to exorcize. The difference between those like McKnight and Bromwich and those energized by multiculturalism is, from one perspective, a matter of means. McKnight draws a parallel between BLM’s success in using video taken of police brutality and Frederick Douglass’s use of the burgeoning technologies of photography. McKnight notes that the “national attention” BLM has focused “on police injustice is a commendable achievement. However, for all its dynamism and appeals to moral goodness, the movement shares a foundational belief with Douglass: the ideology of race as a natural fact.” [1]

McKnight sees affirmation of the existence of race, which he thinks a fiction and created by the use of concepts like “race” and “racism,” to be the wrong move when facing the destructive force of white supremacy. He follows Karen and Barbara Fields, in their Racecraft: The Soul of Inequality (2012), in thinking that racism “always takes for granted the objective reality of race,” and that the latter demands “the doctrine that nature produced humankind in distinct groups, each defined by inborn traits.” [2] This ideology of race, however, is a fiction—“No operation performed on the fiction,” the Fieldses say, “can ever make headway against the crime.” The conceptual field of race is a bear trap, and to acknowledge the reality of its grasp is to amputate part of yourself as the only response. McKnight, like Bromwich, sees individualism as the worthy end that lies beyond race, racism, and group identity. Individualism is the hope that, as McKnight puts it, “you and I might be able to define ourselves by individual and ever-expansive terms.” Group thinking reduces us. “An individual,” McKnight acknowledges, “might be compelled to contend that it’s her individual choice to identify as black, or that being black is a matter of culture, not race—but those are just different, perhaps more consoling, points of entry into the same trap. An individual who proclaims an identity based on diffuse general terms begins the work of erasing herself.”

2.      Just like Bromwich’s, this is a powerful, Emersonian argument that I have much sympathy for. But if McKnight and Bromwich represent the Emersonian left opposed to the Hegelian left of multiculturalism, then I still find myself reaching for Hegelian philosophical weapons to repair the equally Emersonian individualism I want to affirm. [3] McKnight makes the unfortunate choice of exchanging what we might call Reality Depth Charges with what he calls the ideology of race. Racism takes the “objective reality” of race for granted—but it’s just a fiction, fake, not there! McKnight’s rhetoric of fiction (as well as ideology) implies that the objective reality is, rather, not-race. It requires, at the level of theoretical hygiene at least, some sort of epistemological defense of that claim, some sort of argument for thinking you’re seeing reality objectively and the other person fictionally.

From the perspective of philosophical pragmatism, this is a tactical misstep, but it is one that obscures the real power of multiculturalism and BLM. McKnight cites Nikole Hannah-Jones as an example of falling into the trap of the ideology of race:
How do you explain the visceral and personal pain caused by the killing of a black person you did not even know to people who did not grow up with, as their legacy, the hushed stories of black bodies hung from trees by a lynching mob populated with sheriff’s deputies?
McKnight comments, “The reader, here, is assumed to share a belief in the tenets of racecraft: that race is genetic, that one can know how another might think and behave based on the presumption of race, and that the order of our society is fixed.” McKnight’s attribution far outstrips the actual work of that sentence. The only thing required by that rhetorical question is the participation in a community that exchanges those “hushed stories.” McKnight overreads Hannah-Jones at this point because he’s operating under the assumption that the concept race requires geneticism. The benefit of the Hegelian stance that community precedes concept is that one can avoid the trap of thinking that concepts come necessarily with any conceptual baggage. Rather, words are learned in communities and communities teach them for particular historical reasons to respond to particular situations. You can’t short-circuit the task of understanding a community by jumping straight to conceptual implication.

3.      I don’t mean to imply that McKnight is not the sensitive cultural critic he actually displays himself to be in “Black as We Wanna Be.” But his argument that racecraft is as illusory as witchcraft (which is the analogy the Fieldses designed) is the kind of cavalier attitude that masks an acknowledgement of the courage actually required to abandon race as cultural category. McKnight gets this, but still fudges the difference when he says: “We’ve lived with racecraft for so long that the mere thought of abdicating one’s colorness can feel like being asked, in a duel, to lower your gun first.” That’s just the problem—it feels like a duel because it is a duel. We can’t just wish the gun away when there are real consequences to not being conscious of the color of one’s skin in certain situations. Conceptual pragmatism is a kind of philosophical idealism in which we create the world in which we live—there is no reality to be seen clearly to correct our concepts, no reality that we can just get everyone to wake up to all at once. [4] McKnight cites Douglass’s own pragmatism (rather than any ideology of race as natural fact) when Douglass says, “All subjective ideas become more distinct, palpable and strong by the habit of rendering them objective.” Douglass is describing an activity of making what one thinks the reality that others have to operate in. Douglass, McKnight, Bromwich, the Fieldses, and BLM all want to replace one reality with another, but it won’t be accomplished by hoping our long, national nightmare is like the Salem Witch Trials.

McKnight is right that “in the face of what often feels like a siege against all of the people who identify and are identified as your kind, self-preservation is a powerful impulse.” [5] He’s also very right that “self-preservation alone cannot lead us to a more equal society, because self-preservation would never let you put the gun down.” This perfectly characterizes the moral courage actually required in our cultural situation, as opposed to pretending the gun doesn’t exist. While I’ve tried to identify something cavalier in McKnight’s argument, that is not how I would characterize McKnight’s stance as a whole. I think the stakes are just as he describes them, on the “intellectual and spiritual plane.” The fact that The Nation carries this conversation among leftists is a tribute to the vitality of leftist debate. Though the Emersonian left is often overshadowed because it unsettlingly echoes the right’s magic words of “individualism” and ”choice,” the still too-Marxist intellectual left in America needs to be reminded of its own implicit agreement on what the America they want to achieve looks like: a just freespace of self-definition.




Endnotes

[1] All quotations of McKnight are from “Black as We Wanna Be,” The Nation, Oct. 10, 2016.

[2] Quoted in McKnight.

[3] For some context for this vocabulary of discussion, see sec. 2 of “The Legacy of Group Thinking.”

[4] A clear moment of fudging the difference between having courage and being cavalier is when McKnight says, “Neither have we healed from racism’s trauma; neither have we awoken from racecraft’s spell.” It takes courage to grow from one’s trauma; it’s cavalier to think that trauma is just a hypnotic sleep we can be snapped out of. See my own use of “trauma” to talk about Bromwich’s cavalier stance in sec. 5 to the end of “Legacy.”

[5] I think one should emphasize “are identified” much more, which was the major argument I took to Bromwich’s book in "Legacy." See sec. 5’s argument about “racial wisdom,” especially with footnote 9.

Friday, August 15, 2014

The Legacy of Group Thinking, III

“From Philosophy to Cultural Politics”

1.      This is something like a conclusion to “The Legacy of Group Thinking” and its addendum, "Probability, Community, and Criteria." Whereas the addendum was closer to a reworking of the same set of issues in the microcosm of two particular examples Bromwich uses in Politics by Other Means, this piece gets to the point of wanting to formulate an answer—what is the legacy of what Bromwich disparages as “group thinking”? Because if I’m right in the first two, then thinking should be more complex in relationship to group identification and one’s community of origin then Bromwich at times lets on. And moving toward that assessment raises the larger question that lurks in the background of discussion of “political correctness” and affirmative action policies—how do you change people?

Rorty gradually came to identify philosophy with what he called “cultural politics.” Rorty’s attack on what he referred to as the Cultural Left in Achieving Our Country—the tenured post-Civil Rights generation that transformed, in particular, English departments—cannot be understood properly until one makes the connection between his dismay over their abdication of money as an issue and his sense that all philosophy has ever really been is cultural politics. One way to see why Rorty entitled his last collection of essays Philosophy as Cultural Politics is a characterization I first encountered in Alan Malachowski’s book on Rorty. At the close of his introduction, he has a short section called “Philosophical Propaganda” that draws a parallel between Madhyamika Buddhism and the position Rorty had been trying to establish with the idea of “edifying philosophy” in Philosophy and the Mirror of Nature and his ostensible abjuration of argument in Contingency, Irony, and Solidarity. [1] The idea is that explicit, premise-matching-premise argument won’t get you far in debating deeply held commitments. The only thing to do is to try and explain why your own commitments are more attractive than your cultural opponents, which is kind of like propaganda. [2]

2.      There are two thoughts underneath this position about philosophy as cultural politics: 1) that any conceptual position, given enough time and ingenuity, can be made coherent with the rest of one’s beliefs; 2) we should make a distinction between long-term utopic dreaming and short-term political reform. Since the first, in particular, is contentious, I should like to give a little plausibility by outlining the kind of options that Rorty is thinking of. Let’s say argument/non-argument and long-term/short-term mark two axes. The different combinations would give us a box diagram like this

Short-term Long-term
Argument Political Debate Philosophical Debate
Non-argument Political Propaganda Philosophical Propaganda

This is helpful to have up front before thinking about Rorty’s point coherence, because it is linked to his thinking about argument. It importantly involves the conceptual point that a conclusion only follows as a consequence if one accepts the premises of an argument. One, then, is always free—argumentatively speaking—to reject the premises of the argument an opponent wields to wriggle free from a conclusion. Then the task is to make sure your rejection of the premise is consistent with all the other things you want to say. This sounds sophistical because one isn’t supposed to reject premises simply because one doesn’t like the conclusion. But I suspect it’s more complex than that given this problem: when are you supposed to know when to reject a premise? Do you just naturally know a false premise when you see it?

I suspect the latter is not the case, but it’s hard to spell out why without running into all kinds of philosophical choices. The main issue is that I don’t think people just walk around with a bag full of premises they endorse that they can then check against when confronting an argument. Inferential thought works via syllogisms with premises and conclusions, but thinking doesn’t. So I think a perfectly reasonable cue for “hearing a note of falseness” in an argument, as one might say, is reaching a conclusion you’re violently opposed to from premises that are innocuous. Like inferring from “Thomas Jefferson is the best” and “Thomas Jefferson was white” to “white people are the best”—it’s okay to get to the conclusion and think that something has gone awry.

3.      So, say something sounds wrong with Rorty’s conclusion in (1), and you withhold acceptance of the full point that, given enough time and ingenuity, any conceptual position can be made coherent with the rest of one’s beliefs—we don’t actually need the full point to see the point of having the four boxes. Let’s say that Philosophy is, broadly speaking, the attempt to make all of your beliefs coherent—to make them all explicit and laid out and systematized so there are no contradictions or tensions between beliefs. Reflecting on the point that Philosophical Debate in the European tradition has been going on for 2500+ years—somewhat arbitrarily marking it with the Ionians—with hardly a true death for any particular philosophy, it seems safe to concede that the attempt to make yourself coherent is a process more prone to the death of participants than positions.

It’s different for Politics. Whereas Philosophy is about Thoughts hooking up to other Thoughts, Politics is about Thoughts hooking up to Actions. Democratic politics has a terminus—whatever agreed-upon point at which debate ends, and people vote for one action over another, with the stipulation that everyone in the debate abides by the vote. Of course, as we know, you don’t have to agree with the action, but the institutional apparatus has been empowered to act. Debate might be taken up again, at a later point, to act differently—but this simply marks the difference between Thought and Action. Action is radically contextual in a way that Thought is not. Whereas it might always have been, and always will be, true that the United States should not have entered Iraq under the always false auspices of weapons of mass destruction, it’s not true that you can just sit around and wait for all the facts to be turned in before you act—just look at Philosophy. If you waited around to get all of your philosophical ducks in a row, you’d never do anything.

The claim that Action is radically contextual in a way that Thought is not should, indeed, seem contrary to pragmatism, which teaches that thoughts are themselves actions, and therefore always contextual. And the point can be made from a different direction as well, since conclusions are only binding in the context of endorsed premises. But this claim seems to be what underlies Rorty’s distinction between short-term and long-term, which I think is ultimately the thought that underlies the rejection of Peircean, truth-is-at-the-end-of-inquiry pragmatism. Perhaps truth is only there, but by Peircean strictures that means absolutely nothing since it couldn’t possibly make a difference to how we act. [3]

4.      But what if you need to believe that truth is at the end of inquiry to reach the truth at the end of inquiry? Who would know the answer to this but those at the end of inquiry? I think this is the really difficult question that binds short- and long-term together, and it is why Rorty characterizes Philosophy as cultural politics. Philosophy in the long-term, Philosophical Propaganda, is like prophecy—it’s about spelling out a vision of future possibility. Philosophy in the short-term, Philosophical Debate, is system-building and making sure the details of the vision can be produced and fit together. But the system and the details can only be worked out if you choose a vision—so how do you do that? This choice is why William James, in “The Will to Believe,” described faith in terms of a hypothesis—you fill in the if, and hope then the living of the if works out in some manner. James’s great argument was that everyone makes the choice whether it’s self-conscious or not. Living a life means living out a choice of if, a vision of life, a movement toward a possible future. Because Philosophical Debate is dependent on philosophical vision, Philosophy is more about the long-term: don’t ask for pragmatic consequences now because, like theoretical physics, we won’t know what those might be until far into the future.

But a choice we must make. We have to decide now what if to start working and acting on, and that’s the tough problem, and what cultural politics is about. Politics is first of all, unlike Philosophy, about the first-person plural, not the first-person singular. You don’t need to wait around for everyone to agree with you before moving on and pulling out more philosophical consequences from the philosophical position you’ve taken—but in Politics, you need enough people on board. Additionally, Political Debate is about deciding what action we should take now about some short-term problem that needs a solution—and because the problem is narrow, local, and particular argumentative debate is the obvious form to use. On short-term problems, all we have are our current assumptions and values, since that’s what we currently are, so let’s try and work through what those assumptions and values should make us choose to do. The great long-term problem, on the other hand, is What assumptions and values should we have? What we should we be? Propaganda, in the sense I’m using it, outlines assumptions and values. If long-term is about the future and should and short-term is about the present and is, then Political Propaganda is rightly regarded as dangerous because all it does is use fear that our current values are at risk somehow—for why else would you tell people about the values they already know they have?

5.      Sometimes, perhaps though, that is something you need to do—it’s hard to be a progressive in America and not think that people have forgotten what it means to be an American. And that’s why this form of propaganda (style dimension) and philosophy (temporal dimension) is cultural politics. It’s about what future culture you want to persuade everyone to think we should all try to work to achieve. It’s visionary but tied to action; it’s debatable but hard to debate. Rorty thought that you just have to keep nudging people—but how do you do that to have an effect on the world? If two people with different values and assumptions technically beg the question over each other if in debate, then what does persuasive nudging look like?

6.      In the United States, persuasive nudging often takes the form of law. Lawyer up and sue, or shove a new piece of legislation through a broken-backed Congress. It seems like this mode began to really assert itself after the Civil War, as the federal government tried to fix racism with Reconstruction, the South fought back, and the moral energies of Abolitionism got redirected into the Temperance movement, culminating in Prohibition. Americans are known the world over for being litigious, and Judith Shklar gives a good explanation for why: rights in America seem inherently legal. Shklar suggests that the development of Abolitionism preceding the Civil War developed with it “a doctrine of justice which can be summed up in the expression equal protection of the laws, that is, in the demand that laws be applied equally to all, … which finally became, in modern times, the foundation of civil rights, that is, the idea of equal liberty for all citizens.” [4] Shklar calls this a “liberalism of rights,” and “even though one still believes in natural rights in the United States, one knows perfectly that despite the Declaration of Independence they are not self-evident. They are constitutional rights, and the courts decide what they mean in practice. … Equal protection of the laws … [should be understood] as the political and legal realization of the idea of natural rights” (121).

But 150 years on, Americans are tired, so tired of the constant legal battles, and grandstanding, and high-handing, by Congress and the Supreme Court. Rorty once lamented how the Rehnquist Court was destroying the reputation of the last branch of government that could claim to be more than just naked politics, but when you look from the other direction—and at how Rorty talks about legal pragmatism—it can be hard to muster a distinction between the activism of the Warren court of the Civil Rights era and the Rehnquist and Roberts Courts of the renascent right-wing. [5] I have to believe it can be done—I hope it can be done—but I couldn’t tell you how to do it off the top of my head. It’s this difficulty, telling the difference, that fuels the attrition to everyone’s psyches.

7.      What became pilloried as political correctness codes was an outburst of this fatigue. Leftish stand-up comics, in particular, had an easy time tapping into a common reservoir of exasperation. [6] Bromwich opens Politics by Other Means with an example of code-enforcement that does seem over the top. [7] A college student—what we would now call a “bro”—put several Penthouse centerfold pictures on his dorm room door. The dorm supervisor cited him for “lewd and indecent behavior,” calling the centerfolds “degrading and abusive to women.” The bro fought back, saying it was a free speech issue. Bromwich’s reading of the case, as usual, is acute—he points out that “the usual standard of moral surveillance enforceable today in America” was the bro, by his actions, having “established that he was a vulgar young man.” Indeed, and Bromwich terms the active dorm supervisor’s charge a mark of “rhetorically upping the ante,” a common tactic for the new, explicit and codified standard of moral surveillance.

Bromwich thinks we should stop short of saying that the pictures themselves, or the bro’s act of hanging them on his door, are degrading and abusive. I think he might be right. Bromwich calls the old standard of moral surveillance manners:
Thus far, we may seem to have been occupied in the realm of manners: such debates go on in any culture, over what people think it is proper to advertise or to restrict, to endorse or to reprobate. But when the stakes for approval are high enough, the subject matter of such debate can incite the energy necessary for devising explicit codes of conduct: prescriptive, and not merely general and negative, guidelines that aim to control what can and cannot be said. (8)
I think Bromwich is right to call this a matter of manners, and I think he is right later when he says, “Manners are in this sense more than the costume or outward expression of morals. They are themselves a source of morality” (146). But I think Bromwich is wrong about the case, and about the (for Bromwich, future) legacy of the Cultural Left on America. Should the dorm’s RA be allowed to force the bro to take down the Penthouse centerfolds? Sure—why not? It’s gross to have to look at that in public. Bromwich says the supervisors weren’t speaking for the same community that let’s newsstands sell Penthouse on the street, but he elides the crucial difference—if you can’t walk around the street with your dick in your hand, then you shouldn’t be allowed to show a gaping vagina either.

If you were offended by my language just then, all that tells you is that I’m right—your sense of propriety was stung by the image my words painted. [8] But was my language abusive? Was the way I put my point inherently an abuse of women? That I have more difficulty in seeing. As the true heir of the Carlin tradition, Louis CK, said, “There are a lot of words, they’re not bad words, but some people start using them a lot to hurt other people and then they become bad.” [9] Intention, I think, can and should matter, though at the same time it isn’t a universal exculpatory method. The problem underneath the charge of abuse is sadism. And I think Rorty is right, in Achieving Our Country, that the Cultural Left has made the public arena less casually sadistic. “Especially among college graduates, the casual infliction of humiliation is much less socially acceptable than it was during the first two-thirds of the century. … The adoption of attitudes which the Right sneers at as ‘politically correct’ has made America a far more civilized society than it was thirty years ago” (81, writing in 1998).

8.      What Shklar calls “legalism” may indeed have had a role in helping to break apart the crust of propriety that it then needs to compensate for—but the problem is that the manners weren’t working for whole classes of citizens in the first place. And since words are tied to thoughts and thoughts to actions, it’s hard not to think that our manners of speaking help create the milieu in which terrible actions take place. [10] But we still can’t legislate manners. People can’t be locked up for being assholes. So how do you change people?

Rorty’s moral sentimentalism fills in this hole, but it’s an abstract fill. When the issue of argumentation comes up in relationship to morals, Rorty occasionally transmuted it into the question: How do you answer the Nazi? There is no knockdown argument to answer the Nazi with, Rorty said, but whereas I don’t know how to argue down a consistent, committed, and clever Nazi without begging the question, I do have some ideas on how to convert him—tell him sad stories of mothers having children torn away, Jewish mothers like your Nazi mother.

But this is tougher than it seems. For one, we aren’t dealing with Nazis all the time. So the tools of conversion aren’t all the time obvious. What’s the analogue for anti-choice protestors? Worse, since what we’re talking about is commitment conversion of all kinds, what’s the analogue for climate deniers? Another problem is cynicism—if everyone’s trying to change your mind all the time, what stops the heart from hardening? The difference between having your heartstrings tugged and being manipulated is hard to tell. It’s impossible, I dare say, to watch Sarah McLachlan’s dog PSA, the one with “Angel”—you know what I’m talking about—without getting a little sick at its heavy-handedness. Reaching for pathos all the time can produce the opposite effect intended.

9.      Even worse is an argument of Stanley Fish’s in The Trouble with Principle. In a sort of capstone chapter, “Beliefs about Belief,” Fish articulates a pragmatist model of the self. For the pragmatist, the self is a Quinean web of beliefs in which any particular belief is the sum of its relations to the other beliefs—like a dot on a graph, which is nothing but its spatial coordinates. The main argument Fish pursues in that chapter is that one’s belief about belief—one’s theory or model of the self and its constitution—has no effect on your beliefs. [11] The subargument is that every belief will have internal to it a reason for its own revision. Since Fish agrees that beliefs aren’t discrete marbles in a bag, the “beliefs” here are largely invisible to us. They are us so we’re constantly acting out of them, but we aren’t self-consciously aware of their every dimension all of the time. (Think about it: if a belief is a spatial node, then there are an infinite number of potential relations to know about.)

To concretize his argument, Fish gives an example of a former white supremacist telling his story of conversion. One day the supreme supremacist was rattling off all the people that would be carted off, and on the list were a number of “defectives,” including people with cleft palates. It so happens that the now suddenly former white supremacist has a daughter with a cleft palate, so that was that, and off he goes to write an exposé. Fish draws two morals from the story. The first is my point about the Nazi conversion: it’s so particular, how do you make any generalizations about how to change beliefs? It’s the second, though, that makes belief change mysterious:
[I]t needn’t have turned out as it did. It would have been perfectly possible for the devoted father to have said to himself, “Well, I really love Mary, but the cause is the cause and I guess she’ll have to go.” After all, remember Abraham and Isaac and the demands of faith. It is only in retrospect that we can construct a cause-and-effect account of how this or that change of mind came about, and that account will tell us nothing about what might happen next time. (282) [12]
Whatever doesn’t kill you only makes you stronger, right? The flipside of course is that you won’t know if you’re going to die until you live, or become a murderer until God quickly tells you it was a sick joke. We won’t ever know whether our beliefs are strong and stable or precarious and weak until testing day—and the problem is that the only way to be sure that a belief is currently strong is to continually test it. [13] But we’re now sure that that’s probably sadomasochistic—I must constantly be tempted to be sure I can resist temptation! That’s just to say evil must exist so that I can be good.

Fish must be right about the retrospective nature of knowing the mechanisms of belief change, but does that mean there’s nothing to be generalized about how to change people’s beliefs? Fish’s mystery-mongering overshoots the mark in its correctness because what we’re interested in is the via media.

10.      To help focus this final area, and pull together a number of threads from “The Legacy of Group Thinking” series, I find it helpful to think about a story David Sedaris tells. I’m going to quote a bit of it, but Sedaris is not only one of the finest comedic writers working today, he’s also a considerable wisdom-writer. In the larger story, “Something for Everyone” in Naked, Sedaris works as a housepainter for an anti-Semitic Lithuanian named Uta.
Jews and Jewesses were a big thorn in Uta’s side. She tried explaining it to me once, but I found the story difficult to follow after hearing the date 1527. According to Uta, Adolf Hitler was completely misunderstood, “as most great thinkers frequently are.”…

She left to run a few errands, and I started bubbling the paint off the kitchen door. While working I listened to the radio, a local AM station that broadcast old serials and comedy programs every Saturday. I enjoyed both Suspense and The Shadow but when The Life of Riley began, I found my mind beginning to wander. William Bendix plays the sort of predictable, good-natured idiot guaranteed to get his finger stuck in a bowling ball the night of the big fellowship dinner. He’s a garden-variety doofus who seemed to set some sort of standard for generations of succeeding television programs featuring overstuffed closets and family dogs who snatch the holiday turkey off the table while everyone’s eyes are closed in prayer. In real life you’d beat a dog senseless for pulling a stunt like that, but instead, these are the sort of characters who sit down to a meal of frankfurters and stuffing, pretending they’ve learned the true meaning of Thanksgiving. This was a world where people were enlightened by a single word or deed. Lessons were learned and lives were changed over the course of twenty-three minutes. Even as a child I had trouble accepting the concept of such rapid spiritual growth. If it were that easy to change people, surely I would be sitting upon a padded velvet throne before a nation of willing servants. Who didn’t want to change people? When Uta spoke of the Jews, I’d done nothing more than stare down at my feet. I could have named countless Jews who didn’t fit her bill, but that wouldn’t have changed her opinion, as her mind had been made up a long time ago. The most you could do with a woman like Uta was to change the subject to a medical mishap, hoping that a good turn to the stomach might shut her up for a while.

I once worked as a runner on a construction site and lost my job when the head carpenter, a fully grown man with a Sir Lancelot haircut, discovered I was a homosexual. We’d gotten along fine all summer, but the moment I questioned his thirst for beating up transsexual prostitutes, he came at me with a hammer. The foreman had let me go as gently as possible, explaining that if he ever hired an all-girl crew, I’d be the first person he called. For a long time afterward I thought of this head carpenter, always placing him a position of grave, physical danger. The walls of his cell were closing in. A train was headed for his bound-and-gagged body. A bomb was set to go off and only one person could save him. “But first you have to take it all back,” I imagined myself saying. “And this time you have to say it like you really, really mean it.” I fantasized about it for a few months and then moved on to something else. My hands tend to be full enough dealing with people who hate me for who I am. Concentrate too hard on the millions who hate you for what you are and you’re likely to turn into one of those unkempt, sloppy dressers who sag beneath the weight of the two hundred political buttons they wear pinned to their coats and knapsacks. I haven’t got the slightest idea how to change people, but still I keep a long list of prospective candidates just in case I should ever figure it out. (213-215)
When the white supremacist heard “cleft palette,” his life changed, irrevocably, but we do know precisely what Sedaris means here in being skeptical of such rapid spiritual growth. The hope for a silver bullet is what stymies much political action because problems in life are often more complex than something that has a single, quickly applied remedy.

But what should we do, then? What I like most about juxtaposing Sedaris’s story with Fish’s is the space of agreement they share over change. Fish has argued for years, most recently in Save the World on Your Own Time (2008), that teachers should focus on their discipline and not try to affect moral or political change in their students—there’s no way to judge the latter, and its unlikely to happen anyway, so focus on your job. What I find disturbing about Fish’s argument about teaching—though the space of agreement he shares with Bromwich in Politics by Other Means would have surprised Bromwich, and I agree with Bromwich—is that it seems antithetical to the idea of a liberal education. A liberal education is about spiritual growth, not a body of knowledge. What I like about facing Sedaris to Fish is the irony introduced: Sedaris is professedly lazy, greedy, and egocentric, a tried and true navel-gazer. Just look at the passage: I don’t think it’s a mistake that Sedaris’s emblem for turning from political action is aesthetic. And when he fantasized about the single word? The prize wasn’t “world peace” but “an army of sycophants.”

These are vintage Sedarisian moments, and his wisdom is of a distinctively 19th-century kind: the horrors of egotism. His humor is almost entirely self-deprecatory, and his inability to act gets him in trouble at the end of this particular story. The complexity of the scene lies in one of the reasons why we laugh at his joke about the political pins—is that doing any real work at political change? The person he’s pointing at is the poseur, wearing the equally aesthetic garb of politics. We know those kinds of people. (Well, if you don’t, hang out at colleges or non-Starbuckian coffee houses more.) They are, in fact, the parallel of the target of Bromwich and Rorty’s barbs at the Academic-Cultural Left who, in David Hollinger’s phrase, “gave at the office.”

11.      How do we change people? How do we persuade people to let go of deeply held beliefs, particularly if you can’t legislate them with law or education? Sedaris’s moment of “say it like you really, really mean it” matches not only the skepticism of Bromwich about “political correctness,” but Fish’s skepticism about Rorty’s optimism at increased civility. I think Rorty’s right, it has gotten better and partly because of the efforts of the Cultural Left, but Fish is also right in There’s No Such Thing as Free Speech when he says that racism has just gone underground.

How do we change people? Some we try and find the commitments we share in common, what we think is best about ourselves, like our kindness, and try and get them to apply it to areas they aren’t used to, like economics. Argument can work here, but activating those commitments often is the effect of storytelling and other indirect methods. Philosophical propaganda, cultural politics, I think is done best with a mix of honest reflection on the outer limits of your own ideas with as much imaginative, intellectual sympathy for the ideas you find backwards. Never pretend, never condescend, never manipulate or pose—just think as hard as you can and try to get others to think as hard as they can. That’s the Emersonian pose of the American Scholar, avoidant of “group thinking” as Bromwich defined it and attracted to the difficulties of true interchange with ones fellows, what Emerson called thinking in circles.

Some we try to reach and talk to. Some can be changed, though you might never know it; some simply need to be understood, though they won’t think you do. Some we just need to outlive. [14]




Endnotes

[1] Rorty indirectly endorsed Malachowski’s point years later in his reply to Jaroslav Peregrin’s essay in Rorty’s entry in the Library of Living Philosophers. He approved of Peregrin’s citation of Wittgenstein’s claim that he was “in a sense making propaganda for one style of thinking as opposed to another” (PRR 247).

[2] A lot has hinged on just what “attractiveness” is supposed to mean here.

[3] Ironically, both of these thoughts are stated clearly in Peirce’s “How to Make Our Ideas Clear.” The pragmatic maxim for meaning is at the end of section two: “Consider what effects, which might conceivably have practical bearings, we conceive the object of our conception to have. Then, our conception of these effects is the whole of our conception of the object.” And then half way through section four, Peirce says, “The opinion which is fated to be ultimately agreed to by all who investigate, is what we mean by the truth, and the object represented in this opinion is the real. That is the way I would explain reality.” Though many pragmatists, including Rorty, have been lulled into defending a version of Peircean explanations of truth, Rorty came to think of this as like explaining why opium puts people to sleep with “because it has dormitive power. And rocks fall because they have falling power, and helium balloons rise because they have rising power, etc., etc.” Molière’s trope is a favorite of Rorty and other philosopher’s for disposing of the non-explanation explanation. For a defense of pragmatism that rejects the Peircean view using Robert Brandom’s sophisticated notion of a “pragmatically mediated semantic relation,” see my “Better and the Best.” One might consider how the relationship between the possible and the actual functions there and how it functions at important moments in the “Legacy” series—see section 9.

[4] Shklar, Redeeming American Political Thought, 117

[5] For Rorty’s legal pragmatism, see his two essays on law in Philosophy and Social Hope. It’s fairly typical, I think, for us on the left to have a pretty dim view of the neoconservative judges’ respect for the law as an independent body from politics. It’s hard to not see a pattern in five Catholic judges—five!—continually chipping away at Roe v. Wade. It’s hard to read Chief Justice Roberts’s decision in the abortion clinic buffer zone case of McCullen v. Coakley, as when he essentially describes yellers of “baby murderer” as petitioners not protestors and writes that “petitioners wish to converse with their fellow citizens about an important subject on the public streets and sidewalks…. If all that the women can see and hear are vociferous opponents of abortion, then the buffer zones have effectively stifled the petitioners’ message”—to read that and not think Roberts either is an idiot, lives in a cave, or is barely trying to cover his opinion about abortion. However, David Cole’s recent article, “The Anti-Court Court” in the New York Review of Books (Aug. 14, 2014), is an interesting antidote to this gut reaction. Reviewing several recent books on the Roberts Court, the consensus is that “simple partisan politics cannot explain the Court’s results.” Indeed, particularly illuminating is the conclusion of a book about Scalia—that Scalia, despite his acerbic and powerful pen, has in fact been one of the most impotent of Justices.

[6] The best of these, as in most things comedic, is George Carlin: “When it comes to changing the language, I think [feminists] make some good points. Because we do think in language. And so the quality of our thoughts and ideas can only be as good as the quality of our language. So maybe some of this patriarchal shit ought to go away. I think ‘spokesman’ ought to be ‘spokesperson.’ I think ‘chairman’ ought to be ‘chairperson.’ I think ‘mankind’ ought to be ‘humankind.’ But they take it too far, they take themselves too seriously, they exaggerate. They want me to call that thing in the street a ‘personhole cover.’ I think that's taking it a little bit too far!” (Doin’ It Again, 1990) Carlin’s premise is why he is one of the premier philosopher comedians, as well as a tremendous close reader of our cultural habits.

[7] Most of the story happens on 4-6.

[8] I’ll concede—it’s not the only thing it tells you. I have to admit that I have a lot of flexibility when it comes to “watching my language,” as one is told by one’s parents, and am not the kind of person who swears for the principle of the thing—as if my sense of what’s right is the only thing that counts. I’m about to mention sadism, and violating people’s proprieties on purpose is also a kind of sadistic thrill. (Louis CK makes this noise in most of his routines, saying something he calls “terrible” or “the worst.” Why? As he says in, I think, Hilarious, he just likes making the audience uncomfortable.) I’ll also add that I have difficulty with the word “offended” in all of these contexts. I have a hard time saying why, but I have trouble using it to describe something I’ve ever felt. I can be grossed out, made uncomfortable, or horrified at bigotry—but offended? It’s just not part of my emotive lexicon. Sometimes I wonder whether it’s a concept that’s outdated, part of a puritanical interpretation of manners that should be an artifact of pre-democratic days. But I don’t know.

[9] This is from the beginning of Chewed Up (2008), in a bit that is probably the culmination of Carlin’s Seven Dirty Words. One should also see it in the context of CK’s later reflection during the poker game scene in episode two of the first season of Louie.

[10] A recent example I heard on the radio is the conviction of Theodore Wafer for the murder of Renisha McBride. Wafer, on the stand, argued that he was in fear of his life when he opened the front door of his house and shot the unarmed McBride with a shotgun. He said, “I drew first, that’s how I see it.” We can’t make necessary or sufficient causal connections between the idioms we use and the actions we take, but I find this disturbing and telling. Our self-image does have something to do with how we behave.

[11] This is a corollary of the type of stance Rorty took in relation to philosophy, that philosophical theses, like the philosophical problems they are directed toward, are not natural, insofar as that means “universal and inescapable to the mind.” Once one drops the notion that some problems have the potential to arise for any particular mind simply by reflecting, it is a short step to dropping the idea that people have implicit metaphysical theses operative in their daily lives, simply by existing. Once one takes these steps, the relationship between philosophical activity and other activities becomes much more complex. However, this is a deep problem, inasmuch as it was already hard to tell the relationship between the mind/body problem and cooking eggs, so what we’re being told here is equally hard to tell.

For example, Fish is technically wrong that beliefs about belief have no effect on beliefs for the simple reason of his own argument. Fish says that any particular belief only has particular mechanisms for its change, and no general explanation of mechanics is going to affect a particular mechanism, just as the theory of gravity didn’t affect how rocks fell (see especially 280). As Fish suggests, though, the activity of “general explanation” is its own particular activity with particular mechanisms that connect to each other, just as Newton’s theory didn’t affect rocks but did affect Aristotle. So what Fish needs is to argue that one peculiar set of particulars cannot be connected to other sets of particulars. He could do that, but notice he’d no longer be explaining—and thus taking the external view like Newton and rocks—but intervening into how people put together particular beliefs with particular beliefs, an internal view like Newton’s argument with Aristotelians. If a person did believe that Platonism about the self required them to believe in God (for whatever reason), then if Fish converted them to pragmatism it would threaten their belief in God. Fish could wave around his hands and say, “Naw, there’s actually no connection!” but if it is also the case that the only reason they believed in God was the Platonism (as hard as that is to imagine), then it’s just hand waving—the damage has been done if the person can’t find another reason for belief in God. That’s why the relationship between pragmatism and life is complex and Rorty ends up being a little more right than Fish about it. (See, e.g., Fish’s criticisms of Rorty in “Almost Pragmatism: The Jurisprudence of Richard Posner, Richard Rorty, and Ronald Dworkin” in There’s No Such Thing as Free Speech.)

[12] Dave Chappelle has a brilliant version of this in the premiere episode of Chappelle’s Show.

[13] Compare my discussion of Bromwich’s use of this problem in section 2 of “Legacy, II” and its relationship to probability in section 4.

[14] That’s what keeps me up at nights—the premise of the movie Idiocracy. Unfortunately just a passable movie overall, considering the premises for the jokes themselves are all funny, the first five minutes are really quite good and chilling in their likelihood: what if the jocks outbreed the nerds? Poor Luke Wilson wakes up from a deep freeze to wander a desert hellscape in which they water plants with Gatorade because the Gatorade slogan tells them it’s the best at quenching thirst. And aren’t the plants thirsty? The great punchline of the movie is when Wilson finally convinces them to use water to save the planet from starvation. The only explanation they’ll understand for how the water does this? Magic.

Friday, August 08, 2014

The Legacy of Group Thinking, II

“Probability, Community, and Criteria”

1.      This is an addendum to my earlier “The Legacy of Group Thinking,” which goes through some of the major issues I find at work in trying to think through our inheritance of the Culture Wars—in particular, through our inheritance of David Bromwich, Richard Rorty, and Stanley Fish as they negotiated the cultural-political landscape of the ‘80s and ‘90s. In the earlier piece, I didn’t talk much about Fish, but he appears in Bromwich’s Politics by Other Means a couple times getting the sharp end of a point. The main reason Fish is singled out the way he is—in particular for aiding and abetting a myth about the history of literary criticism (which I’m not sure he did)—is because, after Fish became chair of Duke’s English department, he assembled the most star-studded faculty of its time, vaulting Duke into a position of prominence. In particular, the faculty became a hotbed of the kind of cultural criticism that Bromwich takes aim at in his book.

Somehow, Fish is identified by Bromwich as a “right-wing pragmatist,” which I’m not sure is true. Fish’s politics are notoriously difficult to pinpoint, and he delights in hiding them. [1] However they may be, it is something like a lesson from Fish’s playbook that I applied in “Legacy.” My attempt to reframe the merits of multiculturalism in terms of the historical psychology of autonomy (see sec. 5) is basically just the application of Fish’s main point against neoconservative claims of “reverse racism.” He makes this during a debate tour he took with rising-star neocon intellectual Dinesh D’Souza in 1991-92. [2] Neoconservatives were gaining a lot of ground against affirmative action by claiming it was just racism against white people. Fish, in his prepared remarks (collected in There’s No Such Thing as Free Speech), cites President George H. W. Bush’s admonishment of the United Nations for equating Zionism with racism, for the equation forgets history—ignored, as Fish glosses the logic of the argument, “is the historical difference between them, the difference between a program of genocide and the determination of those who escaped it to establish a community in which they would be the makers, not the victims, of the laws” (60).

2.      There is another point at which Fish’s pragmatism, particularly as it is articulated in that book, seems relevant to Bromwich’s argument, and it is this I wish to work around to in this addendum. The first chapter of Bromwich’s book, “The New Fundamentalists,” attempts to outline the problems he sees at work in the implicit agreement the left- and right-wing seems to have had to focus on cultural issues, and mainly group identity. He goes through several examples taken from “the headlines,” [3] and his reading of them is always smart, but one section made me wrinkle my brow.

Bromwich takes up two cases about acting. In the first, he relates the story of Miss Saigon’s trip from West End to Broadway. Wildly successful in England, when the producer took the musical to America, he took two of his leads with him—however, one of them was Jonathan Pryce, who created the role of the half-Vietnamese pimp, and is white. There was an outcry from The Committee on Racial Equality of the theatre actors’ union, Actors’ Equity, who “voted to bar Pryce from performing the role on the ground that a special search had not been conducted for Asian-American actors who might act the leading role” (11). Bromwich takes the brouhaha to make the point “that in art, the suitability of person to role is a matter of strength of imagination—only that” (12). The entire idea of artistic creation is that something that wasn’t there is made to be there. What is an acting role but a cavalcade of thoughts and attitudes and behaviors that the actor has to make appear? So if you can manifest those things, what else should matter qua acting?

This, I think, is a good point. Bromwich says these controversies compose themselves as tensions between culture and art, and that cultural genesis or identity is given priority when in conflict. The idea Bromwich is suspicious of is that being an X gives you a “natural” authority over expressing an X. It is the “natural” we should be suspicious of—Emersonians make the good point that some people just aren’t good at expression. But the Committee on Racial Equality has another argument: “In an ideal world … any artist can play any role for which he or she is suited. Until that time arrives, artists of color must fight to retain access to the few roles which are culturally and racially specific to them” (qtd. 12). Bromwich calls the last sentence “sophistry” on the grounds that “the only index of having truly obtained access on this scheme is to obtain the role,” but I think that’s narrow. This is the arena of affirmative action, and Bromwich’s correct point is that statistical analysis of what races have gained what roles would not tell you whether or not they deserved the roles. And yet, Bromwich seems to be posing naïve here—I find it doubtful that casting agents uniformly disregard race or ethnicity when making their decisions for roles that call for this or that specifically. Until they judge based purely on acting “merit”—more about which in a moment—then I think it is perfectly justified for a group to demand first consideration for their small cross selection of roles. And, I might add, I suspect that the only reason a casting agent wouldn’t disregard race or ethnicity is not because they are racist, but because audiences aren’t ready to judge purely based on acting talent.

Think about it: push the underpinning of the “natural authority” argument to its limit, and in a biopic the only person who would be suitable to play, say, Ralph Waldo Emerson would be the very dead Ralph Waldo Emerson. Wouldn’t he have the most authority to express himself? (There’s a hidden conundrum about identity here: what gives him that authority? After all, isn’t the old Emerson different than his younger self? So why would the elder have authority over expressing the younger?) Yet, push Bromwich’s point to the limit, and wouldn’t audiences struggle with a black Ralph Waldo Emerson in 1840s Concord? Could you blame them?

3.      The previous issue, however, is a point about our current sociopolitical milieu (then as now). I want to ignore that issue to take up Bromwich’s good point that will lead us into his second casting case. Bromwich’s point about artistic creation or expression, I think, is solid. It is about the “strength of imagination” one needs to manifest a pattern of thoughts, attitudes, and behavior. Because this ability to manifest—expression—is necessarily independent of what one is, there is a tension between the desire for better expression and for equality of opportunity. That is how the “tension between culture and art” plays out on that score.

Conceding that expressing is necessarily independent from being, though, is it completely independent? To put it another way, if the idea of expression requires it not to be dependent on what one is, does it follow that there are no connections between the two?

Bromwich’s second case takes August Wilson’s 1991 op-ed as its text. Wilson “brought before the public his case for finding a black director to make a film of his play Fences” (13). Wilson didn’t want a black director merely because he was black, but he also did want a black director. Bromwich characterizes Wilson’s choice as between talent and race. He quotes Wilson saying,
At the time of my last meeting with Paramount, in January 1990, a well-known, highly respected white director wanted very much to direct the film. I don’t know his work, but he is universally praised for sensitive and intelligent direction. I accept that he is a very fine film director. But he is not black. He is not a product of black American culture—a culture that was honed out of the black experience and fired in the kiln of slavery and survival—and he does not share the sensibilities of black Americans. (qtd. 14)
Bromwich notices an ambiguity here in the word “sensibility.” On the one hand, it is functioning as a consciousness-term, as meaning the “experiential sensitivity of a black person” (14), which is, in an important sense, incommunicable. On the other hand—as Wilson’s use of it in “sensitive and intelligent direction” indicates—it also functions as a term of aesthetic judgment. The more sensitive you are in this sense, the more likely you are to catch the nuances and gradations of texture in an experience because you are more imaginative. This second notion of sensitivity, however, must be communicable if it is to function as a criteria at all in one’s ability to produce art. It is on this basis of the distinction between the two on the score of communicability that Bromwich says “something changes … as one passes from a call for life-experience to a call for art-experience” (14).

4.      Bromwich’s sensitivity to words is keen here, but I think Wilson might have expressed his point better. Bromwich characterizes sensibility in the art-experience sense as when “a secret comes to be known by many who were not originally ‘in it’” (14). The experience of the product of art is the communication of something the artist put there—the artist created the possibility of one’s experience of the artwork. Notice that Bromwich has left out of his characterization the crucial moment as one passes from life-experience to art-experience—the moment of art-creation. Bromwich is right, as a function of his point in the Miss Saigon case, that creation is independent of experience. But isn’t the real issue here who is more likely to create the art-experience that communicates the life-experience?

Bromwich avoids this issue of probability, and in part by avoiding the issue of whether or not the artist wants to communicate a life-experience or create a new experience entirely. We can desire artwork that does one or the other, or both. But the former is a matter of accuracy—and who gets to judge the accuracy of an art-experience to a life-experience? For the same reason of the independence of imagination from experience housed in people’s varying levels of sensitivity to texture and nuance, we cannot say only those with the life-experience get to do the judging—but it’d be weird if only white people were judging the accuracy of movies about black people to the experience of black people, right?

Part of this weirdness comes from our awareness of the history of stereotypes—we have a lengthening history of inaccurate assessments of one group by another group. And Euramericans seem to have had an egregious problem with this. [4] Technically there’s nothing at odds with one group judging accurately another group. And the judged-group could all meet to get their story straight in order hide any perceived “faults” of the group. But what are the odds? Might you not be increasing the likelihood of creating an art-experience that is accurate to some sort of perceived black life-experience by having someone who has had a black life-experience?

There are innumerable problems here—for example, not all black people have had the same life experiences. But this is why Bromwich’s choice in example is so interesting in highlighting the issue—he’s telling the artist who he should hire to create his product. Who is Bromwich to tell Wilson who should direct his movie? Not because Bromwich is white and Wilson black, but because Wilson is the artist and Bromwich the viewer. Bromwich seems to have a notion of “strength of imagination” as like a magical elixir that allows you to do anything equally well, transcending limitation. But that’s like thinking “athleticism” has the ability to make a Michael Jordan as good at baseball as he was at basketball. Would you rather have Jordan in right field than me? Sure, but it seems clear that you’d also rather have Darrin Jackson, who you’ve never heard of, than Michael Jordan.

Wilson’s judgment about who he wants to select seems to me this—when you hire someone to create an artistic product, just as when you hire anyone for a job, you are making an initial assessment on the probability that they will later be able to fulfill your expectations. That may not have been precisely what was on Wilson’s mind, but it’s how you defend the validity of the practice against Bromwich’s argument. Wilson’s judgment of the well-known white director seems perfectly reasonable if Wilson has suspicions that the black life-experience he would like to see portrayed might be more likely actualized be someone with those life experiences. The reason the Wilson case is different from the Miss Saigon case, on this score, is because the white Jonathan Pryce had already (presumably) successfully portrayed the half-Vietnamese pimp—so if you are just concerned about portrayal, why not go with the high probability of previous success? [5]

5.      The ideal world the Committee spokesperson was referring to in the Miss Saigon case in section 2 was the one in which there was already equality of opportunity. Bromwich, I’m sure, does not believe that that is not an issue in the world. So while calling the “access” claim a sophistry is too strong, what Bromwich is thinking of is true enough: how do we tell when there is equality of possibility when the only way to tell is through who actually gets what?

This is a version of the very real and very problematic question I closed “Legacy” with in section 7—who are you to tell me when my trauma is over? Who decides when there is equality? This is where affirmative action policies come from—they are an attempt to install additional criteria of relevant merit so that communities can weigh all the considerations they should attend to. This, of course, sounds weird—is it meritorious to be black? This weirdness is what Fish responds to in There’s No Such Thing as Free Speech, particularly in the introduction. Fish’s master argument for his theoretical pragmatism—what drove him from reader-response criticism to interpretive communities to his interventions in politics and law—is that criteria are relative to the communities in which they are applied. So, for example, there’s no such thing as free speech because what counts as speech—or is it gibberish?—is always up to a community, so ipso facto what counts as free speech is likewise constrained by the community. (The most obvious example in American First Amendment law is Holmes’ citation of yelling “Fire!” in a crowded theater.) In the case of affirmative action policies at universities, the complaint is that they put a backseat to “merit”—Fish’s point is not only did the policies not do that, but wasn’t it also the right of the community (in this case, the university and/or federal government as representative of the American people) to decide what package of criteria it wants in order to create the kind of community it wants?

I think this can be applied to an artist creating the kind of art that is communally created—anything that requires the participation of people other than the artist. There’s nothing special about being black or Vietnamese or poor or tall or athletic or pretty—except for all the myriad ways that those attributes change a person’s experience of the world. This is just another way of saying that every person’s experience is unique. That doesn’t mean everyone will be able to produce great art, but it does mean that the materials that could be drawn from by a person’s strength of imagination are going to be different.

The irony I found in this thread of argument in Bromwich’s book is that, not only do I know that Bromwich treats with some reverence the autonomy of the artist from having “responsibilities” to anything other than the vision the artist hopes to articulate—and of which I’ve suggested he runs somewhat afoul of—but this idea of having different raw materials upon which to work the imagination is ultimately an Emersonian idea of experimentalism. [6] Bromwich’s argument, when thought through, erases all of that material in favor of the blank power of imagination—but no creation is ex nihilo. What precisely makes art so interesting is to see that power wielded upon and out of so many different kinds of material. The texture of art is variegated because every person is different, and the apotheosis of imagination one finds in romanticism only works with a proliferation of artists with which to have the space to perform. There isn’t just one standard called “great acting” to which Jonathan Pryce or an Asian-American cleave to, nor one called “great directing.” A white director might make different choices than a black one, and it is the hope of some producers that, given the chance, those black directors might make something never seen before. And isn’t that what we really want? [7]




Endnotes

[1] This particularly comes through in The Trouble with Principle, where at the end he does disclose some substance political stances.

[2] I don’t really think D’Souza is an intellectual, but I feel bad that the neocons don’t really have any respectable ones. Bromwich, for example, makes short work of George Will. Are we really going to count William Bennett? But maybe I’m a little blinkered in this regard. There are always the Straussians, like Allan Bloom and Harvey C. Mansfield. Or how about Samuel Huntington and Francis Fukuyama? (Though, Fukuyama had the decency to come to his senses about the Iraq War, the scales falling from his eyes about his friends in the Bush II administration.)

[3] I talk about one of them, with my own gloss on the event, in “Legacy,” footnote 6.

[4] I refrain from saying why because I’m not sure. My experience in the world and with books has given me a good sense that every group develops stereotypes about other groups—it’s not just white people. There’s more to be said about the conceptual underpinnings of that, but I also don’t think that the nations and cultures of European descent are often singled out, as I have here, simply because they’ve conquered so many other cultures, and so are more in the air—as if, had other cultures simply had more guns and beat back European colonists, it would be more clear that every culture would be on a par when it comes to its stereotyping behavior. I think there is a link between imperialist tendencies and greater stereotyping. But since a lot of bad writing and inferences have gone on with this topic, there’s nothing short to be said about it. The best I can do is to suggest reading Chinua Achebe’s Things Fall Apart (1958). It was the first international best-seller by a native African, and it is one of the most sensitive representations of the moral dilemmas of cultural friction I have ever encountered. At its center is the initial encounter of the Igbo with European civilization, in particular through the encounter with Christian missionaries. But what isn’t easily clear is that the Christian missionaries are wrong in all of their convictions—for one of the practices of the Igbo is to throw twin babies into the forest to die because they are abominations. One of the leitmotifs of the book, though, is the Igbo’s relationship to other cultures and how different it is from that emblematized by the Christian missionaries.

[5] There is a theoretical underpinning to what is happening here. Robert Brandom’s account of normativity suggests how, while normative behavior is not reducible to natural behavior, it is rooted in it. His Sellarsian account of natural events as “reliable differential responsive dispositions” allows him to distinguish between, in his favored examples, iron rusting in the presence of water or parrots squawking “Red!” in the presence of red, on the one hand, and a person saying in English “hey, that table is red” in the presence of a red table, on the other, on the basis that the latter is within “the game of giving and asking for reasons,” which means the person is reliable and correct, whereas the parrot is simply reliable. Given that is the case, people’s responses to the world can be judged according to reliability—like always responding “4” when asked “What’s 2 + 2?”—which is how we can construe a certain class of artistic expressions.

[6] The former is an Emersonian attitude in Bromwich’s argument as well, and came out in my earlier “Legacy” argument as “Who are you to tell me what words to use?” See the end of section 3 to section 4.

[7] Apropos my conclusion, and running in the other direction, I recall Gabriel Byrne once saying (I think in an extra feature for The Usual Suspects) that his acting technique, in complete contradistinction to method acting, is to play a better version of himself. This strikes me as interesting because I have friends that consider it a damning indictment of an actor that “they’re just playing the same thing” (say, Johnny Depp for the last ten years or Robert de Niro for last twenty). Variety is wonderful, but must the variety be in each actor? I’m vexed by the question of whether acting power should be determined by flexibility or not. Isn’t it like asking Jordan to be a great baseball player as well? “Oh, Tiger Woods—he’s a great golfer, but terrible at baseball. Did you see his swing?” Why can’t we praise Woods or Depp for doing whatever it is they’re doing really well? Sure, you might get bored with golf or Depp’s performances, but is that the same thing? At the core of this problem, I think, is the distinction between the Good and the New, which do not dovetail.

Friday, August 01, 2014

The Legacy of Group Thinking

1. The Culture Wars — Semantic authority — Who is anybody to tell me what to call myself? 2. The non-Marxist left — Two cheers for the cultural left — Communitarians against liberalism — The bad metaphysics of the unencumbered self; 3. The sources of multiculturalism — The authoritarian structure of group thinking — Rhetorical groups vs. actual groups — The "I" become "Aye!"; 4. What words I should use — Individuals as ends in themselves — Opting into and out of communities; 5. Autonomy and trauma — Racial wisdom — Thin and fragile communities — The instruments and conditions for autonomy; 6. Pride and Why hope? — Separatism and semantic authority — Shared practices and confidence schemes; 7. Antiauthoritarian adolescence — Who are you to tell me when my trauma is over? — Adults without confidence are a moral problem


1.      In the ‘80s and ‘90s, two parallel discussions enveloped a good part of our time in American political discourse, their energies both sometimes denoted by “the culture wars.” At the national level, debate revolved around affirmative action practices and policies. To see the connection to the term “culture,” one must recognize how “political correctness” as a term of abuse was part of the same debate. While political correctness was attaining infamy, the less abusive “multiculturalism” denoted the more parochial “culture wars” in American universities. The idea behind affirmative action practices was that, for example, systemic forms of racism had become embedded in all kinds of American practices (e.g. in the education system or governmental hiring practices or university admissions processes) and that only by active affirmation of equity could these systemic forms of disadvantage based on racial classification be corrected. As an extension, political correctness was the idea that our language is a practice that performs some of this embedding. When minority groups began requesting (or demanding) semantic authority over themselves, the post-Civil Rights milieu was inclined to hear them. So, as an example, within a short space of time accepted parlance went from “colored” to “Negro” to “Negro-American” to “Afro-American” to “African-American,” with the stock of “black” rising and falling randomly.

Now, I said “accepted parlance,” but some instinct in most of us is going to prompt, “accepted by whom?” If I’d said “approved,” then the siren certainly would’ve gone off. Who is handing out this “approval,” judging the “correctness” of our language? I was talking to a friend recently when for some reason this issue of the shift in what to call black people came up. He’s black and was born in the early ‘60s, and so lived through some of these shifts. With impatience he said, “I grew up saying ‘negro,’ but then I was told ‘black.’ Fine. And then I was told ‘African-American,’ and I said, ‘fine,’ but who cares? Why does it matter? I was born on Long Island, not in Africa.” A little while after that, I was talking to an eminent scholar of African-American literature about Ralph Ellison, and we stumbled into that area as well. I told him about my friend, and he related an old quip that someone made in the ‘80s—that only an academic could’ve come up with “African-American.” We laughed. But this is a nexus of the two cultural wars. My friend is no academic by any means, and he votes Republican. His instinct comes out of the American self-reliant tradition. Who is anybody to tell me what I should call myself? And what does it matter? The scholar and I, however, laughed from ironic self-deprecation, at the pieties of academe. For the reason why “African-American” is ensconced in public discourse is in large part because of its enforcement in the cultural sphere of the university, which permeates laterally other intellectually-minded spheres and longitudinally multiple generations of the college-educated.

2.      There are many relics of the cultural wars, of which Allan Bloom’s The Closing of the American Mind (1987) is probably the most famous. But that book, like the right-wing hatchet jobs that abut it (Profscam, Tenured Radicals), doesn’t interest me in the long-term. What do interest me are the books by those on the non-Marxist left. During this time period, the term “liberal” was used to refer to this left, just as “radical” was used for the kind of leftist that generally preferred a post-Marxist, highly theoretical vocabulary for talking about politics, a left that also had a very negative attitude toward America, sans phrase. Two of these books that I’ve kept close to heart for many years are Richard Rorty’s Achieving Our Country (1998) and Stanley Fish’s There’s No Such Thing as Free Speech (1994). Fish’s book has a more complex relationship to the attitudes and situation of that era, as our own, but Rorty’s book simplifies the issue by splitting the two lefts into the liberal “reformist left” and the radical “cultural left.”

This latter term Rorty picked up at a conference at Duke on liberal education, in the midst of the wars, from a comment Henry Louis Gates, Jr. made about the “Rainbow Coalition of contemporary critical theory.” Rorty thought that this left deserved at least “two cheers,” as he put it in the title to his contribution to that conference. What they were doing in focusing our attention on cultural issues of racism, misogyny, and homophobia, and in particular how our language ramifies those things, was an important step in the history of moral progress. The only problem with this left is that it seemed as if they forgot about the money. Class, as a defining concept in one’s politics, seemed to get left behind, and it was hurting the politics of the left at the national level. And when you see the culture wars against the background of the Nixon/Ford-Carter-Reagan-Bush-Clinton-Bush sequence, one can see the prescience of thinking that the parochial-level conversation was, perhaps not hijacking, but obscuring what was happening in national-level politics.

I have great sympathy for this point of view, for I tend to think—in my naifish way—that money would solve a lot of problems. [1] However, David Bromwich doesn’t seem to think that the cultural left even deserves two cheers. Bromwich, a friend of Rorty’s and an English professor at Yale, went after the cultural left, not on political grounds for forgetting about class and producing a skewed and losing political strategy, but on the cultural grounds itself. In Politics by Other Means: Higher Education and Group Thinking (1992), Bromwich argues that the forces at work in multiculturalism are undermining the liberal customs and traditions that support the practice of democracy. I have a lot of sympathy with this trajectory of thought as well, for debates in political theory at the time of the cultural wars were of the thought that the very concept of tradition was at irreducible odds with liberalism. Thus there was that motley crew of “communitarians”: Michael Sandel’s trenchant attack on Rawls in Liberalism and the Limits of Justice (1982), Michael Walzer’s alternative model in Spheres of Justice (1983), Alasdair MacIntyre’s sweeping story of descent into moral unintelligibility in After Virtue (1983), and Charles Taylor’s equally sweeping story in Sources of the Self (1989).

A lot of the debate with communitarians was extremely productive—at the level of theory. The only thing they all have in common is that they are anti-Kantian, and what Rorty and Bromwich have in common is an equally anti-Kantian attitude toward politico-moral philosophy. [2] The master argument of the communitarians was that liberal political philosophy grew in the bosom of Kantian moral philosophy. Kant argued that “the moral” was produced only by a will that willed actions built on the categorical imperative. These were actions that came from no particular interest—interests are contingent features of your empirical self. Moral action only emits from the transcendental self, which is a will not built out of any particular feature of yourself you may have picked up from your environment of individual growth. This is the form of argument Rawls translated into the “original position” argument: pretend you’re behind a veil of ignorance and know nothing about your own features—what kind of just society would you construct for everyone, including yourself?

Sandel suggested that the nature of the self this politico-moral philosophy imagines is peculiarly “unencumbered.” Thinking of yourself this way, as unencumbered by any relationships to the past, future, or the people around you, then dovetails really quite nicely with a libertarian economics that has produced some really bad socioeconomic disparities. The communitarians, riding high on a crest of anti-Kantian argument, said that the philosophy is unworkable, and without that justification, liberalism must fall apart. Additionally, it has produced a uniquely introverted culture with no tradition of coherence to fall back on because it imagines itself without tradition. As Emerson put it, we are endless seekers with no past at our back. So when Rorty and Bromwich turn to the communitarians, there response is roughly: “No, you’re right—Kant produced a terrible philosophy for liberalism. But political liberalism is a practice and tradition, and it doesn’t stand or fall by its philosophical articulation. What we will do—and the grounds upon which you should debate us—is articulate both a better philosophy that agrees with all your anti-Kantian positions and a sense of what liberalism’s practices and traditions are to help repair what we agree is an increasingly introverted public culture.”

3.      What bound the communitarians together was the effort to work from a post-Hegelian tradition of philosophy. This, thus, brought them close to the wisdom post-Marxists wielded. Multiculturalism, however, had quite other sources than Hegel, or even Marx—what motivated and gave it shape was, not the experience of reading a certain tradition of books, but the life experience of individuals shaped by their categorization as an X. [3] By this I mean, not that a person is a woman, or black, or homosexual, but that the person is reduced to being only that category. If you were a typical white man in 1830 and you saw a man walking down a road in the South, then if that man was black, you knew all you needed to know about him as you approached. “Who do you belong to? Where are you going? Where’s your master?” Multiculturalism was the large-scale implementation of the tactic embedded in the slogan “black is beautiful.” The slogan gets its significance (and efficacy) by rubbing against the practices of treating “black” as if it weren’t—e.g., practices of hair straightening and skin lightening. Multiculturalism was the movement of saying, “it’s okay to be a member of the group you’re identified with.”

The trouble is that that wasn’t all multiculturalism turned out to be. What “multiculturalism” obscures, like every -ism, are the boots on the ground translating the -ism into practice. Bromwich retails a few of these actions, translating them—as every good intellectual must—into allegories for the theoretical and practical commitments at work. Bromwich is very effective in showing how what underlies both the cultural left and the cultural right (e.g., William Bennett and Bloom) is an authoritarian structure. The Hegelian conceptual priority of community to the individual, pace Popper, isn’t inherently authoritarian, but when translated from the arid sphere of political theory to the practical politics of the post-Civil Rights left, emphasis on the embeddedness of the individual in a community produced a line of thought Bromwich calls “group thinking.” An example of its linguistic habits might be seen in my earlier formulation of what happened beginning with the Civil Rights movement: “When minority groups began requesting (or demanding) semantic authority over themselves....” But the concept of a “group” here obscures an ambiguity, for it isn’t like all black people got together, signed a petition of request to be referred to as “African-American,” and then delivered it to white people (a parallel group-designation to go with the first). “Minority group” here is a hypostatization, a rhetorical device to cover the thoughts, feelings, and actions of a number of individuals. The problem is that, unlike the President of the United States who has the authority to speak for Americans in foreign affairs because he received the most votes in an election, there’s no equivalent method for determining who has the right to speak for these rhetorical groups. Thus, when individuals begin formulating their thoughts unreflectively with these kinds of locutions—using the rhetorical “we” as a proxy for oneself and an implicit usurpation of semantic authority—Bromwich says they stop real thinking. [4]

If a group of individuals all start speaking for the group, everything is fine as long as everyone says the same thing. But as soon as there’s dissension—“hey! that’s not what I think!”—then the group will talk amongst themselves about what the group thinks. The thinking, you’ll see, happens before the next speaking of “what the group thinks.” But “black people” isn’t a real group in the same practical sense because there’s no place they all meet on Fridays to decide what they think and what they’ll bind themselves to, take responsibility for. So what happens when there’s dissension in a rhetorical group? Implicit rejection—by dissenting, and individuating yourself with the “I,” you’re automatically on the outside from all the other voices still saying the same thing. Bromwich’s argument is that this kind of rhetorical “we”-ing produces a covert norm of conformity, because once the habit of chanting begins, you’ll notice when someone stops, and if those people with the habits take control of actual groups—i.e. institutional apparatuses with practical levers of control (e.g. firing a person)—then you’ll have incentive to beware calling yourself out. Every “I” will become an affirmational “Aye!” [5]

The cultural left wanted to be antiauthoritarian, but its implementation in an institution—which without authority is not—created the situation in which a black person can be told what they should call themselves because they are black. [6]

4.      But who are you to tell me what words I should use? Who am I, indeed—that line of thought cuts very deep, much deeper than we often allow it to. That question is antiauthoritarian in impetus and demands not only an account of authority, but an account of the moral stance generally—the question undermines our ability to use the word should or ought. Bromwich senses the practices of conformity underlying the emphasis on individuals being embedded in demarcated groups, and this is why he smartly suggests Emerson’s “Self-Reliance” as a spiritual antidote: “Whoso would be a man, must be a nonconformist.” But who is Bromwich, or Emerson, to tell us who we should, ought, must be? In the polemical context, this kind of Idiot Questioning can get old fast, but if we’re going to take Descartes’ idiocy seriously, why shouldn’t we this? In other words, just as Descartes demanded an account of knowledge, so do we still need an account of authority. [7]

This is the problem Bromwich faces: The political project of a democratic community, which the United States was formed to embody, values the individual as an end in itself. Political liberalism says that the point of a community is to produce individuals who are differentiated from the community that produced them. Multiculturalism thus seems regressive for seeing individuals as identified with communities (hence, “identity politics”). The problem isn’t that you shouldn’t identify with a community—Bromwich agrees with Rorty that the left’s inability to identify with the American liberal political tradition is harming their ability to be an effective force in American national politics. The problem is that people aren’t given a choice in which communities they can identify with—if you’re born black, then you just are part of the black community. You might be born in America, and thus be part of the American community, but the entire reason Bromwich and Rorty are compelled to argue that the cultural left should act like it is because they have obviously chosen not to so act. There’s no practical mechanism there to make a person identify with the country and its traditions the person was born into. And if there were—like taking a loyalty oath by affixing a flag pin to your lapel—then it would be as dumb or disastrous as it sounds. [8]

For political liberalism, the idea is that individuals can opt into communities if they wish, like being a cheerleader or going to church. The good point to respond with is that there are some communities you don’t get a choice in, and the analogy here is with family: you don’t choose your family. And likewise, one doesn’t choose what country they’re born into, what genitals they have, what color their skin is, who they like having sex with, or for that matter what church they go to growing up. The point of liberalism, however, is that part of becoming an autonomous adult is growing up and choosing whether to remain in the communities one was “born into” because of who your parents were. Maturity is identified on this scheme with autonomous choice.

5.      I find the identification of maturity and autonomy completely persuasive—after all, nobody on any side of American political debate believes in authoritarian political structures. But because socialization requires authoritarian structures, we differentiate between the rights and responsibilities afforded adults as opposed to children in any number of different contexts, thus endorsing a concept of maturation in the life of the democratic community. However, while I think that’s true, I also think that the history of treatment of individuals based on certain attributes (e.g. gender, race, sexual desire, genealogy) has left a mark on the processes of socialization still felt today. In an individual’s growth, this kind of mark is called “trauma” and I think that concept, as many have used it before, is well-suited for talking about the effects of misogyny, racism, homophobia, and hereditary elitism. When the individual is reduced to a group against their will, it traumatizes and arrests their growth into autonomous individuals.

The best way to see this is to recur to the imagined encounter in 1830s Alabama: one must see that one effect of the white man seeing the black man and knowing all he needs to know is that it produces a mirrored response in the black man—as soon as the black man, walking alone on a deserted thoroughfare in Alabama saw a white man, he knew all he needed to know. For if he didn’t realize that he needed to hide in order to avoid those threatening and physically dangerous questions, then he wouldn’t survive 1830s Alabama. If he’d acted like an autonomous Kantian will, behind the veil of ignorance and unencumbered by the consciousness of being black skinned, then he would’ve stumbled into the very real and very dangerous encumbrances of racism. So part of the practical wisdom that had to be passed from generation to generation for blacks was racial categorization—forgetting that the masters think of you in some respect as all alike could lead to death. Indeed, this racial wisdom becomes self-enforced as the community suffers the effects of one individual’s forgetting of it. [9]

This is why “black is beautiful.” It is an outgrowth of a community forced to be a community by the flimsiest of attributes—one. It doesn’t seem to matter which one; if there’s wisdom in the last 200 years of moral reflection on this, then it might be that the difference between “thin” and “thick” conceptions of moral community might be almost literally quantifiable, and that thin communities might not be durable enough to last and fragile communities might be dangerous to themselves. I’m not convinced of that line of thought, but it seems a profitable direction of inquiry. [10] “Black is beautiful” is the kind of slogan needed to give self-esteem to people who have been traumatized because of a flimsy but dangerous reduction of self. Racism and the other ugly reductions dug a hole for those it affected—and you can’t just levitate out of that hole or pretend you’re not in it; you have to fill it in.

Self-esteem has gotten a bad rap in the last 30 years because—and in fact during this same time period of the initial culture wars—Americans have been found to have too much of it. The favored statistic is the difference between how good we think we are and our test scores that are supposed to quantify and validate how good we are. It has become a consistent fact that we think we’re better than we are. The rugged individualists of America (and people who so self-identify are often on the right politically these days, for whatever reason, with venerable exception for the late George Carlin) were right to laugh and denigrate the “Everyone’s a winner!” movement. Their instinct is that a win isn’t really a win if you don’t earn it. But what they weren’t fully cognizant of is the depth of the problem they still face as parents (and citizens, for that matter) with respect to self-esteem. For self-esteem is in the same family as pride, courage, confidence, dignity, self-respect, self-trust, and self-reliance. These are needed for individual autonomy, and every person in a liberal democracy has a right to the instruments and conditions for autonomy; for every individual has a right to grow and mature into an adult. So this is a practical problem of balance. You have to trust yourself to stand on your own, but Emerson realized that true self-trust is difficult, and cannot be treated as easy: “And truly it demands something godlike in him who has cast off the common motives of humanity and has ventured to trust himself for a taskmaster” (“Self-Reliance”). But you can’t brutalize a growing self either—we’ve all seen the horrors of that in portrayals of competitive sports families. Shame is the mechanism at work in learning the difference between winning and losing, correct and incorrect, but you can’t shame a person into the Stone Age without destroying the fertile ground out of which autonomy can grow.

6.      Rorty understood these difficulties, and so began his Achieving Our Country with a brilliant summary of the relevant balances:
National pride is to countries what self-respect is to individuals: a necessary condition for self-improvement. Too much national pride can produce bellicosity and imperialism, just as excessive self-respect can produce arrogance. But just as too little self-respect makes it difficult for a person to display moral courage, so insufficient national pride makes energetic and effective debate about national policy unlikely. Emotional involvement with one’s country—feelings of intense shame or of glowing pride aroused by various parts of its history, and by various present-day national policies—is necessary if political deliberation is to be imaginative and productive. Such deliberation will probably not occur unless pride outweighs shame.
The relevant problem that Rorty confronts is: what do we do when shameful acts seem to outweigh meritorious ones? The title of Rorty’s book is from a famous line in James Baldwin’s The Fire Next Time (1963): “If we—and now I mean the relatively conscious whites and relatively conscious blacks, who must, like lovers, insist on, or create, the consciousness of the others—do not falter in our duty now, we may be able, handful that we are, to end the racial nightmare, and achieve our country, and change the history of the world.” During Baldwin’s meditation on America, he goes to meet Elijah Muhammad, prophet of the Nation of Islam. Muhammad is essentially a separatist, who cannot hope that America might be able to change. Rorty says of the two:
I do not think there is any point in arguing that Elijah Muhammad made the right decision and Baldwin the wrong one, or vice versa. Neither forgave, but one turned away from the project of achieving the country and the other did not. Both decisions are intelligible. Either can be made plausible. But there are no neutral, objective criteria which dictate one rather than the other.
I take this to mean that there is no answer to “Why hope?”—no knockdown argument to force people into the position of being unentitled to give up on a group loyalty. For as I intimated before, being a citizen of a nation is already a rhetorical grouping on all fours with the ones Bromwich is concerned about, of race, gender, or sexual identity. The problem Bromwich cogently faces is the interaction between these latter groupings and the former. For while they are all rhetorical groupings, the rhetorical grouping of national identity also has practical mechanisms for control. That makes an important difference.

The problem Rorty considers, however, is the role such separatism as Muhammad’s plays in the life of individuals negotiating a world in which all are not in control of how they are grouped. Rorty didn’t discuss this kind of problem very much in his work, but it shows up in his major essay on feminism, “Feminism and Pragmatism” (collected in Truth and Progress). [11] Taking a cue from Marilyn Frye’s book, The Politics of Reality, Rorty says that “individuals—even individuals of great courage and imagination—cannot achieve semantic authority, even semantic authority over themselves, on their own. To get such authority you have to hear your own statements as part of a shared practice. Otherwise you yourself will never know whether they are more than ravings, never know whether you are a heroine or a maniac” (TP 223, emphasis Rorty’s). This is where the interesting friction with Bromwich’s book occurs. The concept of “semantic authority” articulates “control over meaning.” We cannot just define words as we wish—words are public items that ping-pong between users, and thus can be imbued with significance a single individual has no control over. The problem for oppressed groups—individuals who are forced to belong to a rhetorical grouping because of the flimsiest of attributes: one—is that their language has been colonized. (And now you can see how these reflections can be extended even further.)

Language is the instrument of self-definition. The problem Bromwich skirts is that you cannot just declare yourself self-reliant. Self-reliance is earned, but in addition to being an attitude, it is also earned linguistically. Being reliant upon a self you have created from public linguistic materials poses the Idiot Question: are you really reliant upon a self you’ve created and not simply conforming, if unconsciously, to the movements of the herd? You can be confident of such authority when you can “hear your own statements as part of a shared practice.” But what if you’ve historically been disallowed from sharing in the practice? Can you be confident that the practice isn’t just foisting on you thoughts and feelings that are actually detrimental to your well-being, that the practice isn’t a confidence scheme, that you aren’t being conned?

7.      This is the existentialist motif of antiauthoritarian instincts, and teenagers often get to this point in their development. We adults say, “trust me: this is yet for your own good—you aren’t being conned.” And, in fact, adolescent rebelliousness is a requisite stage for autonomy. It might not always take the form we’re used to associating with rebellion—nose rings, tattoos, dyed hair—but if you don’t eventually rebel from an authority figure, then you won’t set off on the course of reflection required for making decisions on your own. [12] So demanding semantic authority looks like adolescent behavior to an adult facing an adult—“take it,” is the response, “I thought you already had it.” But the problem of semantic authority is more difficult than that. This is why the concept of trauma is useful. The problem isn’t “Why don’t you grow up?”; it’s “Who are you to tell me when my trauma is over?” No one can just wish it away, and everyone lives with the consequences. Who are we to tell people to grow up, when—as William James said in another connection—it feels like a fight? In the context of a family, growth and parental figures are part of a neutral, necessary structure of authority. But in the rest of life, treating someone like a child is infantilization and “Ah, grow up!” is fightin’ words. That’s the dilemma right there. Adults without confidence are a moral problem. Telling someone to grow up is cruel. Treating them like a child is equally cruel. Cruelty, as Rorty defined the liberal ethos echoing Judith Shklar, is the worst thing we can do. But we live in a world in which historical conditions have made it difficult to produce autonomy. Worse, even without the weight of history, we don’t know any sure-fire methods of education for producing it. Our only consolation is that the value of autonomy is a relatively recent invention—hopefully we can figure this out.




Endnotes

[1] For example, I still maintain to friends that money would pretty much solve our problems with K-12 education, something I became convinced of after reading Jonathan Kozol’s book, Savage Inequalities. My conviction remains unshaken, even after hearing some very good points from friends on the inside of the situation and debate. Whatever the utility of Horace Mann’s vision of education for the commercialist agenda of turning us into good little drones that mindlessly consume, books like Dumbing Us Down just don’t provide a viable long-term solution.

[2] Some of them were more anti-Kantian than others. Bromwich, for example, feels comfortable with enlisting Kant into the articulation of his point of view, whereas Rorty’s distrust of Kant was so deep that he would never do so, even when he could recognize his compatibility on a particular score.

[3] We shouldn’t, for that reason, underestimate the importance of especially Marx to the theoretical self-understanding of this movement, particularly given the importance of the Communist Party in Chicago and Harlem between the World Wars. (And that’s not to mention the importance of Marx to our current overtheorized left.) One should also mention the importance of Hegel to Franz Fanon in Black Skin, White Masks.

[4] Anyone familiar with Rorty, and particularly Rorty criticism, will wonder how this fits together with Rorty’s practice of using the rhetorical “we”: “we pragmatists,” “we historicists,” “we liberal ironists.” The rhetorical “we” is a flexible device, I think; my instinct is to say that Rorty’s “we” does not occlude thought the way Bromwich suggests can happen with the “we,” and of which people have implicitly suggested about Rorty’s “we.” But as this is the most interesting and original line of argument in Bromwich’s book (that I’ve perhaps taken some liberty in reconstructing), I haven’t been able to think through all of its ramifications. For I also still believe, with Rorty, that you need to say “we” to construct a tradition and a community. (For a discussion of this facet of Rorty and the issues it involves, see my “Two Uses of ‘We.’”) So some serious thinking still needs to be put into how to say “we” without forming group thinking. How do we avoid that? What practices and habits do we need to have in place to make sure sheep don’t just start bleating back to us what we want to hear? It’s not enough to say “practices of self-reliance” because what are those? As long as power and authority are in play in the world, and on theoretical grounds I don’t think it’s possible to get rid of them, then the issue of telling between sheep, shepherds, wolves, and autonomous individuals will seem always to be in the air. Could this be the democratic equivalent of epistemological skepticism? Not the Problem of Other Minds, but the Problem of Autonomous Minds?

[5] I discuss some abstract problems with the “we” prompted by Rorty’s work in “Two Uses,” cited in note 4, but see especially Section 3, when I turn to the question I turn to below in the next section. Also, one might compare my discussion of Brandom’s Enlightenment notion of a “norm of commonality” that he invokes to distinguish Truth from the Good, which is at the base of his distinction between commitments to believe and commitments to act—see “On the Asymmetry,” esp. section 9. Perhaps I should add in this note that, despite my rhetoric in this paragraph about “real groups” and “actual groups,” when it comes to the metaphysics of this, rhetorical groups are as real and actual as these other kinds of groups. But we must make a distinction somewhere, rooted in differences in practice (in this case, practical control), even if it shouldn’t be at the level of ontology. And for my current purposes, we needn’t think it through any further. However, if one wanted a taste of the direction I would go, see an old discussion of Rorty and metaphysics in “Philosophy, Metaphysics, and Common Sense.” That paper moves through a discussion of Socrates, Plato, Robert Pirsig and Rorty on how to define philosophy, and what is distinctive about it regarding my shift in thinking and approach, is that it tries to translate problems in metaphilosophy into practical problems of behaving in the world. The discussion of Rorty is toward the end, starting with a paragraph that begins “Rorty treats professional philosophers the same way.”

[6] The saddest story to my ears was, of course, about the professor: in this case, the black political scientist whose class on black politics was boycotted by the black chairman of the Black Studies department because the latter thought the former “might not sufficiently represent the Afro-American point of view.” See Politics by Other Means, 23-26. What’s sad about it, I think, is not that the chairman had a view about the class—the proliferation of opinions and views and their friction with each other is the essence of Milton’s hope that truth will win in a free and open encounter—but that he led the particular boycott he did, meaning he lobbied the undergraduates in his own class to drop out of the other or get involved in protesting and pressuring other undergrads. (And in the environment we should have the highest expectations for creating a free and open encounter—if not the university, where?)

That’s the same kind of subtle coercion at work as we see at issue in cases like Town of Greece v. Galloway, the recent Supreme Court case where an atheist and a Jewish citizen of Greece, NY sued the town for opening every town meeting with a Christian prayer. During oral arguments, Douglas Laycock—arguing for Galloway and Stephens—suggested there was coercion involved when all are asked to bow their heads or rise to their feet for prayer. Justice Scalia scoffed, saying someone who didn’t want to participate could just stay seated. Laycock responded: “What’s coercive about it is it is impossible not to participate without attracting attention to yourself, and moments later you stand up to ask for a group home for your Down syndrome child or for continued use of the public access channel or whatever your petition is, having just, so far as you can tell, irritated the people that you were trying to persuade.” (See page 37 of the transcript of the oral arguments, found here. An audio version with background of the case can be found here. My knowledge of the case is indebted to a student of mine that did excellent research on it.)

Students in the university need to be able to trust that an instructor’s politics, or other extraneous opinions other than the subject of the course, will not interfere with the student’s ability to take the course and do well. It’s one thing, I think, to let your views about such things filter in through the course in various ways; it’s quite another to begin persuading your students to act on your views. It’s the second that transforms the university space from one of inquiry into one of political persuasion—and political persuasion is coercive if you can be punished for not being persuaded. (I should be honest, though: I have from time to time made a plea for students to pay attention to politics, and to make sure to vote. It’s more or less extraneous to any courses I teach, but I figure I have some sort of civic responsibility to do so.)

[7] Since my concerns are philosophical and not polemical, I’ll add here that Bromwich understands this problem, though he wasn’t largely concerned with it in the space of his book. Bromwich was concerned with the effect of multiculturalism on our practices of higher learning, and particularly the practices of literary study, and not about offering an abstract account of authority. He does, however, have all the resources for one in his chapter “Reflection, Morality, and Tradition” and mounts a short version of it in Ch. 5 with respect to aesthetic judgment, and otherwise does nothing to undercut the possibility of pulling a more elaborate one together. (I don’t here pull one together, but I think Robert Brandom has made available the conceptual resources to do so. In sections 2 and 3 of “On the Asymmetry” (cited in note 5) I give an outline of the main notions at work.) The line of thought I’m interested in is, taking for granted that an Emersonian account of authority is possible, how does that affect our assessment of the situation Bromwich faced? For Bromwich, it is clear from the tenor of his book, was deeply embedded in his polemical situation—i.e. he was very angry and concerned about literary study in America. But as we all know, emotion can fade—and it is helpful for it to fade for us to make reflective historical judgments about whether we should still be angry, or whether we should’ve been angry.

A case in point is Bromwich’s treatment of Barbara Herrnstein Smith in Ch. 5. I’ve grown to think of Smith as a pragmatist ally on the plane of epistemology, and Bromwich’s treatment of her Contingencies of Value is, perhaps not unfair, but at least unkind. It is in that chapter that Bromwich formulates the thrust of Smith’s book’s argument’s response to an expert community’s judgment: “who are we, after all ... who are we to dismiss the person who judges the game or the work quite differently?” I’m trying to give, in this brief space, a sketch of who the “we” is that produced multiculturalism and whose claims have a certain equal standing to the expert community. I think Bromwich is right about Smith, that if she turns her epistemological pragmatism into Idiot Questioning with a political point, then she’s undermining the very idea of expert communities—which is disastrous. However, I also think that a better understanding of just what the issue is that divides the Emersonian Bromwich from the Marxish multiculturalists can give us a better idea about what the real problem is.

[8] Bromwich discusses the equivalent of a loyalty oath in English departments on 26-29. I should say here that there’s another, slightly different point that Bromwich agrees with Rorty on here, and that’s the view that the cultural left seemed to think that by doing their academic work they were doing political work. So, if one spends one’s days deconstructing a text (in class or at the computer), exposing phallogocentrism by showing how Woman is in a marginal position, or if you spend it uncovering the capitalist ideology that is really the motivation of a character in a story—then you needn’t attend a rally protesting the very idea of “forced rape” (is there another kind?) or signing a petition for raising the minimum wage. In the words of David Hollinger’s slogan that Rorty liked, “you gave at the office.” See Bromwich’s discussion at 223-25.

[9] One of the best reminders of this historical experience with its attendant racial wisdom is Richard Wright’s “The Ethics of Living Jim Crow,” which appears as an introduction to his collection of short stories, Uncle Tom’s Children. One way to understand the differences between Wright and the two other major post-Harlem Renaissance writers, James Baldwin and Ralph Ellison, is by the differences in their geographical experience. Wright grew up in the deep South; Ellison in the marginally southern Oklahoma City; Baldwin in Harlem. Wright’s pessimism about being black in America—epitomized in his unforgettable description in Black Boy of it as the “essential bleakness” and “cultural barrenness of black life”—was taken issue with by Baldwin and especially Ellison. Both Baldwin and Ellison sound the polemical notes—Baldwin in his scorching “Everybody’s Protest Novel” and Ellison in “Richard Wright’s Blues”—of autonomous maturity as against what they take to be Wright’s short shrift of black prospects. But it’s possible to see this difference in perspective as one of different experiences—Ellison in particular never experienced the harshness of the Southern experience of being black. Growing up black anywhere in America produced trauma, but it’s important to distinguish between the different kinds of experiences in the different regions that inform those experiences. (I should also add that Ellison’s different experience didn’t stop him from producing an equally unforgettable literary epitomization of Southern black experience in the opening chapters of Invisible Man.) The fight that occurred between Ellison and Irving Howe in print about this issue in the early sixties is probably one of the most enduring polemical exchanges between great minds I know of. Polemic usually causes writings to date themselves, but as Howe suggests in his wonderful reflections on the exchange, their attitudinal differences and the problems raised by both pieces have remained, and prove immensely useful to think through ourselves. Ellison’s piece, “The World and the Jug,” was collected in Ellison’s Shadow and Act, and was a response to Howe’s defense of Wright against Baldwin and Ellison, “Black Boys and Native Sons.” The latter should be read as it has been collected in Howe’s Selected Writings, 1950-1990, with its two retrospective addendums from 1969 and 1990.

[10] I’m not going to try to unpack the significance of the thin/thick distinction. It has played an increasingly prominent role among a series of thinkers and I think we’ve only begun to understand the distinction’s utility in conceiving the relationship between conceptual thought and politico-moral community. Thin/thick attempts to play the role once played by abstract/concrete, but in an attempt to avoid some of the dialectical seesaws of nominalism and platonism. The idea was seeded by Clifford Geertz in his famous essay, “Thick Description: Toward an Interpretive Theory of Culture” (1973; included in The Interpretation of Cultures). It has lived a life in many, but the most important for my purposes are Rorty’s use of the distinction in CIS to articulate the concept of “final vocabularies” (see 73) and Walzer’s usage in his little book Thick and Thin: Moral Argument at Home and Abroad (1994).

[11] I think this is one of his most visionary essays that we’ve yet to mine completely of insight. Much of Rorty’s later work, as he readily admits, was repackaging of earlier ideas for different audiences. Only occasionally does Rorty find himself in a position to formulate a new insight in this kind of work, since a good portion of it was also carrying further conversations with old interlocutors (e.g. Putnam, Habermas, etc.) or unimaginative ones (e.g. the many responds-to-his-critics books that Rorty took time to do). (I don’t mean to devalue either kind of work, particularly the latter; garden work is important to do for both sides—you can’t always be breaking new ground.) But the essay on feminism puts him into many interesting, new dialectical positions that produce some interesting reflections on pragmatism. One will find the general form of the argument I’ve made above about an individual’s self-esteem on TP 219.

[12] Against the background of his infamy as the supposed leader of a rebellion against analytic philosophy, Rorty once recalled that “my parents were always telling me that it was about time I had a stage of adolescent revolt. ... They were worried I wasn’t rebellious enough” (TCF 4).