Showing posts with label appearance/reality. Show all posts
Showing posts with label appearance/reality. Show all posts

Friday, October 07, 2016

The Legacy of Group Thinking, IV

“Race and the Limits of the Rhetoric of Fiction“

1.      Matthew McKnight recently took up the position David Bromwich occupied facing multiculturalism, but now facing the much more politically energized and organized force of the Black Lives Matter movement. BLM is in fact the eruption of the stance that underlied ‘80s and ‘90s multiculturalism, just as multiculturalism was the diffusion of the energy that underlied ‘60s and ‘70s black nationalism. If there is an important difference with BLM, it might simply be that the accessibility and fluidity of social media has made the reality of police brutality to non-white persons inescapable. You didn’t have to tell African-Americans growing up in the ‘50s and ‘60s about that reality, but too often it didn’t escape the communities where it existed. Like gossip, it was an immutable code of operation for some and an easily dismissed apparition for others.

It is the ghost of American slavery that we are still haunted by, and it is that ghost that McKnight and Bromwich—like everyone else on the left—want to exorcize. The difference between those like McKnight and Bromwich and those energized by multiculturalism is, from one perspective, a matter of means. McKnight draws a parallel between BLM’s success in using video taken of police brutality and Frederick Douglass’s use of the burgeoning technologies of photography. McKnight notes that the “national attention” BLM has focused “on police injustice is a commendable achievement. However, for all its dynamism and appeals to moral goodness, the movement shares a foundational belief with Douglass: the ideology of race as a natural fact.” [1]

McKnight sees affirmation of the existence of race, which he thinks a fiction and created by the use of concepts like “race” and “racism,” to be the wrong move when facing the destructive force of white supremacy. He follows Karen and Barbara Fields, in their Racecraft: The Soul of Inequality (2012), in thinking that racism “always takes for granted the objective reality of race,” and that the latter demands “the doctrine that nature produced humankind in distinct groups, each defined by inborn traits.” [2] This ideology of race, however, is a fiction—“No operation performed on the fiction,” the Fieldses say, “can ever make headway against the crime.” The conceptual field of race is a bear trap, and to acknowledge the reality of its grasp is to amputate part of yourself as the only response. McKnight, like Bromwich, sees individualism as the worthy end that lies beyond race, racism, and group identity. Individualism is the hope that, as McKnight puts it, “you and I might be able to define ourselves by individual and ever-expansive terms.” Group thinking reduces us. “An individual,” McKnight acknowledges, “might be compelled to contend that it’s her individual choice to identify as black, or that being black is a matter of culture, not race—but those are just different, perhaps more consoling, points of entry into the same trap. An individual who proclaims an identity based on diffuse general terms begins the work of erasing herself.”

2.      Just like Bromwich’s, this is a powerful, Emersonian argument that I have much sympathy for. But if McKnight and Bromwich represent the Emersonian left opposed to the Hegelian left of multiculturalism, then I still find myself reaching for Hegelian philosophical weapons to repair the equally Emersonian individualism I want to affirm. [3] McKnight makes the unfortunate choice of exchanging what we might call Reality Depth Charges with what he calls the ideology of race. Racism takes the “objective reality” of race for granted—but it’s just a fiction, fake, not there! McKnight’s rhetoric of fiction (as well as ideology) implies that the objective reality is, rather, not-race. It requires, at the level of theoretical hygiene at least, some sort of epistemological defense of that claim, some sort of argument for thinking you’re seeing reality objectively and the other person fictionally.

From the perspective of philosophical pragmatism, this is a tactical misstep, but it is one that obscures the real power of multiculturalism and BLM. McKnight cites Nikole Hannah-Jones as an example of falling into the trap of the ideology of race:
How do you explain the visceral and personal pain caused by the killing of a black person you did not even know to people who did not grow up with, as their legacy, the hushed stories of black bodies hung from trees by a lynching mob populated with sheriff’s deputies?
McKnight comments, “The reader, here, is assumed to share a belief in the tenets of racecraft: that race is genetic, that one can know how another might think and behave based on the presumption of race, and that the order of our society is fixed.” McKnight’s attribution far outstrips the actual work of that sentence. The only thing required by that rhetorical question is the participation in a community that exchanges those “hushed stories.” McKnight overreads Hannah-Jones at this point because he’s operating under the assumption that the concept race requires geneticism. The benefit of the Hegelian stance that community precedes concept is that one can avoid the trap of thinking that concepts come necessarily with any conceptual baggage. Rather, words are learned in communities and communities teach them for particular historical reasons to respond to particular situations. You can’t short-circuit the task of understanding a community by jumping straight to conceptual implication.

3.      I don’t mean to imply that McKnight is not the sensitive cultural critic he actually displays himself to be in “Black as We Wanna Be.” But his argument that racecraft is as illusory as witchcraft (which is the analogy the Fieldses designed) is the kind of cavalier attitude that masks an acknowledgement of the courage actually required to abandon race as cultural category. McKnight gets this, but still fudges the difference when he says: “We’ve lived with racecraft for so long that the mere thought of abdicating one’s colorness can feel like being asked, in a duel, to lower your gun first.” That’s just the problem—it feels like a duel because it is a duel. We can’t just wish the gun away when there are real consequences to not being conscious of the color of one’s skin in certain situations. Conceptual pragmatism is a kind of philosophical idealism in which we create the world in which we live—there is no reality to be seen clearly to correct our concepts, no reality that we can just get everyone to wake up to all at once. [4] McKnight cites Douglass’s own pragmatism (rather than any ideology of race as natural fact) when Douglass says, “All subjective ideas become more distinct, palpable and strong by the habit of rendering them objective.” Douglass is describing an activity of making what one thinks the reality that others have to operate in. Douglass, McKnight, Bromwich, the Fieldses, and BLM all want to replace one reality with another, but it won’t be accomplished by hoping our long, national nightmare is like the Salem Witch Trials.

McKnight is right that “in the face of what often feels like a siege against all of the people who identify and are identified as your kind, self-preservation is a powerful impulse.” [5] He’s also very right that “self-preservation alone cannot lead us to a more equal society, because self-preservation would never let you put the gun down.” This perfectly characterizes the moral courage actually required in our cultural situation, as opposed to pretending the gun doesn’t exist. While I’ve tried to identify something cavalier in McKnight’s argument, that is not how I would characterize McKnight’s stance as a whole. I think the stakes are just as he describes them, on the “intellectual and spiritual plane.” The fact that The Nation carries this conversation among leftists is a tribute to the vitality of leftist debate. Though the Emersonian left is often overshadowed because it unsettlingly echoes the right’s magic words of “individualism” and ”choice,” the still too-Marxist intellectual left in America needs to be reminded of its own implicit agreement on what the America they want to achieve looks like: a just freespace of self-definition.




Endnotes

[1] All quotations of McKnight are from “Black as We Wanna Be,” The Nation, Oct. 10, 2016.

[2] Quoted in McKnight.

[3] For some context for this vocabulary of discussion, see sec. 2 of “The Legacy of Group Thinking.”

[4] A clear moment of fudging the difference between having courage and being cavalier is when McKnight says, “Neither have we healed from racism’s trauma; neither have we awoken from racecraft’s spell.” It takes courage to grow from one’s trauma; it’s cavalier to think that trauma is just a hypnotic sleep we can be snapped out of. See my own use of “trauma” to talk about Bromwich’s cavalier stance in sec. 5 to the end of “Legacy.”

[5] I think one should emphasize “are identified” much more, which was the major argument I took to Bromwich’s book in "Legacy." See sec. 5’s argument about “racial wisdom,” especially with footnote 9.

Friday, August 23, 2013

Davidson’s “On the Very Idea of a Conceptual Scheme”

1. Getting Davidson better press — Talking about your own problems; 2. Pragmatic holism — Words are not stilts — Idealism — Linguistic holism; 3. Avoiding idealism; 4. Incommensurable paradigms — Smells like idealism; 5. Close reading the conclusion of “Very Idea” — Empiricism motivated by realism — Conceptual relativity; 6. Truth is between sentences — On the very idea of mediation


1.     
Davidson’s and Wittgenstein’s writings are not easy for the nonspecialist to grasp. Neither are those of Kant and Hegel. But the work of original and imaginative philosophers such as these, in the course of generations, gradually comes to have an influence on the entire culture. Their criticisms of our intellectual heritage change our sense of what it is important to think about. A couple centuries from now, historians of philosophy will be writing about the changes in the human self-image that Donald Davidson’s writings helped bring about. [1]
Richard Rorty, who was a personal friend of Davidson’s, wrote this shortly after Davidson’s death. So this strong claim has two strikes against it: 1) friendship often colors and 2) interesting prophesies are often wrong. But as amplification, and from someone deeply immersed in intellectual history, it’s a striking thing to say about a philosopher no one outside of small coteries of isolated individuals—called Anglophone Philosophy Departments—has heard of. Not so with Wittgenstein, who gets good press amongst other departments, even if there aren’t many who really know what he was on about. However, Wittgenstein was an eccentric person and carried out his philosophy eccentrically—he just seems more interesting, and so attracts the mind at a more superficial level. Davidson, so far as I know, led a quiet life carrying out a philosophical project amongst a group of fellows who increasingly separated themselves from the life of other disciplines.

I’m not a specialist, but I’ve picked up some things about anglophone philosophy, and I tend to think Rorty was probably right about Davidson’s significance. So what I’d like to do is just provide a little of the context that I understand to be at work to make one of Davidson’s most famous essays more accessible to the layreader, especially students of literature. [2] Davidson once told Rorty “that he had never tried to solve anybody else’s problems, never discussed an issue simply because others were talking about it.” [3] This is a double-edged sword. On the one hand, it can aid in the avoidance of the entropy that sets in quicker for those whose writings are too timely. Most of us are doomed to be only understood within the claustrophobic space of our immediate situation—you could understand what our remarks mean if you knew more about the history of the conversation we were taking part in, but why would you want to? In the hands of a thinker of genius, however, such ignoring of your context can give a freshness because if you know beforehand that these are just your problems, then you are usually more careful to make sure your reader knows what you’re concerned about. Davidson has this freshness, based on his idiosyncrasy, but he is also not completely idiosyncratic—he is taking part in the Conversation of Philosophy, and sometimes in setting up his problems, it’s not always apparent how to situate him in philosophical space. You have to know something about the history of a conversation to understand any conversation. These are just a few notes toward that end.

2.      The first thing to know is that if you haven’t already read Willard van Orman Quine’s “Two Dogmas of Empiricism” (1951), there is no point in reading Davidson’s “On the Very Idea of a Conceptual Scheme” (1974). Davidson generally should be seen, in many aspects, as extending certain basic Quinean ideas, and in “Very Idea” he is pursuing an argument that extends the basic pragmatic holism that underlies that earlier paper. The basic gist of that extremely influential essay is that the empiricist project of analysis—“linguistic analysis” being built into the self-image of anglophone philosophers since Bertrand Russell and Rudolph Carnap—is fundamentally flawed if is based on two very bad ideas. “One is a belief in some fundamental cleavage between truths which are analytic, or grounded in the meanings independently of matters of fact, and truths which are synthetic, or grounded in fact. The other dogma is reductionism: the belief that each meaningful statement is equivalent to some logical construct upon terms which refer to immediate experience.” [4] The second dogma represents the specific manifestation of empiricism as a core philosophical project after the linguistic turn. If, as empiricists since Locke have maintained, we are born tabula rasa, a blank slate, then everything is learned and thus rooted in experience. This means you have to build backwards to experience if you think there is anything at a distance from it. This is a kind of atomism, where the goal is to give an account of our conceptual activity by constructing complexities out of simples that can be tied directly to their origin in our immediate experience of the world. Words are like stilts—they each are grounded in the world, and if they aren’t, you’re just floating in the air, unconnected.

The linguistic turn in anglophone philosophy, however, made an important move away from the realm of philosophical action that had animated 18th and 19th-century philosophy—the mind. Experience, for most empiricists, happened in the mind, which is also where conceptual activity occurred because before the linguistic turn, ideas were concepts, not words. [5] Tired of the Hegelian Absolute Idealism of the preceding generation of British philosophy, Russell and G. E. Moore said sucks to that—skip the ideas and go to the only manifestation we deal with. “Philosophical analysis is linguistic analysis” became a kind of fighting faith as this kind of metaphilosophical, methodological viewpoint swept Philosophy Departments. However, part of the motivation for rejecting the Bradleys and the McTaggarts was to move away from a wooly-headed spiritualism and towards an embrace of the natural sciences. The hard, tough natural sciences are empirical, and the founding of analytic philosophy also marked the resurgence of empiricism in philosophy. But empiricism—rooting everything in experience—poses a problem for a philosopher who also thinks that the natural sciences are the best at doing that kind of thing. What’s left for philosophy to do?

Linguistic analysis! We’ll study words and meaning, and how they mean. However, the only way for this to be a distinct project that can’t be taken over by a science is if some of our words aren’t rooted in experience in the requisite way. So the analytic/synthetic distinction took hold as a means to keep something distinctive for philosophers to do, helping the scientists with their words, if you will. The iconic example to establish the plausibility of analyticity—the notion of a statement that depends for its truth only on the meanings of the words composing it—is “A bachelor is an unmarried man.” That statement is true and the shenanigans of married and unmarried men matter not a whit to that judgment. So definitions are a paradigm of the analytic, as opposed to a synthetic statement like “That rock just fell on my foot,” where you’d have to check my foot for a bruise and the vicinity for a proximal and culpable rock.

Against the atomism of trying to give an account of simples connected to experience being put together to create complexes and trying to separate out the “just language” parts from the “experience decides the truth” parts—which the project was foundering on—Quine substituted a holistic picture of our interaction with our environment:
The totality of our so-called knowledge or beliefs, from the most casual matters of geography and history to the profoundest laws of atomic physics or even of pure mathematics and logic, is a man-made fabric which impinges on experience only along the edges. Or, to change the figure, total science is like a field of force whose boundary conditions are experience. A conflict with experience at the periphery occasions readjustments in the interior of the field. … But the total field is so underdetermined by its boundary conditions, experience, that there is much latitude of choice as to what statements to reevaluate in the light of any single contrary experience. No particular experiences are linked with any particular statements in the interior of the field, except indirectly through considerations of equilibrium affecting the field as a whole. [6]
This is, essentially, the picture that holists like Davidson, Rorty, and Robert Brandom all wish to remain loyal to. The only difference is that all three are a lot less likely to conflate what Quine elsewhere calls the “web of belief” that is described here with “total science.” With that metaphor of the self as a web of belief, Rorty and Brandom in particular take the further step of thinking of belief as Alexander Bain did—as a habit of action. [7] In this case, one of the most relevant habits of action here is the action we take to articulate a belief in words. The core idea here is that our beliefs, and the sentences we use to articulate them, mean what they do both because of their relationship to each other and the whole of them to the environing world. The use of any particular word or sentence is underdetermined by the world by itself. “Snow is white” might be true, but why use it instead of “La neige est blanche”? Both are true, but only in relationship to their home language in English or French and the world doesn’t tell you which one to use. The picture here is of a self as a kind of amoeba, whose permeable sides can be crossed in specific ways. On the inside are linguistically articulable beliefs and on the outside is the organism’s environment. [8] What Brandom calls language-entries (i.e. “perception”) and language-exists (i.e. “action”) are fundamental to how this self interacts with its environment. [9]

3.      One problem this picture has incurred is of avoiding the charge of idealism. The problem of idealism in philosophy in the last 200 years is the problem of avoiding Cartesian solipsism. Descartes inaugurated the problem by means of his radical doubt—if I can doubt everything but that I’m doubting, then at least I know that. The premise of this line of thought, of course, is that a certain primacy is given to knowing, or epistemology. Idealism, however, first got off the ground as a corollary of empiricism, not the rationalism of Descartes. Berkeley felt that the consequence of a thoroughgoing empiricism, an effort to put experience first, led to the belief that the only thing you really know then is your experience—the stuff happening in your own mind. This is the connection between empiricism and phenomenalism, the 20th century manifestation of the notion that the appearances just are the reality.

This is troubling, for it seems like admitting that the only thing you can really be sure of is in your own mind, and that is reality. Kant’s transcendental argument, about what we think of as empirical reality needing the categories of the mind, hoped to avoid this problem of idealism, so that as the old formula has it, only a transcendental idealist can be an empirical realist. But given his descendents in German Idealism, who had other agendas, idealism has remained the bugbear of realists, those who demand a robust sense of a world out there. When you look at Quine’s holistic picture, it seems nice, but realists want to know an awful lot about why there’s such radical underdetermination and how one defuses the problem of connecting to reality attendant to the relative independence of the inside of one’s web of beliefs.

4.      These are the problems Davidson concentrated some of his most original work on. For in the time between Quine’s “Two Dogmas” and Davidson’s “Very Idea,” a revolution had occurred in the philosophy of science, which given the fighting faiths of analytic philosophy was a very important subground. Thomas Kuhn’s The Structure of Scientific Revolutions was published in 1962. In it Kuhn made the argument that scientific theories and experiments were elaborated within in what he called paradigms. A paradigm for Kuhn is essentially the guiding assumptions that undergird the conceptual content of those theories and experiments. [10] Given the nature of the relationship between assumptions, inferences, and conclusions, however, this means that if you change your root assumptions, it doesn’t make sense to say the old conclusions are false—you simply can’t draw them from your new assumptions. [11] Kuhn drew from this kind of consideration the conclusion that different scientific paradigms were incommensurable, that paradigm shifts in scientific activity—such as the shift from geocentric, Ptolemaic astronomy to the heliocentric, Copernican—are not logical transitions from the falsification of assumptions, but rhetorical transitions by simply replacing one set of assumptions with another. But this means, then, that proponents of alternative paradigms beg the question over each other in argument because they are working from different assumptions. Paradigms are incommensurable because from each standpoint one cannot attain a position in which to even judge whether the other is true. And thus Kuhn was led to his most regretted line, that “though the world does not change with a change of paradigm, the scientist afterward works in a different world.” [12]

“Works in a different world”—smells just like idealism. It’s against this background that Davidson intervenes, collecting together the linguist-anthropologists Sapir and Whorf, the calm Kuhn and the fiery Feyerebend, and his mentor Quine—quoting the passage I pointed to above as the holistic picture—as all suggesting a picture of different conceptual schemes organizing a world that is otherwise a blank without such organization. The criterion that seems to be implicitly at work in all of them to tell when we actually have different conceptual schemes at work is failure of translation. This philosophical perspective then infers from this failure an inability to translate between them.

Davidson doesn’t think there’s a “between” here. He thinks that whatever the picture of language is that has given rise to what Hilary Putnam called the “cookie-cutter view of reality” is false. He calls the scheme/content distinction, that between “organizing system and something waiting to be organized,” “a dogma of empiricism”—“the third, and perhaps the last, for if we give it up it is not clear that there is anything distinctive left to call empiricism.” [13]

5.      The above should put you in a better position to read the essay. (I’m not confident enough to think it’s sufficient, but it might be a good start.) The view of Davidson articulated above is pretty much that of Richard Rorty. [14] In what follows, I’d like to close read Davidson’s conclusion in order to bring out how the above interacts with his specific mode of articulation. The final paragraph of “Very Idea” runs like this:
In giving up dependence on the concept of an uninterpreted reality, something outside all schemes and science, we do not relinquish the notion of objective truth—quite the contrary. Given the dogma of a dualism of scheme and reality, we get conceptual relativity, and truth relative to a scheme. Without the dogma, this kind of relativity goes by the board. Of course truth of sentences remains relative to language, but that is as objective as can be. In giving up the dualism of scheme and world, we do not give up the world, but re-establish unmediated touch with the familiar objects whose antics make our sentences and opinions true or false. [15]
As I’ve tried to suggest above, in the program of empiricism as a motivation for analysis, the idea was to reduce words to nonwords, to get back behind the complex mechanics of semantic meaning to the atomistic simples directly tied to reality or experience, the individuated things that made some sentences true and not others. If there was not some “uninterpreted reality,” empiricists thought, then we’d have no hold on reality for it would just be a morass of relativism—words pointing to words in a nightmarish Cartesian solipsism. This is empiricism itself motivated by realism. [16]

The thing to understand in this context is how this is empiricism through the looking glass of Kant. What Davidson is saying in the first two sentences might be paraphrased as “you might think that we are giving up on objectivity if we give up the idea of an uninterpreted reality and thus sink into relativism [first sentence], but it is that very idea of an ‘uninterpreted reality’ that produces the possibility of relativism.” That’s what Davidson means when he says “this kind of relativity goes by the board”—i.e., we can’t even make sense of this vulgar relativism without the dogma, so none of its considerations, objections, concerns, or arguments are relevant.

In the rest of the paragraph, then, Davidson is trying to reconstrue what we should mean by conceptual relativity and objectivity. At this point, it is important to not construe Davidson as having identified language with conceptual schemes. At the beginning of the essay, he says, “We may accept the doctrine that associates having a language with having a conceptual scheme.” [17] But what Davidson is doing at the beginning of the essay is leading us dialectically through the inside of this line of thought. We might paraphrase his mode this way: “we may accept this hypothesis about how to understand language, so if we do, this is how it would have to work...oh, it doesn’t work the way we need it to...guess we have to reject it.” (Obviously there are two points at which the mechanics of the argument might be criticized, then: whether Davidson has correctly gotten a handle on how it has to work and whether he’s identified things we need to be done by the theory.) Everything at the beginning leads up to his famous line about the third dogma. He’s attempting to show how contemporaneous discussions of “incommensurability,” then white hot because of Kuhn and Feyerabend’s explosive fight with the Popperians, run back through Quine’s gauntlet of the two dogmas, and how Quine then isn’t enough to show what the problem is with radical incommensurability of languages/schemes/vocabulary.

6.      So here’s the last two sentences again: “Of course truth of sentences remains relative to language, but that is as objective as can be. In giving up the dualism of scheme and world, we do not give up the world, but re-establish unmediated touch with the familiar objects whose antics make our sentences and opinions true or false.” To understand what Davidson is saying here I find it helpful to think of Alfred Tarski’s Convention T (which Davidson, I think, has in the back of his mind). “Claim ‘P’ is true if and only if P.” Here’s the famous example: “The claim ‘Snow is white’ is true iff snow is white.” (I’ve thrown in the shorthand of “if and only if.”) This is now sometimes called the disquotational theory/definition of truth: take off the quotes to find out what needs to be the case for the sentence to be true. (Lately this is also called the deflationary theory of truth.)

Davidson is saying here, first, what Rorty repeats in Contingency, Irony, and Solidarity: truth is a property that only holds in languages, between sentences (“relative to language”). So, there is a kind of relativity here, since I might say “Snow is white” or “I think snow is white” or “La neige est blanche,” all of which might say the same thing. However, these three claims are as objective as can be, Davidson thinks, because we already know how to judge their truth by the way the world is. Snow is white if snow is white; likewise, since the French use their sentence in exactly the same contexts as our English one, we can say the two sentences say exactly the same thing, talk about the same world. “I think snow is white” can express the same thing as the first two, but Tarski shows us that it might also tell us something slightly different: “The claim ‘I think snow is white’ is true iff I think snow is white.” And depending on who is using that sentence, you might come up with different answers, unlike “snow is white.” For why would we say that the claim “I think snow is white” is true tout court just because I happen to think so? (“I” is what they call an indexical, like “here” and “now”—they refer very differently depending on context, and thus can radically change truth-values.)

When Davidson says “unmediated touch,” what he’s saying here is the same as when Rorty rejects the metaphor of thinking of language as a medium. Davidson shouldn’t have said “reestablish,” for his real point is that we couldn’t possibly be in a position where we weren’t in contact with the world in such a way that our common modes of adjudicating the truth of sentences might globally be suspicious. (This the Cartesian threat of skepticism.) Rorty’s argument goes backwards to Hegel, whose attack on “immediacy” in the Phenomenology of Spirit is the first attack on the Kantian framework that Davidson is, we could say, rephrasing in the analytic idiom. [20] Rorty wants to say that language is more like an arm than it is a veil (or a map). That means “snow” is just as connected to snow as your hand.

There are a number of more general problems scared up by this discussion, most especially how we are to understand Davidson’s argument’s relationship to Kuhnian notions of radical conceptual shifts. Kuhn is ostensibly a target, so does Davidson’s argument require us to reject Kuhnian paradigm shifts? I will return to these problems.




Endnotes

[1] Richard Rorty, “Out of the Matrix,” Oct. 5, 2003 in the Boston Globe

[2] I should add that literary critics have not remained completely ignorant of Davidson’s work. (And putting it that way, I hasten to add, makes it sound like it’s their fault, when it isn’t. Really, it isn’t anybody’s fault—and that’s despite the tone in the body, above, where it sounds like I’m sliding blame in the direction of the philosophers. That’s a rhetoric I’ve more picked up from Rorty than I should feel entitled to. In the last few years, I’ve become increasingly tired of people complaining about how their particular hero has been “ignored” or someone else’s hero was “anticipated” by theirs—and you can probably find me making such complaints, but I’d really rather weed that out. They sound so uncouth in others, so why should I keep it up as well? In our lengthening age, who actually has time to stay abreast of everyone? Why can’t we learn to lay off the horn, and just show people why we happen to like so-and-so and leave omniscience to the gods? Scholars have an interest in promulgating a sense that there are certain things you need to know to be considered in the club—the problem is that there are a lot of different clubs now, and generally this is a good thing. I have more thoughts about this in “Do We Need a Center, or Generalities?.”) There is a very good collection of essays edited by Reed Way Dasenbrock, Literary Theory After Davidson, and though a philosopher, Samuel Wheeler III’s book, Deconstruction as Analytic Philosophy, is of inestimable value for literary critics desiring an approach to Davidson because of their general familiarity with Derrida and de Man.

[3] “In Memoriam,” 318 in the International Journal of Philosophical Studies, 2006

[4] Quine, “Two Dogmas of Empiricism,” 20 in his From a Logical Point of View

[5] I say “most empiricists” because many pragmatists would like to include pragmatism within the ranks of empiricism. In particular, for James and Dewey, everything was experience—they collapsed the distinction between experience and world that is needed to constitute the idea of a mind radically distinct from the world, and thus create the possibility of being out of touch with it, a problem hovering in the background of all of this. For a different version of this story about the foundation and demolition of analytic empiricism at the hands of Quine, Sellars, Davidson, and Rorty that discusses its relationship to the pre-linguistic turn maneuvers of James and Dewey, see my “Quine, Sellars, Empiricism, and the Linguistic Turn.”

[6] Quine, “Two Dogmas,” 42-43

[7] Brandom, as he likes to cutely point out, technically does not believe in belief. In his systematic philosophy of language, he avoids it in the official account, though provides the means of seeing how to move back and forth between various common ways of understanding the concept of “belief.” See in particular his Making It Explicit, 195-6. He’s also proud of the fact, and his Ph.D. dissertation advisor Rorty is as well, that “experience” does not appear once in that massive book, though that is tangential to the issues here.

[8] When did this web of belief become a biological construct? Sleight of hand, given that it would take me too far afoot to justify the suitability of this picture for humans, though clearly it won’t work, say, for actual amoeba who have an environment but no language. This is a problem that needs an account, and some of Brandom’s best work goes some way in justifying the analytic’s fighting faith in thinking that it’s a good idea to just avoid talking about “mind” and “experience” given how other animals probably have them and instead find a way of talking about the specific problems that arise for us language-users. Brandom calls this the demarcation problem and it is terribly important, particularly for various ecologically-minded intellectual movements, e.g. forms of “posthumanism.” (I apply this Brandomian insight to posthumanism and give the example of one particular treatment of intentionality in “Posthumanism, Antiessentialism, and Depersonalization,” sections 3-5.)

[9] Rorty gives a Davidsonian account of this kind of thing—with a picture!—in his “Non-reductive Physicalism” in Objectivity, Relativism, and Truth.

[10] They are much more interestingly complex than this—for example, the nature of an exemplar in Kuhn’s vocabulary points in a particularly pragmatic-attitudinal direction, as opposed to my reduction of the paradigm to a semantic-conceptual essence—but for my purposes this may suffice.

[11] Say you have an argument like this:
Assumptions: P and If P, then Q
1. P
2. If P, then Q
3 Q
This codifies in symbolic notation the inference from the two premises, (1) and (2), which are assumed to be true, to the conclusion (3). But what if you had a different set of assumptions?
Assumptions: P and R
1. P
2. R
3 …
There is no inference to be drawn from just P and R. Does that, then, make Q false? Nope—it doesn’t, in fact, say anything at all about Q or the conditional If P, then Q.

[12] Kuhn, The Structure of Scientific Revolutions, 3rd ed., 121. A new fourth edition, with a long essay by the most important philosopher-historian working after Kuhn, Ian Hacking, has recently come out, and the pagination is near-identical to the 3rd, but not quite. (Note: I’m not counting Foucault in that evaluation because he worked out of a different tradition than Kuhn. Interestingly, however, Hacking is the heir of both Kuhn and Foucault, being one of the earliest and still most cogent commentators and appreciators of Foucault’s project.) There are significant differences in pagination from the 3rd to the earlier ones.

[13] Davidson, “On the Very Idea of a Conceptual Scheme” in Inquires into Truth and Interpretation, 189

[14] One of Rorty’s more infamous essays, “The World Well Lost” (in Consequences of Pragmatism), is in fact an excited extrapolation of the argument Davidson makes in “Very Idea,” except that Rorty published it a year before Davidson got around to publishing his. (Rorty, similarly to Kuhn, later regretted the rhetoric of that essay.) Rorty’s most thorough treatment of what he takes the importance of Davidson to be is his “Pragmatism, Davidson, and Truth” (in Objectivity, Relativism, and Truth).

[15] “Very Idea,” 198

[16] In Note 5, I suggested that James and Dewey considered themselves empiricists of a different stripe, and talking about motivation—the connections and relative priority given to different doctrines—is another way of articulating kinds of difference within camps marked out by isms. For example, one might think of James and Dewey as empiricists who aren’t realists and Davidson and Brandom as kinds of post-linguistic turn, analytic philosophers who are neither empiricists nor realists.

[17] “Very Idea,” 184

[18] See CIS 4-5

[19] See CIS, Ch. 1, esp. 10-13

[20] An earlier important attack on immediacy in the Hegelian tradition was Sellars’s in “Empiricism and the Philosophy of Mind.”

Friday, August 06, 2010

One of the Most Important Chapters in the Entire History

I don't think this piece is as interesting as my first piece on the Don, "The Necessity of Adapting to Changing Circumstances," but it fills in a connection with another preoccupation of mine, Romanticism and the form of life it spawns. I use below a trope I like to use to describe that lebensform: a fish-blink life, the life of someone for whom each moment is their first. "Oh, a rhinestone!" [blink] "Oh, a rhinestone!" [blink] "Oh, a rhinestone!" This is an idea that Wyndham Lewis best explicated in Time and Western Man as what the embodiment would be if someone lived the apotheosis of the immediate found in the English Romantics and theorized by Bergson. I find it quite resonate not only with those who philosophize the Quest for Immediacy, but also the regular kinds of people who extol immediacy and the derived mysticisms from that idea. Combine this with Don Quixote's madness, and you have a thesis project.

References are to:
Samuel Putnam's translation of Don Quixote (1949).
The 1971 translation of Foucault's The Order of Things.
Evelyn Rugg and Diego Marin's translation of Jose Ortega y Gasset's Meditations on Quixote (1966).
Anna Bostock's translation of Georg Lukács's The Theory of the Novel.

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Taking well in hand the notice that use of superlative is rife throughout Don Quixote, I think we should yet take special note of Chapter 6, Part 2: “Of What Took Place Between Don Quixote and His Housekeeper, Which Is One of the Most Important Chapters in the Entire History.” This chapter functions as something like a portal in Part 2, which as Cid Hamete Benengeli, our Moorish author, says doesn’t really get started until Chapter 8 (Cervantes 651). What we get in this chapter are a series of repeated figures in Don Quixote, most of which we are quite familiar with by now, but some of which are brought to the fore in a special way.

The chapter opens with the niece and housekeeper noticing that Don Quixote, still caught by “his ill-errant conception of knighthood” (637), is bent on going out on more, as the housekeeper says, “adventures but which I call misfortunes” (ibid.). These revaluations of situations between Don Quixote’s view and on-lookers are, of course, a constant feature, but these two, in particular, call on Don Quixote to give us his view of knighthood, and thereby adventure. When asked why he can’t just stay at court like other knights, Don Quixote gives us a neat division between courtiers and knights-errant. Whereas courtiers, Don Quixote says, “may travel all over the earth merely by looking at a map,” we knights-errant “take the measure of the entire globe with our feet” (638). Don Quixote locks down the significance by saying, “We know our enemies not from pictures but as they really are” (ibid., italics mine), which is extraordinary given how Don Quixote’s reality—how things really are for him—is taken from books of chivalry.

The truly extraordinary event—and fairly new as far as self-evaluations of his own situation go—occurs when Don Quixote then promptly says that “We pay no attention to the childish rules that are supposed to govern knightly duels…” (ibid.). For one who is as intent on following the law and letter of the order and rules of chivalry, such stark scorn is startling. Even as Don Quixote might easily reply that he’s only ever upheld the rules for knights-errant, which is what he’s talking about in contradistinction to courtiers, the repeated figure is still that of the order of chivalry, which does go wider than just knights-errant (as the commonality between Don Fernando and Don Quixote displays). The nearest predecessor to this newer explication is even more startling: “Who is so ignorant as not to know that knights-errant are beyond all jurisdiction…?” (481), this to the Holy Brotherhood at the Inn in Part I.

I’ll come back to this figure, but for now I’d like to continue with Don Quixote’s discourse. What we get in chapter 6 is a window into Don Quixote’s sense of self, his sense of what chivalry and knight-errantry are all about, as a result of his (vain) attempt to persuade his niece and housekeeper that all is right in the world. We get the color of this window when the niece attempts to rebut Don Quixote with the obvious (to us) retort, “your Grace must remember that all this you are saying about knights-errant is a fable and a lie” (639). To this Don Quixote exclaims that this is a “blasphemy you have uttered” (ibid.), which is a curious, religious turn of phrase. You normally would only blaspheme against God and his sacred vassals, but—as Don Quixote later explains—“chivalry is a religion in itself” (657).

That the niece would “presume to criticize these knightly histories” (639) prompts Don Quixote to give another extraordinary discourse, this time on a distinction between knights within knight-errantry. Letting loose his anger, Don Quixote recurs to the great Amadis: “What would my lord Amadis say if he could hear such a thing?” (639) Hearing himself exclaim in such a manner as to figure Amadis for vengeance causes Don Quixote—within each distinct moment as he ever is—to hasten to add, “To be sure, he would pardon you…. But there are others who might have heard you, and in that case it would not have gone so well with you” (ibid.). This distinction between Amadis and “rascals” gives us a picture of knight-errantry much like the double figure of God—both smiter and forgiver.

I think we should take Don Quixote’s exclamation of Amadis as a surprising moment for Don Quixote himself, for which he then has to patch up and look reasoned with his further discourse on the two kinds of knights-errant. I think the niece hits the nail when, after this discourse, she says, “in a pinch you could get right up in the pulpit or go out and start preaching in the streets” (640, italics mine). The reason I think we should take Don Quixote as somewhat surprised at himself is that I think Lukács is describing Don Quixote when he says, “The complete absence of an inwardly experienced problematic transforms such a soul into pure activity” (Lukács 99, italics mine). Don Quixote has the unshakeable “inner certitude” (ibid.) from the centeredness he takes from his faith in the order of chivalry, and so simply enacts that order on the reality that confronts him. Now, Lukács says that such a soul is “incapable of any contemplation” (ibid.), to which the obvious rejoinder in the case of Don Quixote would be—does he not reason quite often and quite intelligently? He does, but Don Quixote does not think, he holds forth in speeches and lectures, all internal functions becoming immediately externalized. There is never an “inwardly experienced problematic,” for there never really is any problem—on the inside. All of Don Quixote’s problems arise from his externalizations.

All Don Quixote ever experiences are external problems, which we can otherwise call “adventures.” As Lukács says, “the life of a person with such a soul,” as Don Quixote has, “becomes an uninterrupted series of adventures” (ibid.). And as Ortega says, “each adventure is a new birth of the world, a unique process” (Ortega 132). Don Quixote moves through the world like a fish—every time the fish blinks, it confronts a new world in isolation from the old, and so mainly too with every new, demarcated adventure. That is what it is to be a being of pure action—like a fish-blink life, your whole set of habits are brought to bear fresh on each situation devoid of context, once the “adventure” signal is given. An exemplary example of this is Master Pedro’s puppet show. Don Quixote interrupts the show twice to critique the proceedings, clearly not caught up in the action of the show, but still not reflective on what’s happening. Don Quixote is rather commenting on it from his inner source of action: he interrupts the second time to say that the bells are inaccurate, full of inner certitude at the bells being “beyond a doubt a great piece of nonsense” (Cervantes 807). To this Master Pedro retorts, “Don’t be looking for trifles,” and Don Quixote—action met with action, in this case speech with speech—backs down (“You have spoken the truth”), not because he’s reflected on the issue, but like a sword being parried by another, he must accept the parry and move on—just like his own parry of himself when he surprisingly figured Amadis for vengeance. And from this context of being completely not caught up in the action of the puppet show, Don Quixote suddenly and inexplicably is, as Ortega puts it, “snatched up in the illusory vortex” (Ortega 133). Typically, we would think of a show like this as bringing people like Don Quixote under a spell, slowly putting them to sleep, but Don Quixote's reactions in this scene are like being wide awake one moment and sawing logs the next. The only plausible explanation is through the Ortegean sense of adventure—Don Quixote suddenly received the mysterious signal that a new adventure had started (“Upon seeing such a lot of Moors and hearing such a din,” Cervantes 808), one that required its own new problematic (the Moors are attacking!) and solutions (save “so famous a knight and so bold a lover as Don Gaiferos,” ibid.).

These adventures are the externalized manifestation of the hero’s reality principle. The hero seeks adventures to prove this reality principle, which is why, as Ortega adds, Don Quixote’s will is “obsessed with one single goal: adventure” (Ortega 136). The adventure is the externalization of the hero’s will, which is to be oneself, which is to bring us around in a circle, for the hero's self is his reality principle. Ortega says, “this will to be oneself is heroism” (149). This radical involution—adventure is the externalized will of the hero; the hero’s will is to be himself; he is his reality principle; Don Quixote’s reality is knight-errantry which is adventure—is at the heart of such surprisingly forthright statements of honesty as “We pay no attention to the childish rules” (Cervantes 638) and “knights-errant are beyond all jurisdiction” (481). The order of chivalry attains primacy for Don Quixote only because of a previous act of will, as he continually intimates at almost all points—e.g., in chapter 6, “Heaven wills, fate ordains, reason asks, and, above all, my own will desires” (642, italics mine). Ortega says at one point, “Far from the tragic originating in fate, then, it is essential for the hero to want his tragic destiny” (Ortega 154). The ultimate act of expression for a titanic will like Don Quixote’s was to will the restraints of the order of chivalry on himself, which at the same time are the restraints of constant adventure and enactment of one’s will, “beyond all jurisdiction.”

If one asks what the external point of all this willing of oneself and seeking of adventure to prove the reality of one’s will (or rather, the will of one’s reality) is, then it can only be the record of that titanic will—fame and immortality. Though we get more and more reflections on fame and eternal glory as we move through Part II, more and more involved with the books on Don Quixote as they come out (and Chapter 8 provides us with the first good treatment of fame), Chapter 6 does have those subtle inflections of essential thematic that are inherent in the reiterable essence of chivalry that is Don Quixote. After his taxonomy of knights and then knights-errant, Don Quixote gives us a theory of people: those on the upswing, on the downswing, always up, and always down. Of the latter, he says they had “neither a good start nor a subsequent history that was in any way out of the ordinary and who accordingly will have a nameless end…” (Cervantes 640, italics mine). They “increase the number of the living without any other claim to fame, since they have achieved no form of greatness that entitles them to praise” (641, italics mine). Don Quixote sees “greatness,” not as money or land, or honor or virtue, but as deeds that are recorded—becoming a “name.” The former list falls out from the attainment of the latter, as the promise of an island is continually held out to Sancho Panza. And that is Don Quixote’s tragedy. Don Quixote’s tragic fate, which he wills and desires, is to be Don Quixote—his will is to be the titanic will of Don Quixote, that laughable figure of titanic will. Don Quixote’s tragic fate is to be the immortal, literary figure of Don Quixote. Which is Ortega’s point about epic—the titanic will is out of place, and Don Quixote is that exemplification of an out of place will, and as such is both tragic and comic, buffoonish and sad.

Friday, July 16, 2010

Morton and Metaphysics

Timothy Morton's recent book, Ecology without Nature, is an interesting, provocative meditation on the notion of nature in writing--and since all "notions" are conceptual, articulated things, nature, when when we talk about it, is always, in an attenuated sense, "in writing." Morton's book is broken into three massive chapters. The first is required reading for anybody working with nature-writing: Pirsig, Thoreau, Edward Abbey, Aldo Leopold, whoever. The most important portion is a very astute itemizing of rhetorical techniques, what he calls an "ambient poetics," and what they are usually doing for these kinds of writers. Morton calls nature-writing "ecomimesis," which from its Greek roots would mean "imitation of the home." Just playing around with his terminology can yield interesting insights, even if you for the most part ignore everything else.

Which is what I would like to do to large swaths of his book. A lot of it, so it seems to me, is mired in fancy Derridean clothing that, while not tanking his unique perspective (as it totally would of a lesser critic), is quickly becoming out-dated. What I wrote below tries to bring out what that is.

Even as that is so, the second chapter is an attempt to link Romantic poetry, the Romantic ethos, the consumerist ethos, economics and our ethical thinking about nature. And while certain aspects are still too marxist for me to take seriously (which is to say, once you shuck the marxist vocabulary that requires a platonic method to constitute, the sentence loses its polemical point and so any utility at all), Morton has written previously on a much larger scale about only that subject, and some of the things briefly stated in this book are interesting and plausible. I can't wait for the day that our cultural-studies thinking forgets about marxism so that it can really spread its wings. The third chapter is a looser cavalcade of speculative, philosophical thinking about how we might "represent" (the modern translation of mimesis) nature. There are some interesting bits, to be sure, but reading Stanley Cavell (like this chapter from In Quest of the Ordinary) is probably a more productive use of time.

References are to:
Timothy Morton, Ecology without Nature, (Cambridge: Harvard University Press), 2007

*NOTE* The footnote links won't work unless you're on the specific post page (by clicking on the title link). You'll have to excuse my crappy coding.

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Near the center of his book, Morton makes this statement about the center of his book: “Ambience is really an externalized form of the beautiful soul. Without doubt, the discovery of the beautiful soul as the form of ecological consumerism is the most important concept in this book” (121). The difficult equivocation tucked into this statement is between “ambience as the rhetoric of talking about ‘the outside’” and “ambience as an historical construction.” Much of Chapter 1, which is given over to the discussion of ecomimesis and the poetics of ambience, reads like a manual for how to achieve the effect of there being an environment in one’s writing. However, granting that “strong ecomimesis” is “distinct and modern” (32, 33), Morton still spends most of the book talking about just how inescapable this rhetoric is while at the same time speaking of it as historically arising out of particular circumstances. But if the beautiful soul is a peculiar moment in the unfolding of the Western Geist, as Hegel thought and Morton following a Marxist brand thinks, it is unclear how ambience in general could be the externalized form of this particular historical construct, though it is clear how that being the case could make the beautiful soul look nearly inescapable.

One of the virtues of Morton’s book is his elaboration of a poetics of ambience, of the rhetoric of inside/outside. Its main vice is its assumption of the inescapability of metaphysics. Take Morton’s elaboration of the Derridean notion of the “re-mark,” which he takes to be the fundamental mark of ambience. He says, “there is nothing underneath the wave/particle distinction. The same is true of the re-mark. Either the inside/outside distinction is constituted, or not” (50). The analogy is perfect for his purposes, but on elaborating this point again at the close of the chapter, Morton immediately follows with “Not that the distinction is real; it is entirely spurious” (78). What could this mean? For a distinction to be an illusion, there would have to be a reality to the situation that you could then elaborate, but Morton expressly says that there is “nothing underneath” the distinction.

This curious equivocation is repeated in a similar way in Chapter 2, which is a recrossing of Marx back with Hegel to read the phenomenon of Romanticism. Morton suggests that Hegel's notion of the beautiful soul is an amping up of a picture of the mind that Morton calls “the ideology of consumer capitalism”—“the mind is like a supermarket and … our consciousness floats, with free choice, among various ideas that can be selected at will, like so many different bottles of shampoo or magazines” (126). This is an excellent description, as is his articulation of the beautiful soul as, in summary, one who values “transformative experiences” qua transformative experiences (111), whose “purpose is to have no purpose” (112) because the point is not what you are transformed into (the eschewal of content), but the transformation itself (the form). And though elitist Baudelaire-types (Romantic poets, bohemians, hipsters, etc.) realize self-consciously this lebensform, every mindless repetition of “supermarket consumption” reinforces the self-conscious form’s possibility of flowering by emphasizing how every act of “free choice” of this or that bottle of shampoo is but an abstract emblem for one thing: Free Choice. This drains the content leaving only the form (that which lies behind, e.g., the post-9/11 idea that if you don’t buy stuff at the mall, the terrorists will win).

So far a good bit of cultural criticism. However, “ideology” as a term can only receive its utility from a contrast with something else, if not Marxian “science,” then at the very least some other ideological form (taking “ideology” in a very neutral, descriptive sense). So on the one hand we have the ideology of consumer capitalism’s picture of the mind as an empty consciousness floating around making “free choices”—but what is the alternative? Morton nowhere comes close to suggesting that he wishes to revamp a Marxist-like notion of “science” or any other kind of epistemological method with which to pierce behind the veil of appearances to reality, yet he says—in a constant motif of avoiding anything smacking of the “new and improved”—“these ‘new and improved’ versions of identity never entirely get rid of the paradoxes of the idea of self from which they deviate” (176). Morton doesn’t think we can have a new picture of the self: “We cannot come up with a ‘new and improved’ version of identity that will do without the paradoxes and aporias associated with it” (182). And yet it is not at all clear why not. One could grab Iris Murdoch at random from a bag full of anti-Kantians (Richard Rorty, Annette Baier, Bernard Williams, Alasdair MacIntyre) and it would be easy to show that not only does Murdoch identify the trouble with what we might call modernity its picture of an empty self (blaming it largely, though perhaps in the long-run unfairly, on Wittgenstein), but that she feels quite content in elaborating a picture of a non-empty self. What is unclear is not only how her picture of the substantial self catches itself up in Cartesian paradoxes and aporias, but more especially how it wouldn’t only improve Morton’s picture of an ecology without nature.[fn.1]

To help substantiate this, I would point to Morton’s approving mention of the “Western Apache’s use of narrative in the naming of places,” where “there is no difference between a place and the socially reproving and improving stories that the Apache associate with it, and thus, there is no nature” (180). Compare this to Rorty’s extrapolation of Daniel Dennett’s picture of the self as a “center of narrative gravity” to the general picture of any object as a center of “descriptive gravity.”[fn.2] In Rorty’s picture of the self, and indeed anything we differentiate as an object (which means putting into the foreground with a background), language is indelibly wrapped up into it. This has caught Rorty a lot of flack in the anglophone philosophical world, but it chimes perfectly with Morton’s appreciation of Derrida’s comments on narcissism, which are echoed when he says, “One cannot help anthropomorphism” (180).[fn.3] Indeed, Morton goes quite far in laying the groundwork for a rapprochement with American pragmatism when, following Marx’s pragmatism (encapsulated best in the “Theses on Feuerbach”), he says, “In order to be sitting by a fire, you have to satisfy certain needs” (181). This in one fell, odd semantical swoop captures the pragmatist point that differentiations come attached to purposes—it wouldn’t be this or that “place” if it weren’t satisfying certain needs, for which the distinction between an object in the foreground against a background is but the tool.

It is at this point that Morton would start making contortions. For one, he says that the possibility of the expansion of sympathy from the human to the nonhuman implied by Derrida’s work on forgiveness seems to imply “that we should treat animals and plants as ends in themselves and not as means. But the paradox is that maintaining this view denatures nature” (180) What isn’t clear is why this is bad—we are replacing one conception of nature for another, are we not? Morton’s Derridean enjoyment of paradox gets in the way of his point. After making the pragmatist point about tools and purposes I elicited earlier, he says “the debate about environment and world—between humans who are able to contemplate their needs aesthetically (with distance), and animals who make do with whatever is around them—is thus a red herring” (181). Morton, who is referring to John McDowell’s book Mind and World, is absolutely right, though I think his point is obscured by his transformation of McDowell. Morton is referring to a section in McDowell’s book where he is intent on elaborating a distinction between “mere sentience” and “second nature,” which humans have. Here’s the key line: “When we acquire conceptual powers, our lives come to embrace not just coping with problems and exploiting opportunities, constituted as such by immediate biological imperatives, but exercising spontaneity, deciding what to think and do” (McDowell 115) The key disagreement between McDowell and Rorty is McDowell’s reinvention of Kant’s notion of spontaneity as different in kind from “coping.” For pragmatists, the purpose behind the deployment of differentiations is coping. McDowell wants a radical difference between what animals do and what humans do. What’s unclear in Morton’s appreciation of the problem is what he could mean by calling this question “profound”: “are animals capable of aesthetic contemplation?” (Morton 181) For McDowell and Rorty, the difference is language and so, in Rorty’s rejection of the distinction between environment and world as a red herring, he would say the question is as profound as the task of figuring out whether the animal is linguistic.[fn.4] So what could it mean to reject the distinction as a red herring and still find the question compelling and profound?

A capsule summary of the background to Morton’s book would be that it assumes that Derrida was correct when he elaborated the notion that philosophy is rhetorical yet rejects rhetoric and that philosophy is inescapable. Morton’s book has the vices of its virtues in this approach—he precisely avoids all those questions in which the Derrida-like unavoidability of paradox might become suspect. This isn’t exactly a criticism, for it would be like criticizing the creator of a new paradigm for spending too much time constructing it—at a certain point you want to stop abusing the blueprints and see what goes up. The oddity of Morton’s experiment, naturally, is in turning deconstruction into a basis for construction, but this simply embodies the paradoxes Morton continually finds rooted and unavoidable at the bottom of every deconstructive investigation. It is this issue of “unavoidable paradox” that should provide a moment of true curiosity for the deconstructive deep-sea diver—for how is the baptism of a paradox into metaphysical unavoidability any different from a Cartesian Archimedean point?[fn.5] Morton teases out paradoxes in the rhetoric of ecology and, rather than getting rid of them, makes them the basis of his constructive project, the way the world is that we must deal with. But how does this not turn deconstruction into a Cartesian method of piercing behind the veil of appearances to reality and not turn Derrida into a foundationalist? The problem is neither paradigm-deconstruction nor paradigm-construction, but rather—as in all major, interesting philosophical difference—picking the wrong assumptions to hold with conviction (in the Greek: dogma) and build off of. This doesn’t “demolish” Morton’s project, of course, which is the true virtue of his book. For as much as his rhetoric against much thinking revolves around the threat that they are seeking the “new and improved” and he is radically not (somehow), it hardly clouds the interesting ideas that pop out.

Endnotes

[1]Murdoch elaborates this view in “The Idea of Perfection” in her The Sovereignty of Good (Routledge, 2001) (which can also be found in the very representative collection of her essays, Existentialists and Mystics). She says this picture, which she finds behind the behaviorist, existentialist, and utilitarian, is a “happy and fruitful marriage of Kantian liberalism with Wittgensteinian logic solemnized by Freud” (9). Her view of the self is based on emphasizing “contexts of attention” to the process of choice, and of dissolving the notion of a “will” that undergirds Kantian moral philosophy, treating so-called “decisions” as more like “compulsions.” In her attack on the will, she mirrors Williams in his book Shame and Necessity and MacIntyre’s notion of “emotivism” in After Virtue.

[2]This is in his essay “Daniel Dennett on Intrinsicality,” particularly 105-110, of his Truth and Progress (Cambridge University Press, 1998).

[3]For further remarks along this line on anthropomorphism with respect to animals (particularly my reference to Snell), see "The Representation of Animals."

[4]Rorty's most illustrious student, and McDowell's long-time colleague at the University of Pittsburgh, Robert Brandom, has also reconstituted Kant's shadow in the face of Rorty's long-standing battle with it (since "The World Well Lost"). While McDowell tries to breathe life into Kant's notion of "spontaneity" (which Rorty comments on in a 1998 article in the journal Philosophy and Phenomenological Research), Brandom breathes fascinating life into Kant's notion of the "unity of apperception" (in the first chapter of his 2009 Reason in Philosophy). The difference between McDowell and Brandom, and why Rorty would have endorsed Brandom's version of Kant, is that McDowell tries to make an ontological distinction between "mere sentience" and the "second nature" of language. Brandom, on the other hand, takes Rorty's Davidsonian point and works further from there to show just what the addition of language does entail to our difference from animals, for the move from sentience to sapience. This point is most stunningly worked out in the last chapter of that book, "How Analytic Philosophy Has Failed Cognitive Science," where Brandom reverses Rorty's long (long) standing notion that philosophy does not make progress by showing (and convincing even me) that philosophy, indeed, does show results that other disciplines might want to bone up on.

[5]For a little more on metaphysical baptism, see closing two paragraphs of "Dynamic Quality as Pre-Intellectual Experience."

Friday, July 09, 2010

Stuart Hall, Codes, and Theory

This was a presentation whose goal was to explicate two articles by Stuart Hall, "Encoding, Decoding" and "Cultural Studies and Its Theoretical Legacies." It's a useful exercise for students, to help leverage oneself into another's theoretical perspective, but I also took the time to press some of my own positions on Hall's theory of coding. Hall's notions--or rather, perhaps, his metaphor--became extremely popular in the just budding field known to English Departments as "cultural studies." Hall was at the forefront of what came to be known as the Birmingham School, the place where English Marxist critics fled to do what they wanted to do, and one lasting field they helped pioneer was the study of popular culture. (The balance between the two poles of literature and popular culture might best be exemplified by Raymond Williams on one side and Dick Hebdige on the other.) One finds the metaphor of coding, for example, in Fredric Jameson's The Political Unconscious: a Marxist, but only oddly a member of cultural studies (mainly because, hinted at in the last section, most of whom identify as doing cultural studies don't want to say they are working in a discipline, and Jameson still held that Marxism--through its teleological philosophy of history--can still provide a ground for such work).

The article below functions as a primer on dislocating oneself from pre-Quinean philosophy of language. While anglophone philosophers of language largely don't work with Saussure, anglophone English professors largely don't work with Quine. Since whatever background I might be granted is in the anglophone tradition, I bridged the gap by being abstract, but the points Hall scores against the "defunct model," as I call it, are basically the one's post-positivists want to score. Where we go from there is the $64 question not everyone agrees about, and where my line of critical pressure comes from. But the basics about encoding and decoding is the same kind of thing Donald Davidson, for example, would want to say (with his account of triangulation).

You'll also notice a Marxist vocabulary blithely used (ideology, substructure): not my favorite choice, but Marxism underscores almost all the lasting critical trends that have made it to the new millennium. While deconstruction has thankfully petered out, New Historicism, Cultural Studies, and Post-Colonialism are still chugging along. But I cannot emphasize baldly enough: I hate the Marxist vocabulary. I think it just obscures everything important in a cloud of self-righteousness. So, while for some righteousness seems a necessary condition of their writing (like Jameson), for others the cloud lingers and annoys (like Hall, who seems otherwise quite sensible). Call it a bias, but I can't see that anything is gained by talking about "ideology" or "substructure" once everyone's turned in their "I have a science/method to distinguish illusion/ideology from reality/substructure!" cards (which even Jameson admits to not having).

All references are to The Cultural Studies Reader, 3rd Ed., edited by Simon During.

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What’s Meaning?

How is meaning generated? In an old version, “meaning” was seen as a little bundle put together by a speaker/writer and sent out into the world to be caught by a hearer/reader—meaning as a kind of paper airplane, or better—bullet. On this model, a reader shotguns sentences into her mind and understanding is a matter of getting each of these bullets right.

Hall sums up this defunct model in “Encoding, Decoding” as the “sender/message/receiver” (478) circuit. The biggest trouble is how thin the notion of each segment in the circuit is—how does the sender construct the message and what, exactly, does the receiver do with it? In an attempt to do justice to both ideology and substructure, Hall constructs a model of meaning generation and dissemination that attempts to capture, in an isolated yet flexible fashion, the various pieces of life that go into the creation of a bit of meaning.

Encoding

Every piece of communication—from a whisper over wine to Tom Brokaw’s bramble-mouth—has both a means and an end. For means, in the case of broadcast news, we can list cameras, computers, cell phones, satellites, green screens—all of these serve particular kinds of purposes in generating particular kinds of meaning (simply recall the “how cool are we” gesticulations of news outlets during the 2008 election with their holograms and mega-maps). In the case of writing, paper, pens, computers and other devices all contribute to the kind of meaning able to be produced (consider the case of Blake’s engraved poetry). Even—and this is key—in the case of one-on-one verbal communication we must—in order to remain coherent materialists—count utterances as material means. Think of the different kinds of meaning produced by the words “I love you” when said by a classmate versus Johnny Depp over wine. Not simply the producer is at issue here, but too, think if Depp had yelled it or, with all the charismatic power of years playing celluloid (now digital) heart-throbs coming to his aid, whispered it in your ear. When Hall says, “the organization and combination of practices with media apparatuses” (478), I think we must think long and wide. Every computer chip, every light bulb lighting Brokaw’s face, every acting lesson Depp took to get on 21 Jump Street—these all combine to transform senders into the particular kind of sender they are. The “means of production” in Hall’s vision of Marxism is considerably widened: “knowledge-in-use concerning the routines of production, historically defined technical skills, professional ideologies, institutional knowledge, definitions and assumptions, assumptions about the audience and so on…” (479).

Having the means doesn’t produce meaning—you must have a message to impart. Thus enters the notion of having an end-in-view—the combination of the means with an end produces the encoded sign-vehicle (478). In the case of news, “reporting events” might be a typical end-in-view. What Hall highlights is how an actual event we see happening before our very eyes is not what is on the news. What he terms the “‘raw’ historical event” is what we otherwise call “life.” When we attempt to communicate about life—that is when the process of encoding begins, when the means of communicative production transform the raw material of life into a transportable object. Hall’s paradox becomes much more apparent when we replace “life” for “event” in his formulation: “[life] must become a ‘story’ before it can become a communicative [life]” (478). In terms of TV, “events can only be signified within the aural-visual forms of television discourse” (478). When an event goes behind a camera, we put make-up on it, we light it, we shoot it at its most favorable angles. And even if we don’t, this too can become part of encoded meaning. Mockumentaries have raised our awareness of the earmarks of reality, the syle of the real. The rise of the jittery-camera (stemming from, perhaps, Saving Private Ryan's colossal success) as a technique has lent the constructed authenticity of “reality”—somehow we perceive (if not think) that Jason Bourne is deserving of more pathos because we can hardly see him behind Paul Greengrass’ interminable camera-shaking.

Decoding

Our notion of “meaning” is not complete, however—now that we have an encoded message, we must have a receiver to decode it, untie its message, generate the meaning latent within it. This is where things get tricky for Hall:
Once [encoding is] accomplished, the discourse must then be translated – transformed, again – into social practices if the circuit is to be both completed and effective. If no ‘meaning’ is taken, there can be no ‘consumption’. If the meaning is not articulated in practice, it has no effect. (478)
Hall suggests that the benefit of this approach is the isolation of encoding from decoding, but his description seems to go a bit beyond his cause. Hall seems to suggest that, e.g., if I do not buy Bud Light after seeing a commercial, the meaning-loop has not been closed. If we expand the notion of “social practices” to a very wide parameter, where even an occurent thought—something that just flashes across the mind's eye—counts as a member of a social practice (for Wittgensteinian reasons)—and I think this is the right approach for the lasting value of Hall’s model—then everything counts as a proper effect, up to and including the noise we attribute to foreign languages, for if we’ve previously formulated the assumption that there is an intentionally aimed message careening at us, then even the shrug of nonunderstanding is meaning enough. What meaning? “No meaning,” which is an articulable enough reaction and effect of a communicative event—“Did you see that advertisement for Bud?” “Yeah.” “What did you think of it?” “Nothing.”

I’m pulling a little hard on Hall’s notion, but I hope there’s a payoff. For there is certainly an obvious enough sense to what Hall’s suggesting if we limit ourselves to the example of advertisements and the perspective of advertisement executives. For the encoder, no meaning has been exchanged and the circuit remains unclosed if there is no apparent reaction, like buying beer or laughing at Super Bowl frogs and Clydesdales. It is helpful in this regard to recall William James’s old pragmatic question, “what’s the difference that makes a difference?” If the receiver remains, more or less, unaffected by the message, then should we say the receiver has even decoded it? Not a lot seems to hinge on saying yes or no, since either way the receiver is unaffected.

The trouble that I think begins here, however, is the lack of perspective. There are hardly any people populating Hall’s analysis. When I talked about ends-in-view, this was part pedagogical and part cover-up. What the ends of messaging are dissolved into, in Hall’s analysis, are roughly “hegemonic powers.” To get ahead of Hall, at the close he says, “Majority audiences probably understand quite adequately what has been dominantly defined and professionally signified. The dominant definitions, however, are hegemonic precisely because they represent definitions of situations and events which are ‘in dominance’ (global)” (486). It seems difficult to understand precisely what is said in that second sentence, what extra meaning has been generated to deepen our understanding of Hall’s vocabulary, when it appears tautological. What I think has dropped out and been replaced by an awkwardly rendered, anonymous power is the message-creator, and specifically the ends, or purposes, of the creation of messages. What we get instead is “dominance which is hegemonic because it’s dominant”—a kind of “dominance is as dominance does” answer to the ends of dominance. The end of power might be power, but power itself is always a steady state—it is a person’s share in power that fluctuates (perhaps even in Foucault's analysis).

How Not to Talk About Language

Saussure was wrong—language is not arbitrary, it has no rules, it is not based on conventions. Hard words, and difficult to defend, but evolution is important here: social practices are evolving bodies in reality. Part of the strike against scientific Marxism is the recuperation of the “superstructure,” or "ideology," the flake at the top of reality that Marx didn't seem to take seriously, but later Marxists like Gramsci do. Hall is sympathetic to this. However, if we see the beginnings of (oral) communication as a matter of collating noises to reactions, such that regularity of response to sounds becomes the beginning of a “language,” then the stability and utility of language only exists insofar as regularity is reproduced, sound and expected reaction. This stability is only as arbitrary as our thumbs—it is only from a cosmic, external view of language and species that we should be able to call the use of the word “cow” or thumbs arbitrary. And like thumbs, there are things language can and cannot do, but neither have rules—Wittgenstein’s metaphor of language-games was misleading just insofar as it cast the spectare of mechanical input-output productions. There are no “rules,” only effective and ineffective communication strategies—just as Hall says about the closing of the meaning-loop being the effect in social practices.

Hall seems importantly right to remark that “there is no degree zero in language” (481). In understanding, I take it, there is no point at which language drops out and reality stands apart naked. All signs are “culture-specific” and those that appear “natural” simply display the “depth, the habituation and the near-universality of the codes in use” (481). There are two different notions here that make up the appearance of naturalness: depth and near-universality. We should distinguish between the two to capture the difference between a code’s wide dissemination and how deeply it is ingrained. The zero-degreeness of language and the trappings of naturalness is what stand in tension with Hall’s Sausurrean suggestion that “cow” is arbitrary and built out of convention whereas the pictogram of a cow is not. If we are to take seriously both the slogan that there is “no degree zero in language” and that all events—life—become transfigured in the process of encoding/decoding, including pictograms and TV, then we ultimately have to reject the nature/convention distinction. It is only by standing on the outside of Creation that we can attain the external view necessary to suppose arbitrariness. And this effect of standing outside of Creation isn’t, in fact, difficult to achieve once one follows Wittgenstein’s suggestion that a language composes a lebensform (lifeform) and then get’s dropped into a foreign-language speaking village—every sound will be noise, and the noises seemingly arbitrarily emitted. Why one noise as opposed to another? Why make that noise when you see a cow? To learn a language, however, you have to at once drop the notion that the noises are arbitrarily emitted and suppose that there is a pattern of regularity and stability, the learning of which constitutes the learning of a language. The noise the French make, “vache,” instead of “cow,” only seems arbitrary when you either don’t know the language at all or isolate it from the herd of other noises and compare them by themselves: “Why ‘vache’ instead of ‘cow’? How arbitrary!” Or the person who arbitrarily throws foreign words into conversation: “Why did you say lebensform instead of lifeform? How arbitrary!” Except that, just like what goes behind a camera, these can be earmarks for specific kinds of codes, e.g. a comedic display of erudition or a random display of arbitrariness.

Denotation and Connotation

Following fashions in linguistics, Hall defines “denotation” as “literal meaning” and “connotation” as “associative meanings” (482). Hall’s beef with the linguistic theorists is that they often mistakenly take denotation to be a transcript of reality, whereas connotation is all those extraneous and idiosyncratic associations we make between, e.g., vache and marbles—completely arbitrary to everybody but the person for whom it makes perfect sense. What Hall would rather like to do is take the denotative/connotative distinction as a rule of thumb to be deployed at instances of communication to separate out these two distinct parts. For example, the existence of sarcasm makes “Oh, you look great in those jeans” an entirely different denotation than if sans sarcasm. Denotations and connotations more fluidly interact with the action of communication.

There is a small cadre of problems hidden in Hall’s not-so-different use of the literal/associative distinction (some to do with metaphor, others to do with meanings-as-bundles), but the most interesting for a grasp of Hall’s style is that the use of “literal” allows Hall to eliminate reference to people communicating. If you don’t understand what somebody’s denoting, you ask them, “What did you mean?” and the first answer they decide to choose among a possible bevy of things they were signifying we can call the literal, denoted meaning, with all the others the frosting that makes language a beautiful, associative cake. This dissolves the faceless “literal,” which retains the notion of small, essential monads of meaning attached to small swatches of phrases, into “desired encoding”—what did the sender want the receiver to receive.

This muddies the water, however, for Hall suggests that it “is at the connotative level of the sign that situational ideologies alter and transform signification” (482). Recurring to a different distinction, the up-shot of Hall’s rendering is that the overt message is what is said on the surface while ideology is a covert encoding intended to slip past our decoding censors. “Desired encoding,” on the other hand, obliterates the difference between overt and covert since both are likely desired by self-conscious television news producers.

On the other hand, something terribly difficult happens when Hall continues his faceless analysis by talking about the decoding of denotative and connotative meanings. Things appear fine when he talks about the “‘work’ required to enforce, win plausibility for and command as legitimate a decoding” (484), for we can get the swing of how many techniques are used by people to disseminate a message and its decoder ring, positive reinforcement being the most general category to name it with (give a cookie to the person who cheers back “Bourgeois ideology!”). But something goes awry when we get to Hall’s three decoder positions—are these positions self-conscious or unconscious? Are they just analytically descriptive? How does an analyst know whether the dominant-hegemonic position is being taken if everyone, including the analyst, has to engage in the act of decoding, which produces the position of “am I getting this wrong?” This is where it is helpful to have a concept of agency lying around. Hall can’t ask anyone because his apparatus is built of faceless literal meanings and dominant codes. A lot of useful analysis can be done by Hall’s model, but it runs into a hole when moving to individuals decoding messages. Take Hall’s “simplest example of a negotiated code,” which is one that is a “mixture of adaptive and oppositional elements”: “At the level of the ‘national interest’ economic debate the decoder may adopt the hegemonic definition, agreeing that ‘we must all pay ourselves less in order to combat inflation’. This, however, may have little or no relation to his or her willingness to go on strike for better pay and conditions…” (486). Surely Hall’s worker is not self-consciously “adopting” the hegemonic option? Yet, would it not be terribly easier when talking about decoding to talk about the individual’s relationship to the codes in play? That, on the one hand, the worker feels a simple patriotism and responds to calls for duty, but on the other needs more money? The notion of “adoption” sneaks agency into Hall’s fairly unpeopled vocabulary because he needs it to describe people, but it reflects the same kind of arbitrainess nonsense we need to extirpate from the level of philosophy of language (what they call "decisionism" in moral philosophy). Choices and readings and decodings aren’t made arbitrarily, and some of the work involved in just this activity is elided by his vocabulary.

What Is Theory For?

The epithet I was reaching for at the close of the last section was “overtheorized.” This is a danger Hall takes up in his retrospective gloss on the growth of cultural studies in “Cultural Studies and Its Theoretical Legacies.” At least at two points, Hall stops to remark that he hopes nobody’s reading him as anti-theoretical (39, 41). Nothing could have been farther from my mind, but it strikes up the utility of theory in general. Why should Hall be so self-conscious? Because theory is well-known for being over-jargonized? Well, what is theory if not a specific jargon one wields to approach a problem?

The trouble is that theory still plays two games—one amongst themselves and one with the problems. Over-jargonizing is a sign that theorists have been playing with themselves for too long. So Hall wants to suggest that they get their semiotics dirty (35). However, he also doesn’t want to slight theory. One exemplary metaphor he uses is “theoretical work as interruption” (39). Theory interrupts what you are otherwise doing, like working with people with AIDS. It allows you to create a space with which to wonder about the work you are doing, because in the midst of it you must remain in the midst of it to do it well. This space allows us to become self-conscious about the tools we employ while doing our work, and for cultural studies that means the way we represent, signify, and symbolize. For example, we no longer have autistic children because work done in identity-formation suggests that treating certain kinds of illnesses and whatnot as attributes rather than baggage creates a stymied identity that limits a person’s ability to grow—so we now have children with autism. Representational shifts like this are easily lampooned, but it is difficult to see why such representational experimentation is any different than the R&D we do in technological industry—if there’s a problem, you try and fix it. Some people do it badly, but still, how is that any different than Toyota?