Showing posts with label Wright. Show all posts
Showing posts with label Wright. Show all posts

Friday, August 01, 2014

The Legacy of Group Thinking

1. The Culture Wars — Semantic authority — Who is anybody to tell me what to call myself? 2. The non-Marxist left — Two cheers for the cultural left — Communitarians against liberalism — The bad metaphysics of the unencumbered self; 3. The sources of multiculturalism — The authoritarian structure of group thinking — Rhetorical groups vs. actual groups — The "I" become "Aye!"; 4. What words I should use — Individuals as ends in themselves — Opting into and out of communities; 5. Autonomy and trauma — Racial wisdom — Thin and fragile communities — The instruments and conditions for autonomy; 6. Pride and Why hope? — Separatism and semantic authority — Shared practices and confidence schemes; 7. Antiauthoritarian adolescence — Who are you to tell me when my trauma is over? — Adults without confidence are a moral problem


1.      In the ‘80s and ‘90s, two parallel discussions enveloped a good part of our time in American political discourse, their energies both sometimes denoted by “the culture wars.” At the national level, debate revolved around affirmative action practices and policies. To see the connection to the term “culture,” one must recognize how “political correctness” as a term of abuse was part of the same debate. While political correctness was attaining infamy, the less abusive “multiculturalism” denoted the more parochial “culture wars” in American universities. The idea behind affirmative action practices was that, for example, systemic forms of racism had become embedded in all kinds of American practices (e.g. in the education system or governmental hiring practices or university admissions processes) and that only by active affirmation of equity could these systemic forms of disadvantage based on racial classification be corrected. As an extension, political correctness was the idea that our language is a practice that performs some of this embedding. When minority groups began requesting (or demanding) semantic authority over themselves, the post-Civil Rights milieu was inclined to hear them. So, as an example, within a short space of time accepted parlance went from “colored” to “Negro” to “Negro-American” to “Afro-American” to “African-American,” with the stock of “black” rising and falling randomly.

Now, I said “accepted parlance,” but some instinct in most of us is going to prompt, “accepted by whom?” If I’d said “approved,” then the siren certainly would’ve gone off. Who is handing out this “approval,” judging the “correctness” of our language? I was talking to a friend recently when for some reason this issue of the shift in what to call black people came up. He’s black and was born in the early ‘60s, and so lived through some of these shifts. With impatience he said, “I grew up saying ‘negro,’ but then I was told ‘black.’ Fine. And then I was told ‘African-American,’ and I said, ‘fine,’ but who cares? Why does it matter? I was born on Long Island, not in Africa.” A little while after that, I was talking to an eminent scholar of African-American literature about Ralph Ellison, and we stumbled into that area as well. I told him about my friend, and he related an old quip that someone made in the ‘80s—that only an academic could’ve come up with “African-American.” We laughed. But this is a nexus of the two cultural wars. My friend is no academic by any means, and he votes Republican. His instinct comes out of the American self-reliant tradition. Who is anybody to tell me what I should call myself? And what does it matter? The scholar and I, however, laughed from ironic self-deprecation, at the pieties of academe. For the reason why “African-American” is ensconced in public discourse is in large part because of its enforcement in the cultural sphere of the university, which permeates laterally other intellectually-minded spheres and longitudinally multiple generations of the college-educated.

2.      There are many relics of the cultural wars, of which Allan Bloom’s The Closing of the American Mind (1987) is probably the most famous. But that book, like the right-wing hatchet jobs that abut it (Profscam, Tenured Radicals), doesn’t interest me in the long-term. What do interest me are the books by those on the non-Marxist left. During this time period, the term “liberal” was used to refer to this left, just as “radical” was used for the kind of leftist that generally preferred a post-Marxist, highly theoretical vocabulary for talking about politics, a left that also had a very negative attitude toward America, sans phrase. Two of these books that I’ve kept close to heart for many years are Richard Rorty’s Achieving Our Country (1998) and Stanley Fish’s There’s No Such Thing as Free Speech (1994). Fish’s book has a more complex relationship to the attitudes and situation of that era, as our own, but Rorty’s book simplifies the issue by splitting the two lefts into the liberal “reformist left” and the radical “cultural left.”

This latter term Rorty picked up at a conference at Duke on liberal education, in the midst of the wars, from a comment Henry Louis Gates, Jr. made about the “Rainbow Coalition of contemporary critical theory.” Rorty thought that this left deserved at least “two cheers,” as he put it in the title to his contribution to that conference. What they were doing in focusing our attention on cultural issues of racism, misogyny, and homophobia, and in particular how our language ramifies those things, was an important step in the history of moral progress. The only problem with this left is that it seemed as if they forgot about the money. Class, as a defining concept in one’s politics, seemed to get left behind, and it was hurting the politics of the left at the national level. And when you see the culture wars against the background of the Nixon/Ford-Carter-Reagan-Bush-Clinton-Bush sequence, one can see the prescience of thinking that the parochial-level conversation was, perhaps not hijacking, but obscuring what was happening in national-level politics.

I have great sympathy for this point of view, for I tend to think—in my naifish way—that money would solve a lot of problems. [1] However, David Bromwich doesn’t seem to think that the cultural left even deserves two cheers. Bromwich, a friend of Rorty’s and an English professor at Yale, went after the cultural left, not on political grounds for forgetting about class and producing a skewed and losing political strategy, but on the cultural grounds itself. In Politics by Other Means: Higher Education and Group Thinking (1992), Bromwich argues that the forces at work in multiculturalism are undermining the liberal customs and traditions that support the practice of democracy. I have a lot of sympathy with this trajectory of thought as well, for debates in political theory at the time of the cultural wars were of the thought that the very concept of tradition was at irreducible odds with liberalism. Thus there was that motley crew of “communitarians”: Michael Sandel’s trenchant attack on Rawls in Liberalism and the Limits of Justice (1982), Michael Walzer’s alternative model in Spheres of Justice (1983), Alasdair MacIntyre’s sweeping story of descent into moral unintelligibility in After Virtue (1983), and Charles Taylor’s equally sweeping story in Sources of the Self (1989).

A lot of the debate with communitarians was extremely productive—at the level of theory. The only thing they all have in common is that they are anti-Kantian, and what Rorty and Bromwich have in common is an equally anti-Kantian attitude toward politico-moral philosophy. [2] The master argument of the communitarians was that liberal political philosophy grew in the bosom of Kantian moral philosophy. Kant argued that “the moral” was produced only by a will that willed actions built on the categorical imperative. These were actions that came from no particular interest—interests are contingent features of your empirical self. Moral action only emits from the transcendental self, which is a will not built out of any particular feature of yourself you may have picked up from your environment of individual growth. This is the form of argument Rawls translated into the “original position” argument: pretend you’re behind a veil of ignorance and know nothing about your own features—what kind of just society would you construct for everyone, including yourself?

Sandel suggested that the nature of the self this politico-moral philosophy imagines is peculiarly “unencumbered.” Thinking of yourself this way, as unencumbered by any relationships to the past, future, or the people around you, then dovetails really quite nicely with a libertarian economics that has produced some really bad socioeconomic disparities. The communitarians, riding high on a crest of anti-Kantian argument, said that the philosophy is unworkable, and without that justification, liberalism must fall apart. Additionally, it has produced a uniquely introverted culture with no tradition of coherence to fall back on because it imagines itself without tradition. As Emerson put it, we are endless seekers with no past at our back. So when Rorty and Bromwich turn to the communitarians, there response is roughly: “No, you’re right—Kant produced a terrible philosophy for liberalism. But political liberalism is a practice and tradition, and it doesn’t stand or fall by its philosophical articulation. What we will do—and the grounds upon which you should debate us—is articulate both a better philosophy that agrees with all your anti-Kantian positions and a sense of what liberalism’s practices and traditions are to help repair what we agree is an increasingly introverted public culture.”

3.      What bound the communitarians together was the effort to work from a post-Hegelian tradition of philosophy. This, thus, brought them close to the wisdom post-Marxists wielded. Multiculturalism, however, had quite other sources than Hegel, or even Marx—what motivated and gave it shape was, not the experience of reading a certain tradition of books, but the life experience of individuals shaped by their categorization as an X. [3] By this I mean, not that a person is a woman, or black, or homosexual, but that the person is reduced to being only that category. If you were a typical white man in 1830 and you saw a man walking down a road in the South, then if that man was black, you knew all you needed to know about him as you approached. “Who do you belong to? Where are you going? Where’s your master?” Multiculturalism was the large-scale implementation of the tactic embedded in the slogan “black is beautiful.” The slogan gets its significance (and efficacy) by rubbing against the practices of treating “black” as if it weren’t—e.g., practices of hair straightening and skin lightening. Multiculturalism was the movement of saying, “it’s okay to be a member of the group you’re identified with.”

The trouble is that that wasn’t all multiculturalism turned out to be. What “multiculturalism” obscures, like every -ism, are the boots on the ground translating the -ism into practice. Bromwich retails a few of these actions, translating them—as every good intellectual must—into allegories for the theoretical and practical commitments at work. Bromwich is very effective in showing how what underlies both the cultural left and the cultural right (e.g., William Bennett and Bloom) is an authoritarian structure. The Hegelian conceptual priority of community to the individual, pace Popper, isn’t inherently authoritarian, but when translated from the arid sphere of political theory to the practical politics of the post-Civil Rights left, emphasis on the embeddedness of the individual in a community produced a line of thought Bromwich calls “group thinking.” An example of its linguistic habits might be seen in my earlier formulation of what happened beginning with the Civil Rights movement: “When minority groups began requesting (or demanding) semantic authority over themselves....” But the concept of a “group” here obscures an ambiguity, for it isn’t like all black people got together, signed a petition of request to be referred to as “African-American,” and then delivered it to white people (a parallel group-designation to go with the first). “Minority group” here is a hypostatization, a rhetorical device to cover the thoughts, feelings, and actions of a number of individuals. The problem is that, unlike the President of the United States who has the authority to speak for Americans in foreign affairs because he received the most votes in an election, there’s no equivalent method for determining who has the right to speak for these rhetorical groups. Thus, when individuals begin formulating their thoughts unreflectively with these kinds of locutions—using the rhetorical “we” as a proxy for oneself and an implicit usurpation of semantic authority—Bromwich says they stop real thinking. [4]

If a group of individuals all start speaking for the group, everything is fine as long as everyone says the same thing. But as soon as there’s dissension—“hey! that’s not what I think!”—then the group will talk amongst themselves about what the group thinks. The thinking, you’ll see, happens before the next speaking of “what the group thinks.” But “black people” isn’t a real group in the same practical sense because there’s no place they all meet on Fridays to decide what they think and what they’ll bind themselves to, take responsibility for. So what happens when there’s dissension in a rhetorical group? Implicit rejection—by dissenting, and individuating yourself with the “I,” you’re automatically on the outside from all the other voices still saying the same thing. Bromwich’s argument is that this kind of rhetorical “we”-ing produces a covert norm of conformity, because once the habit of chanting begins, you’ll notice when someone stops, and if those people with the habits take control of actual groups—i.e. institutional apparatuses with practical levers of control (e.g. firing a person)—then you’ll have incentive to beware calling yourself out. Every “I” will become an affirmational “Aye!” [5]

The cultural left wanted to be antiauthoritarian, but its implementation in an institution—which without authority is not—created the situation in which a black person can be told what they should call themselves because they are black. [6]

4.      But who are you to tell me what words I should use? Who am I, indeed—that line of thought cuts very deep, much deeper than we often allow it to. That question is antiauthoritarian in impetus and demands not only an account of authority, but an account of the moral stance generally—the question undermines our ability to use the word should or ought. Bromwich senses the practices of conformity underlying the emphasis on individuals being embedded in demarcated groups, and this is why he smartly suggests Emerson’s “Self-Reliance” as a spiritual antidote: “Whoso would be a man, must be a nonconformist.” But who is Bromwich, or Emerson, to tell us who we should, ought, must be? In the polemical context, this kind of Idiot Questioning can get old fast, but if we’re going to take Descartes’ idiocy seriously, why shouldn’t we this? In other words, just as Descartes demanded an account of knowledge, so do we still need an account of authority. [7]

This is the problem Bromwich faces: The political project of a democratic community, which the United States was formed to embody, values the individual as an end in itself. Political liberalism says that the point of a community is to produce individuals who are differentiated from the community that produced them. Multiculturalism thus seems regressive for seeing individuals as identified with communities (hence, “identity politics”). The problem isn’t that you shouldn’t identify with a community—Bromwich agrees with Rorty that the left’s inability to identify with the American liberal political tradition is harming their ability to be an effective force in American national politics. The problem is that people aren’t given a choice in which communities they can identify with—if you’re born black, then you just are part of the black community. You might be born in America, and thus be part of the American community, but the entire reason Bromwich and Rorty are compelled to argue that the cultural left should act like it is because they have obviously chosen not to so act. There’s no practical mechanism there to make a person identify with the country and its traditions the person was born into. And if there were—like taking a loyalty oath by affixing a flag pin to your lapel—then it would be as dumb or disastrous as it sounds. [8]

For political liberalism, the idea is that individuals can opt into communities if they wish, like being a cheerleader or going to church. The good point to respond with is that there are some communities you don’t get a choice in, and the analogy here is with family: you don’t choose your family. And likewise, one doesn’t choose what country they’re born into, what genitals they have, what color their skin is, who they like having sex with, or for that matter what church they go to growing up. The point of liberalism, however, is that part of becoming an autonomous adult is growing up and choosing whether to remain in the communities one was “born into” because of who your parents were. Maturity is identified on this scheme with autonomous choice.

5.      I find the identification of maturity and autonomy completely persuasive—after all, nobody on any side of American political debate believes in authoritarian political structures. But because socialization requires authoritarian structures, we differentiate between the rights and responsibilities afforded adults as opposed to children in any number of different contexts, thus endorsing a concept of maturation in the life of the democratic community. However, while I think that’s true, I also think that the history of treatment of individuals based on certain attributes (e.g. gender, race, sexual desire, genealogy) has left a mark on the processes of socialization still felt today. In an individual’s growth, this kind of mark is called “trauma” and I think that concept, as many have used it before, is well-suited for talking about the effects of misogyny, racism, homophobia, and hereditary elitism. When the individual is reduced to a group against their will, it traumatizes and arrests their growth into autonomous individuals.

The best way to see this is to recur to the imagined encounter in 1830s Alabama: one must see that one effect of the white man seeing the black man and knowing all he needs to know is that it produces a mirrored response in the black man—as soon as the black man, walking alone on a deserted thoroughfare in Alabama saw a white man, he knew all he needed to know. For if he didn’t realize that he needed to hide in order to avoid those threatening and physically dangerous questions, then he wouldn’t survive 1830s Alabama. If he’d acted like an autonomous Kantian will, behind the veil of ignorance and unencumbered by the consciousness of being black skinned, then he would’ve stumbled into the very real and very dangerous encumbrances of racism. So part of the practical wisdom that had to be passed from generation to generation for blacks was racial categorization—forgetting that the masters think of you in some respect as all alike could lead to death. Indeed, this racial wisdom becomes self-enforced as the community suffers the effects of one individual’s forgetting of it. [9]

This is why “black is beautiful.” It is an outgrowth of a community forced to be a community by the flimsiest of attributes—one. It doesn’t seem to matter which one; if there’s wisdom in the last 200 years of moral reflection on this, then it might be that the difference between “thin” and “thick” conceptions of moral community might be almost literally quantifiable, and that thin communities might not be durable enough to last and fragile communities might be dangerous to themselves. I’m not convinced of that line of thought, but it seems a profitable direction of inquiry. [10] “Black is beautiful” is the kind of slogan needed to give self-esteem to people who have been traumatized because of a flimsy but dangerous reduction of self. Racism and the other ugly reductions dug a hole for those it affected—and you can’t just levitate out of that hole or pretend you’re not in it; you have to fill it in.

Self-esteem has gotten a bad rap in the last 30 years because—and in fact during this same time period of the initial culture wars—Americans have been found to have too much of it. The favored statistic is the difference between how good we think we are and our test scores that are supposed to quantify and validate how good we are. It has become a consistent fact that we think we’re better than we are. The rugged individualists of America (and people who so self-identify are often on the right politically these days, for whatever reason, with venerable exception for the late George Carlin) were right to laugh and denigrate the “Everyone’s a winner!” movement. Their instinct is that a win isn’t really a win if you don’t earn it. But what they weren’t fully cognizant of is the depth of the problem they still face as parents (and citizens, for that matter) with respect to self-esteem. For self-esteem is in the same family as pride, courage, confidence, dignity, self-respect, self-trust, and self-reliance. These are needed for individual autonomy, and every person in a liberal democracy has a right to the instruments and conditions for autonomy; for every individual has a right to grow and mature into an adult. So this is a practical problem of balance. You have to trust yourself to stand on your own, but Emerson realized that true self-trust is difficult, and cannot be treated as easy: “And truly it demands something godlike in him who has cast off the common motives of humanity and has ventured to trust himself for a taskmaster” (“Self-Reliance”). But you can’t brutalize a growing self either—we’ve all seen the horrors of that in portrayals of competitive sports families. Shame is the mechanism at work in learning the difference between winning and losing, correct and incorrect, but you can’t shame a person into the Stone Age without destroying the fertile ground out of which autonomy can grow.

6.      Rorty understood these difficulties, and so began his Achieving Our Country with a brilliant summary of the relevant balances:
National pride is to countries what self-respect is to individuals: a necessary condition for self-improvement. Too much national pride can produce bellicosity and imperialism, just as excessive self-respect can produce arrogance. But just as too little self-respect makes it difficult for a person to display moral courage, so insufficient national pride makes energetic and effective debate about national policy unlikely. Emotional involvement with one’s country—feelings of intense shame or of glowing pride aroused by various parts of its history, and by various present-day national policies—is necessary if political deliberation is to be imaginative and productive. Such deliberation will probably not occur unless pride outweighs shame.
The relevant problem that Rorty confronts is: what do we do when shameful acts seem to outweigh meritorious ones? The title of Rorty’s book is from a famous line in James Baldwin’s The Fire Next Time (1963): “If we—and now I mean the relatively conscious whites and relatively conscious blacks, who must, like lovers, insist on, or create, the consciousness of the others—do not falter in our duty now, we may be able, handful that we are, to end the racial nightmare, and achieve our country, and change the history of the world.” During Baldwin’s meditation on America, he goes to meet Elijah Muhammad, prophet of the Nation of Islam. Muhammad is essentially a separatist, who cannot hope that America might be able to change. Rorty says of the two:
I do not think there is any point in arguing that Elijah Muhammad made the right decision and Baldwin the wrong one, or vice versa. Neither forgave, but one turned away from the project of achieving the country and the other did not. Both decisions are intelligible. Either can be made plausible. But there are no neutral, objective criteria which dictate one rather than the other.
I take this to mean that there is no answer to “Why hope?”—no knockdown argument to force people into the position of being unentitled to give up on a group loyalty. For as I intimated before, being a citizen of a nation is already a rhetorical grouping on all fours with the ones Bromwich is concerned about, of race, gender, or sexual identity. The problem Bromwich cogently faces is the interaction between these latter groupings and the former. For while they are all rhetorical groupings, the rhetorical grouping of national identity also has practical mechanisms for control. That makes an important difference.

The problem Rorty considers, however, is the role such separatism as Muhammad’s plays in the life of individuals negotiating a world in which all are not in control of how they are grouped. Rorty didn’t discuss this kind of problem very much in his work, but it shows up in his major essay on feminism, “Feminism and Pragmatism” (collected in Truth and Progress). [11] Taking a cue from Marilyn Frye’s book, The Politics of Reality, Rorty says that “individuals—even individuals of great courage and imagination—cannot achieve semantic authority, even semantic authority over themselves, on their own. To get such authority you have to hear your own statements as part of a shared practice. Otherwise you yourself will never know whether they are more than ravings, never know whether you are a heroine or a maniac” (TP 223, emphasis Rorty’s). This is where the interesting friction with Bromwich’s book occurs. The concept of “semantic authority” articulates “control over meaning.” We cannot just define words as we wish—words are public items that ping-pong between users, and thus can be imbued with significance a single individual has no control over. The problem for oppressed groups—individuals who are forced to belong to a rhetorical grouping because of the flimsiest of attributes: one—is that their language has been colonized. (And now you can see how these reflections can be extended even further.)

Language is the instrument of self-definition. The problem Bromwich skirts is that you cannot just declare yourself self-reliant. Self-reliance is earned, but in addition to being an attitude, it is also earned linguistically. Being reliant upon a self you have created from public linguistic materials poses the Idiot Question: are you really reliant upon a self you’ve created and not simply conforming, if unconsciously, to the movements of the herd? You can be confident of such authority when you can “hear your own statements as part of a shared practice.” But what if you’ve historically been disallowed from sharing in the practice? Can you be confident that the practice isn’t just foisting on you thoughts and feelings that are actually detrimental to your well-being, that the practice isn’t a confidence scheme, that you aren’t being conned?

7.      This is the existentialist motif of antiauthoritarian instincts, and teenagers often get to this point in their development. We adults say, “trust me: this is yet for your own good—you aren’t being conned.” And, in fact, adolescent rebelliousness is a requisite stage for autonomy. It might not always take the form we’re used to associating with rebellion—nose rings, tattoos, dyed hair—but if you don’t eventually rebel from an authority figure, then you won’t set off on the course of reflection required for making decisions on your own. [12] So demanding semantic authority looks like adolescent behavior to an adult facing an adult—“take it,” is the response, “I thought you already had it.” But the problem of semantic authority is more difficult than that. This is why the concept of trauma is useful. The problem isn’t “Why don’t you grow up?”; it’s “Who are you to tell me when my trauma is over?” No one can just wish it away, and everyone lives with the consequences. Who are we to tell people to grow up, when—as William James said in another connection—it feels like a fight? In the context of a family, growth and parental figures are part of a neutral, necessary structure of authority. But in the rest of life, treating someone like a child is infantilization and “Ah, grow up!” is fightin’ words. That’s the dilemma right there. Adults without confidence are a moral problem. Telling someone to grow up is cruel. Treating them like a child is equally cruel. Cruelty, as Rorty defined the liberal ethos echoing Judith Shklar, is the worst thing we can do. But we live in a world in which historical conditions have made it difficult to produce autonomy. Worse, even without the weight of history, we don’t know any sure-fire methods of education for producing it. Our only consolation is that the value of autonomy is a relatively recent invention—hopefully we can figure this out.




Endnotes

[1] For example, I still maintain to friends that money would pretty much solve our problems with K-12 education, something I became convinced of after reading Jonathan Kozol’s book, Savage Inequalities. My conviction remains unshaken, even after hearing some very good points from friends on the inside of the situation and debate. Whatever the utility of Horace Mann’s vision of education for the commercialist agenda of turning us into good little drones that mindlessly consume, books like Dumbing Us Down just don’t provide a viable long-term solution.

[2] Some of them were more anti-Kantian than others. Bromwich, for example, feels comfortable with enlisting Kant into the articulation of his point of view, whereas Rorty’s distrust of Kant was so deep that he would never do so, even when he could recognize his compatibility on a particular score.

[3] We shouldn’t, for that reason, underestimate the importance of especially Marx to the theoretical self-understanding of this movement, particularly given the importance of the Communist Party in Chicago and Harlem between the World Wars. (And that’s not to mention the importance of Marx to our current overtheorized left.) One should also mention the importance of Hegel to Franz Fanon in Black Skin, White Masks.

[4] Anyone familiar with Rorty, and particularly Rorty criticism, will wonder how this fits together with Rorty’s practice of using the rhetorical “we”: “we pragmatists,” “we historicists,” “we liberal ironists.” The rhetorical “we” is a flexible device, I think; my instinct is to say that Rorty’s “we” does not occlude thought the way Bromwich suggests can happen with the “we,” and of which people have implicitly suggested about Rorty’s “we.” But as this is the most interesting and original line of argument in Bromwich’s book (that I’ve perhaps taken some liberty in reconstructing), I haven’t been able to think through all of its ramifications. For I also still believe, with Rorty, that you need to say “we” to construct a tradition and a community. (For a discussion of this facet of Rorty and the issues it involves, see my “Two Uses of ‘We.’”) So some serious thinking still needs to be put into how to say “we” without forming group thinking. How do we avoid that? What practices and habits do we need to have in place to make sure sheep don’t just start bleating back to us what we want to hear? It’s not enough to say “practices of self-reliance” because what are those? As long as power and authority are in play in the world, and on theoretical grounds I don’t think it’s possible to get rid of them, then the issue of telling between sheep, shepherds, wolves, and autonomous individuals will seem always to be in the air. Could this be the democratic equivalent of epistemological skepticism? Not the Problem of Other Minds, but the Problem of Autonomous Minds?

[5] I discuss some abstract problems with the “we” prompted by Rorty’s work in “Two Uses,” cited in note 4, but see especially Section 3, when I turn to the question I turn to below in the next section. Also, one might compare my discussion of Brandom’s Enlightenment notion of a “norm of commonality” that he invokes to distinguish Truth from the Good, which is at the base of his distinction between commitments to believe and commitments to act—see “On the Asymmetry,” esp. section 9. Perhaps I should add in this note that, despite my rhetoric in this paragraph about “real groups” and “actual groups,” when it comes to the metaphysics of this, rhetorical groups are as real and actual as these other kinds of groups. But we must make a distinction somewhere, rooted in differences in practice (in this case, practical control), even if it shouldn’t be at the level of ontology. And for my current purposes, we needn’t think it through any further. However, if one wanted a taste of the direction I would go, see an old discussion of Rorty and metaphysics in “Philosophy, Metaphysics, and Common Sense.” That paper moves through a discussion of Socrates, Plato, Robert Pirsig and Rorty on how to define philosophy, and what is distinctive about it regarding my shift in thinking and approach, is that it tries to translate problems in metaphilosophy into practical problems of behaving in the world. The discussion of Rorty is toward the end, starting with a paragraph that begins “Rorty treats professional philosophers the same way.”

[6] The saddest story to my ears was, of course, about the professor: in this case, the black political scientist whose class on black politics was boycotted by the black chairman of the Black Studies department because the latter thought the former “might not sufficiently represent the Afro-American point of view.” See Politics by Other Means, 23-26. What’s sad about it, I think, is not that the chairman had a view about the class—the proliferation of opinions and views and their friction with each other is the essence of Milton’s hope that truth will win in a free and open encounter—but that he led the particular boycott he did, meaning he lobbied the undergraduates in his own class to drop out of the other or get involved in protesting and pressuring other undergrads. (And in the environment we should have the highest expectations for creating a free and open encounter—if not the university, where?)

That’s the same kind of subtle coercion at work as we see at issue in cases like Town of Greece v. Galloway, the recent Supreme Court case where an atheist and a Jewish citizen of Greece, NY sued the town for opening every town meeting with a Christian prayer. During oral arguments, Douglas Laycock—arguing for Galloway and Stephens—suggested there was coercion involved when all are asked to bow their heads or rise to their feet for prayer. Justice Scalia scoffed, saying someone who didn’t want to participate could just stay seated. Laycock responded: “What’s coercive about it is it is impossible not to participate without attracting attention to yourself, and moments later you stand up to ask for a group home for your Down syndrome child or for continued use of the public access channel or whatever your petition is, having just, so far as you can tell, irritated the people that you were trying to persuade.” (See page 37 of the transcript of the oral arguments, found here. An audio version with background of the case can be found here. My knowledge of the case is indebted to a student of mine that did excellent research on it.)

Students in the university need to be able to trust that an instructor’s politics, or other extraneous opinions other than the subject of the course, will not interfere with the student’s ability to take the course and do well. It’s one thing, I think, to let your views about such things filter in through the course in various ways; it’s quite another to begin persuading your students to act on your views. It’s the second that transforms the university space from one of inquiry into one of political persuasion—and political persuasion is coercive if you can be punished for not being persuaded. (I should be honest, though: I have from time to time made a plea for students to pay attention to politics, and to make sure to vote. It’s more or less extraneous to any courses I teach, but I figure I have some sort of civic responsibility to do so.)

[7] Since my concerns are philosophical and not polemical, I’ll add here that Bromwich understands this problem, though he wasn’t largely concerned with it in the space of his book. Bromwich was concerned with the effect of multiculturalism on our practices of higher learning, and particularly the practices of literary study, and not about offering an abstract account of authority. He does, however, have all the resources for one in his chapter “Reflection, Morality, and Tradition” and mounts a short version of it in Ch. 5 with respect to aesthetic judgment, and otherwise does nothing to undercut the possibility of pulling a more elaborate one together. (I don’t here pull one together, but I think Robert Brandom has made available the conceptual resources to do so. In sections 2 and 3 of “On the Asymmetry” (cited in note 5) I give an outline of the main notions at work.) The line of thought I’m interested in is, taking for granted that an Emersonian account of authority is possible, how does that affect our assessment of the situation Bromwich faced? For Bromwich, it is clear from the tenor of his book, was deeply embedded in his polemical situation—i.e. he was very angry and concerned about literary study in America. But as we all know, emotion can fade—and it is helpful for it to fade for us to make reflective historical judgments about whether we should still be angry, or whether we should’ve been angry.

A case in point is Bromwich’s treatment of Barbara Herrnstein Smith in Ch. 5. I’ve grown to think of Smith as a pragmatist ally on the plane of epistemology, and Bromwich’s treatment of her Contingencies of Value is, perhaps not unfair, but at least unkind. It is in that chapter that Bromwich formulates the thrust of Smith’s book’s argument’s response to an expert community’s judgment: “who are we, after all ... who are we to dismiss the person who judges the game or the work quite differently?” I’m trying to give, in this brief space, a sketch of who the “we” is that produced multiculturalism and whose claims have a certain equal standing to the expert community. I think Bromwich is right about Smith, that if she turns her epistemological pragmatism into Idiot Questioning with a political point, then she’s undermining the very idea of expert communities—which is disastrous. However, I also think that a better understanding of just what the issue is that divides the Emersonian Bromwich from the Marxish multiculturalists can give us a better idea about what the real problem is.

[8] Bromwich discusses the equivalent of a loyalty oath in English departments on 26-29. I should say here that there’s another, slightly different point that Bromwich agrees with Rorty on here, and that’s the view that the cultural left seemed to think that by doing their academic work they were doing political work. So, if one spends one’s days deconstructing a text (in class or at the computer), exposing phallogocentrism by showing how Woman is in a marginal position, or if you spend it uncovering the capitalist ideology that is really the motivation of a character in a story—then you needn’t attend a rally protesting the very idea of “forced rape” (is there another kind?) or signing a petition for raising the minimum wage. In the words of David Hollinger’s slogan that Rorty liked, “you gave at the office.” See Bromwich’s discussion at 223-25.

[9] One of the best reminders of this historical experience with its attendant racial wisdom is Richard Wright’s “The Ethics of Living Jim Crow,” which appears as an introduction to his collection of short stories, Uncle Tom’s Children. One way to understand the differences between Wright and the two other major post-Harlem Renaissance writers, James Baldwin and Ralph Ellison, is by the differences in their geographical experience. Wright grew up in the deep South; Ellison in the marginally southern Oklahoma City; Baldwin in Harlem. Wright’s pessimism about being black in America—epitomized in his unforgettable description in Black Boy of it as the “essential bleakness” and “cultural barrenness of black life”—was taken issue with by Baldwin and especially Ellison. Both Baldwin and Ellison sound the polemical notes—Baldwin in his scorching “Everybody’s Protest Novel” and Ellison in “Richard Wright’s Blues”—of autonomous maturity as against what they take to be Wright’s short shrift of black prospects. But it’s possible to see this difference in perspective as one of different experiences—Ellison in particular never experienced the harshness of the Southern experience of being black. Growing up black anywhere in America produced trauma, but it’s important to distinguish between the different kinds of experiences in the different regions that inform those experiences. (I should also add that Ellison’s different experience didn’t stop him from producing an equally unforgettable literary epitomization of Southern black experience in the opening chapters of Invisible Man.) The fight that occurred between Ellison and Irving Howe in print about this issue in the early sixties is probably one of the most enduring polemical exchanges between great minds I know of. Polemic usually causes writings to date themselves, but as Howe suggests in his wonderful reflections on the exchange, their attitudinal differences and the problems raised by both pieces have remained, and prove immensely useful to think through ourselves. Ellison’s piece, “The World and the Jug,” was collected in Ellison’s Shadow and Act, and was a response to Howe’s defense of Wright against Baldwin and Ellison, “Black Boys and Native Sons.” The latter should be read as it has been collected in Howe’s Selected Writings, 1950-1990, with its two retrospective addendums from 1969 and 1990.

[10] I’m not going to try to unpack the significance of the thin/thick distinction. It has played an increasingly prominent role among a series of thinkers and I think we’ve only begun to understand the distinction’s utility in conceiving the relationship between conceptual thought and politico-moral community. Thin/thick attempts to play the role once played by abstract/concrete, but in an attempt to avoid some of the dialectical seesaws of nominalism and platonism. The idea was seeded by Clifford Geertz in his famous essay, “Thick Description: Toward an Interpretive Theory of Culture” (1973; included in The Interpretation of Cultures). It has lived a life in many, but the most important for my purposes are Rorty’s use of the distinction in CIS to articulate the concept of “final vocabularies” (see 73) and Walzer’s usage in his little book Thick and Thin: Moral Argument at Home and Abroad (1994).

[11] I think this is one of his most visionary essays that we’ve yet to mine completely of insight. Much of Rorty’s later work, as he readily admits, was repackaging of earlier ideas for different audiences. Only occasionally does Rorty find himself in a position to formulate a new insight in this kind of work, since a good portion of it was also carrying further conversations with old interlocutors (e.g. Putnam, Habermas, etc.) or unimaginative ones (e.g. the many responds-to-his-critics books that Rorty took time to do). (I don’t mean to devalue either kind of work, particularly the latter; garden work is important to do for both sides—you can’t always be breaking new ground.) But the essay on feminism puts him into many interesting, new dialectical positions that produce some interesting reflections on pragmatism. One will find the general form of the argument I’ve made above about an individual’s self-esteem on TP 219.

[12] Against the background of his infamy as the supposed leader of a rebellion against analytic philosophy, Rorty once recalled that “my parents were always telling me that it was about time I had a stage of adolescent revolt. ... They were worried I wasn’t rebellious enough” (TCF 4).

Friday, August 27, 2010

The Ellisonian Self

Ralph Waldo Ellison is a titan. It is difficult to finish Invisible Man and not be impressed by both depth of thought that clearly went into its making and the execution with which that product of thought was born. It is also difficult to not take very seriously indeed the thought that lies behind his many essays and interviews. An extraordinarily considered and rhetorically skilled writer, Ellison should be considered a philosopher by any other name.

As you dig into the tissue of the relationship between the first three major post-Harlem Renaissance writers, Wright, Baldwin, and Ellison, it quickly becomes apparent how much Baldwin and Ellison wrote in the wake of Wright's early success in Native Son (Wright did, too), and how important coming to grips with Marxism was for all three. Forcing that confrontation was Wright's gift to Baldwin and Ellison, and there was undoubtedly a dramatic (and dramatized) reaction. While Wright became a very early convert to American Marxism, Baldwin and Ellison saw it as something of a curse on the writer qua writer. The interaction between Native Son and Wright's early programmatic essay, "Blueprint for Negro Writing," Baldwin's essays in Notes of a Native Son (especially "Everybody's Protest Novel" and "Many Thousands Gone"), and Ellison's Invisible Man and his essays "Richard Wright's Blues" and "The World and the Jug" provide enough fuel for reflection on a hundred related topics about literature, literary criticism, philosophy, history and politics.[fn.1]

The below takes on the more strictly philosophical side of Ellison's vision. Ellison was a natural pragmatist in his theoretical orientation: while I'm not sure how well-read Ellison was in the work of professional philosophers, Ellison was a natural amateur philosopher and struggled personally with his namesake, Ralph Waldo Emerson (who Cornel West, Harold Bloom, and Richard Poirier have made us realize was the spiritual progenitor of that professional philosophical movement, pragmatism) and enjoyed and used the work of Kenneth Burke (who was also an amateur philosopher, though we do know he read Dewey). Ellison's vision of culture is deep, and includes a vision of the self and its relationship with society (as every Emersonian struggles with). And while I come from Rorty's professional version of what a pragmatist picture of the self should look like, Ellison's picture--which is only too briefly dug into below--provides a fascinating sidelight on essentially the same picture.

References:
Ralph Ellison, Invisible Man. New York: Vintage International, 1952, 1980, 1995.

---. The Collected Essays of Ralph Ellison. Ed. John F. Callahan. Preface by Saul Bellow. New York: The Modern Library, 1995, 2003.

Kimberly W. Benston, Ed., Speaking for You: The Vision of Ralph Ellison. Washington, D.C.: Howard University Press, 1987.

Stanley Fish, Self-Consuming Artifacts. Berkeley and Los Angeles: University of California Press, 1972.

*NOTE* The footnote links won't work unless you're on the specific post page (by clicking on the title link). You'll have to excuse my crappy coding.

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A repeated figure in the first part of Invisible Man is variations on the phrase “I am who I am.” What is striking about the figure is the static finality of the verb, and it should make us wonder if this figure is Platonic or Nietzschean in its roots. For the Plato of the Republic, people have essences, bronze, silver, or gold in his myth, and justice is done when each is in their rightful place. The Nietzsche of the Gay Science, on the other hand, wanted us to become who we are. More generally, the Platonic tradition uses metaphors of discovery and being and the Nietzschean metaphors of creation and becoming. With the Invisible Man’s statement that the “end is in the beginning” (Invisible Man 6), there would seem to be a statement of inevitability, of inescapable essence. Yet, the notion of a static essence that each of us has inside and must conform to seems antithetical to the spirit of anti-conformity in Ellison’s work. What kind of self is the Ellisonian self?

To figure out what Ellison means, we shouldn’t start at the level of philosophy and build a theory of the self, but rather begin at the ground level of experiencing selves and tailor our theory to fit what we find there. The reason for this comes out of Ellison himself. What we find in Ellison is a broad rejection of isolated, programmatic theory. For instance, in Ellison’s essay “Society, Morality, and the Novel,” we find a constant denunciation of the maneuvers of literary critics who attempt to bind the artist with their formulations (often in the mode of a joke): “Critics would give you the formula that would make the achievement of a major fiction as certain as making a pre-mixed apple pie” (Essays 699). In Invisible Man, this comes out of the Invisible Man’s relationship to the Brotherhood, which is a veiled reference to Marxism. In referring to the Brotherhood’s “ideology” (e.g., Invisible Man 359), Ellison is ironically calling attention to the Marxist pretension to “science.” Marxism explicitly is not an ideology, which is a term Marx put into currency to distinguish all other modes of life. Marxism is rather a science, a theory, a method of uncovering our rationalizations of injustices (ideology) in order to find the essential path to justice and truth. It is this pretension that the Invisible Man will eventually reject.

There is something ambiguous, however, about Ellison’s relationship to Marxism that comes out in this passage from Brother Jack: “Remember too, that theory always comes after practice. Act first, theorize later; that’s also a formula, a devastatingly effective one!” (359) Practice before theory is a formula I would commend to Ellison, the pragmatism common to Ellison and Marx’s “Theses on Feuerbach.” Ellison’s comment on Marxism would be that, in practice, Marxists don’t put practice ahead of theory, but rather make the evidence fit their theories. This is punched up when the Invisible Man thinks to himself after Jack offers his formula, “He looked at me as though he did not see me…” (359). The metaphor of sight is deployed to register the sense that the Brotherhood’s theories leave out significant portions of reality. “Outside the Brotherhood we were outside history; but inside of it they didn’t see us” (499). What is deficient about the Brotherhood’s interpretation of reality is that they only offer, as Ellison puts it elsewhere, a “statistical interpretation of our lives” (Essays 75): “It was all a swindle, an obscene swindle! They had set themselves up to describe the world. What did they know of us, except that we numbered so many, worked on certain jobs, offered so many votes, and provided so many marchers for some protest parade of theirs?” (Invisible Man 507) The ambiguity in Ellison’s relationship is that though the Invisible Man rebels against the Brotherhood’s classification and organization of reality, he must classify and organize reality somehow. In the moment that the Invisible Man suddenly realizes that he had not been undermining the Brotherhood by working for them, but rather doing exactly what they wanted, he says, “And in defining, in giving organization to the fury, it seemed to spin me around…” (553, emphasis mine). The Invisible Man hasn’t given up classification, but realized a new classification and interpretation of reality. What Ellison rejects is not organization per se, but the idea of a science or theory of organization, the attempt by some to short-circuit the individual’s experience of reality by authoritatively telling them what they are really experiencing (whether they know it or not).

The vision of reality as in need of organization is a typically Kantian one, but in order to avoid epistemological controversies that Ellison pays no heed to, I would call it a rhetorical vision. A rhetorical vision of reality is one that recognizes the constructedness of reality, rooted in the public means of communication. The major problem for rhetoric, however, has been pointed out by Plato in the Gorgias—if rhetoric requires a common vocabulary between speaker and audience, then how is it not just pandering? How does real change occur if public, inferential communication requires a body of common assumptions for understanding? Ellison knows very well the problems of communication, calling the ideal American audience member “the little man behind the stove” (Essays 495), a symbol of the broadly different forms a writer’s readers might take. Ellison says “the novel is rhetorical” (701) and pondered just that question of communicating to a white audience when writing Invisible Man.[fn.2] But if Ellison has to communicate in the terms of a white audience, how can he change them?

This is a difficult practical problem for every writer, and to help to understand Ellison’s solution we might distinguish between two different modes of presentation that Stanley Fish uses: rhetorical and dialectical. A rhetorical presentation is much like Plato would have it: “A presentation is rhetorical if it satisfies the needs of its readers” (Fish 1). However, “this is not to say that in the course of a rhetorical experience one is never told anything unpleasant, but that whatever one is told can be placed and contained within the categories and assumptions of received systems of knowledge” (1). This presents just the problem, for Ellison wishes to overturn the received assumptions about black Americans. To do so, he uses a format for Invisible Man that is dialectical in Fish’s sense, which is “disturbing, for it requires of its readers a searching and rigorous scrutiny of everything they believe in and live by” (1). Fish says of this experience that “it is nothing less than a conversion, not only a changing, but an exchanging of minds” (2).

This is what I think we see in Invisible Man. The novel is a bildungsroman, but the lessons are not didactic, tacking-ons of easily potted moral lessons, but rather shifts in assumptions about the way the world is that the protagonist finds difficult to cohere with the rest of his working body of assumptions. This makes sense of a motif of incomprehensibility that floats along with the Invisible Man. During the battle royal scene, he accidentally grabs onto the leg of a chair: “I feared the rug more than I did the drunk, so I held on, surprising myself for a moment by trying to topple him upon the rug. It was such an enormous idea…” (Invisible Man 28, first and third sets of italics mine). The surprise is the momentary overturning in practice of a conceptual assumption that shapes his reality, one that by itself is too large to work out and fit with the rest of how he thought reality functioned (where you don’t do things like that to whites). When Mr. Norton is passed out in the Golden Day, the Invisible Man thinks to himself that “the very idea that I was responsible for him was too much for me to put into words” (86). In contemplating Clifton’s selling of the dolls, and the possibility that Clifton believed he’d sold out, Ellison writes, “For a moment I weighed the idea, but it was too big for me” (447). In thinking about Rinehart, Ellison writes, “I caught a brief glimpse of the possibilities posed by Rinehart’s multiple personalities and turned away. It was too vast and confusing to contemplate” (499).

The scene in which the Invisible Man is suddenly given new “organization to the fury” begins, “The words struck like bullets fired close range, blasting my satisfaction to the earth” (552). This is emblematic of the experience of conversion that Fish says follows the dialectical presentation. Such radical change in a mental constitution is difficult to comprehend. For example, the lesson that the Invisible Man says that his grandfather never had to learn was that he was human: “Hell, he never had any doubts about his humanity—that was left to his ‘free’ offspring” (580). This thought had suddenly come over the Invisible Man in the psychiatric hospital, though it is forgotten: “But we are all human, I thought, wondering what I meant” (239). The ECT the Invisible Man receives in that chapter is something like a resetting of his personality, an attempt to wipe the slate clean and begin again. But since the process is imperfect, new thoughts fight against old, hence the Invisible Man’s wonderment at meaning. He can’t put the new thought from the new self together with the old thought from the old self, and so lacks a coherent identity.

It is to this purpose in charting dialectical change that I believe enters the role of narrative. The Invisible Man recognizes by the end of the novel that the past is a necessary part of our identity. Whereas Brother Westrum says of Brother Tarp’s leg chain that “things like that don’t do nothin’ but cause confusion,” the objects of the Invisible Man’s past light his way when he falls into the sewer (567-8). The Invisible Man must tell his own story because he has learned that who we are now in the present is partly because of the way we tell the story of our own lives to ourselves.[fn.3] The “end is in the beginning” (6) not because there is an essential telos around which our identity circles, but because the way in which we tell our own story is determined in part by where we are standing when we begin to tell it—in a hole, in the Invisible Man’s case. When he says, “Perhaps to lose a sense of where you are implies the danger of losing a sense of who you are” (577) I take this sense of “where” to be “where in your own story,” which is partly the loss the Invisible Man feels after the ECT. As Ellison says generally, “the novel is obsessed by the relationship between illusion and reality as revealed in duration and process” (Essays 702). Reality is not a static, Platonic notion for Ellison, but is rather generated by the individual’s experience.

Endnotes

[1] "The World and the Jug" was a two-part exchange with the eminent leftist literary critic Irving Howe, whose addition to the conversation between the above texts can be quite profitable. Howe, in "Black Boys and Native Sons" (published in Dissent, Autumn 1963), wrote something like a defense of Wright against his two rebellious younger brothers, Baldwin and Ellison. The frame itself made Ellison a little peevish, and he responded, and then followed a double exchange of Howe's reply and Ellison's further reply. Howe's original essay with two reflections on the incident (one from 1969 and the other from the retrospective vantage point of 1990) can be found in his Selected Writings 1950-1990. Both parts of Ellison's side of the debate became "The World and the Jug." The exchanges between all four of these great men provide a fascinating, agonistic record of internal dialogue between progressive members of the left.

[2] Michel Fabre quotes a letter from Ellison to Kenneth Burke wondering how to write a “Negro character who would incorporate all of the contradictions present in the Negro-white situation in this country and yet be appealing to whites” (“From Native Son to Invisible Man: Some Notes on Ralph Ellison’s Evolution in the 1950s,” in Speaking For You, 213, emphasis mine).

[3] This is a favorite line of mine that I try to reuse as often as possible. It debuted in one of the first original things I wrote for this blog, a weaving of Pirsig, Rorty, and Virginia Woolf, "Phaedrus, the Woolf," and I quickly recycled it in the third part of an extended rethinking of Pirsig's Lila, "Prospectus" (which is the first time I used Fish's distinction to help make this point). My thinking about narrative was deepened after reading MacIntyre's essay, "Epistemological Crises, Dramatic Narrative and the Philosophy of Science" (which I talk about here, and which I incorporate in an entangling of this theme with Fredric Jameson and Sherman Alexie called "Narrative and Making Sense").

Friday, August 13, 2010

Wright and the Figures of Slave Narrative

From a seminar on the three largest post-Harlem Renaissance figures, Wright, Baldwin, and Ellison, this is a fairly pedantic, unexciting piece that just cobbles together some continuities between the slave narrative tradition and the African-American literary tradition that succeeded it. There's no real motivation for it into a thesis, however. The precursor to this, from which I think I borrow a few lines about Douglass, is "Literacy as Symbol and Material Means in Douglass." Like that piece, I was still caught in an overbearing fascination with the orality/literacy thematic, an understanding still largely conditioned at this point by Ong's Orality and Literacy and Havelock's Preface to Plato.

References:
Frederick Douglass, Narrative of the Life of Frederick Douglass. Eds. John W. Blassingame, John R. McKivigan, and Peter P. Hinks. New Haven: Yale University Press, 2001

*NOTE* The footnote links won't work unless you're on the specific post page (by clicking on the title link). You'll have to excuse my crappy coding.

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I propose to trace out the functioning of three different figures inherited by Wright from the tradition of slave narrative, taking as emblematic Douglass’ Narrative of the Life of Frederick Douglass: curiosity, literacy, and leisure. I will in each case briefly discuss how they work in Douglass before showing how Wright continues, extends, or alters each figure in the changed cultural landscape some 100 years after Douglass’ escape, though I shall spend most of my time on literacy.

An important theme struck by both Douglass and Wright is the repression of curiosity. In Douglass, this occurs frequently, usually in relation to literacy. Curiosity leads you out of your current nest of experience and into a new experience, thus leading to learning. Douglass, who didn’t even realize that literacy was a forbidden object (much as Wright had to learn his lessons the hard way), was taught the basics by his mistress, Mrs. Auld, before her husband corrected her: “Learning would spoil the best nigger in the world. … He would at once become unmanageable, and of no value to his master” (Douglass 31). This is a “new and special revelation” (ibid.) for the young Douglass and it opens up the “pathway from slavery to freedom” (32). Likewise for Wright, in his own first pass at autobiography in “The Ethics of Living Jim Crow,” when he shows curiosity to learn how to grind lenses, Morrie immediately “grew red.” “Whut yuh tryin’ t’ do, nigger, git smart?” (Wright 228) The notion that blacks might be “uppity” immediately changes the whites’ attitudes to them, as the first hint of it sours situations for both Douglass and Wright repeatedly.

The figure of literacy might be the most important figure in Douglass’ Narrative, functioning as both a symbol for freedom and an actual, material precondition for freedom. Literacy for Douglass is a skill that allows for the free acquisition of knowledge and the ability to negotiate the white man’s world. It is also a precious commodity carefully protected by slave masters, as illustrated before. The pathway of literacy consists in the attainment of “the more valuable bread of knowledge” (Douglass 34), which functions in two ways for Douglass: 1) knowing how to read and write aids materially in his ability to escape from captivity and 2) Douglass learns that slavery is a contingent institution and that one of its main means of enforcement is the stripping of the slave of his humanity.

The first echo we might point to is again in “Ethics.” Wright says, “it was almost impossible to get a book to read. It was assumed that after a Negro had imbibed what scanty schooling the state furnished he had no further need for books” (Wright 235). Wright here, however, doesn’t go into depth about the meaning of literacy, nor play it out much—all we see is that though African-Americans can read, they aren’t allowed access by white-run libraries. We get a much stronger look at how Wright uses the symbol of literacy in Lawd, Today! (his first significant piece of fiction, though only published posthumously). When the protagonist, Jake, goes by the Chicago Library on his way to his friend Bob’s, Jake says to himself, “That’s right. I ain’t never looked around in one of them joints” (69). What is striking is not that he hasn’t been in a library, or thinks there’s a cover charge, but that if he did go into a library, he muses, he could “tell old Bob and Al and Slim all about the big books I seen…” (ibid.). Seen—not read, or even opened.

What’s worse, upon seeing a black boy reading in the library, Jake immediately thinks, right on the heels of his reverie of setting his friends aflame with jealousy at all the books he had seen, that “too much reading’s bad” (ibid.). This is one of a series of stunning reversals of thought that happen within moments of each other, another being the rapid switch in the group’s opinion of the International Negro Uplift Association, from “Yeah, they’s smart” to nine lines later “Aw … They nuts as hell” (109). Jake says of reading that “it was all right to read the newspapers … but reading a lot of books … would drive you crazy.” “It addles your brains, and if you addle your brains you’ll sure have bookworms in the brain” (69). He then recalls, as justification and evidence for his view, that “his poor old grandmother had told him that when he was a child, and he had never forgotten it, and had never had bookworms” (ibid.).

Wright seems to be, at least in part, displaying literacy as a forgotten means of freedom. The psychology of oral vs. literate culture is such that remembered words and phrases, in an oral culture, function as thought-gatekeepers far more than in a literate culture. Words in the mind tumble over each other in sometimes quite odd associations, but the better and easier remembered (like in proverbs, rhymed aphorisms, or bits of wisdom from authoritative sources, like grandmothers), the more likely these bits will be recalled in connection with current experience. For instance, Jake assigns some prestige to books and being in the library, but then Jake sees the black boy, and thinks, “reading’s bad.” Why? Because “his mind went back to his boyhood; he remembered a schoolmate of his who had become queer from trying to memorize the Bible” (ibid.). When Jake saw the boy, he saw his queer schoolmate, and reacted to himself turning queer—his earlier thought (books good, maybe I should go into the library) was derailed by this fragment of memory. And then his mind immediately reinforced this new thought with a further stock association, the wisdom of his grandmother. His brain doesn’t quit, though, and Wright adds a further illustrative crinkle, as Jake then thinks, “But it was all right if you were studying for the pulpit” (ibid.), because God will protect you from going crazy—but then what happened to the kid memorizing the Bible? Jake’s mind has already moved on, however, and such reversals are never brought to account. A mind brought up in a literate culture, however, because of the opportunity to reinforce the ephemeral spoken word with the unchanging written word, has better opportunity to not be led down mental avenues with no hope of returning and asking, “Did anything I just think (say) make sense?” And when you write it down, you can look it over.

There are two other examples with Jake we might recur to for reinforcement. One is the scene in which he reads the newspaper, as he has said is okay to do. The joke of the chapter is that, when Jake reads the newspaper, all he does is read the headline out loud and then run off at the mouth about whatever he thinks about what he thinks the headline means. But there are several telling moments for my purposes. When Jake goes off on FDR and the Democrats, he closes by saying, “I’m going to stick with the Republicans. Old Abe Lincoln is the ship and all else is the sea . . . Now, who said that?” (29) That old chestnut for black electoral politics tells Jake who to vote for, but it is not an actual evaluation of who would be best for him.[fn.1] When Jake attempts to engage with Lil, she says “I wasn’t listening to you reading” (31)—by which she really means, listening to him spout—and Jake replies, “You could learn something if you didn’t keep that empty head of yours stuck into them Gawddamn Unity books all the time” (ibid.). The irony is, of course, that Lil is actually reading, whereas Jake does not (except for advertisements, which he spends much more time reading the entirety of as we see in the following chapter). But what’s more is what Jake says about God: “Gawd’s hooey! It’s a gyp game, that’s all!” It isn’t apparent that Jake is just saying this eristically, but that he truly believes it—at the time, for compare his relative reverence and respect for God in the Library scene discussed above. And finally, there’s the dialectical series between Jake and Lil beginning with his rant about the Communists. Lil counters him on every response, actually challenging him, recurring to the newspaper as a source of her views. Jake, possibly recalling the moment before she interceded having said, “That’s no lie, I was reading it just the other day in the Tribune…” (33), eventually finds himself backed into a corner and says, “Woman, is you a Red?” (ibid.) There are several fascinating points to this exchange: 1) he appears entirely sincere in his thought process and in thinking that Lil must be a Red for challenging him as she does; 2) it isn’t clear at all that Jake is cognizant of having just lost the debate or the jagged shifts in thought; 3) it isn’t clear why he didn’t recur to his response to Einstein, that “these old newspapers sure tries hard to fool folks” (32), when Lil challenged him, and since that is clearly a legitimately open mental avenue for Jake, it just punches up how rough and random any particular turn his mind seems to take.

Possibly the most illustrative example of the oral cast of mind in Jake, and therefore the importance of literacy to the idea of freedom, occurs when Jake is raging about the inspector at work: “You sonofabitch! It ain’t always going to be this way! His mind went abruptly blank. He could not keep on with that thought, because he did not know where that thought led. He did not know of any other way things could be, if not this way. Yet he longed for them not to be this way” (142). Literacy is the key to other worlds, the key to seeing how things might be another way. An imagination that cannot stretch beyond the things told to it by its immediates is an impaired imagination. Reading is what did it for Douglass and for Wright. Reading allows one to escape immediate surroundings and take flight, either to other actual realities (like in nonfiction, history, etc.) or to made-up realities—the effect is the same, as the circle of possibilities expands outwards, thus increasing the flex of mind that allows you to imagine more for yourself.

The last figure of leisure leads directly from here and shows Wright exerting a tremendous alteration over it. For Douglass, leisure time meant time to strategize and to think. The path to freedom lay open, but obscured, and at one point he says, amidst the “perpetual whirl of excitement” of working at the docks in Baltimore, that “I could think of nothing, scarcely, but my life; and in thinking of my life, I almost forgot my liberty” (Douglass 70) The most obvious shift from slave narratives to neo-slave narratives, of course, is that people like Douglass were escaping a fairly literal slavery, while that which holds Wright and his contemporaries is the more intangible cultural slavery left from continued racism. So, in Wright the figure of leisure plays differently. The image of the “lazy” black man is created. But why? Wright tells us—as the group watches some white students get off work, Jakes thinks, “Them white boys always in a hurry to get somewhere. And soon’s they get out of school they’s going to be bigshots. But a nigger just stays a nigger” (117). “Yeah, but ain’t no use of a black man rushing.” “Naw, ‘cause we ain’t going nowhere” (118). Douglass could imagine that slavery could be ended, and that eventually people could co-exist peacefully. Wright, 100 years later, is displaying the crushing, felt defeat at the hands of whites that debilitates the common black imagination and that begins to repeat itself—like Jake’s grandmother telling him that reading is bad.

Endnotes

[1] It was, in fact, Frederick Douglass about the Republican Party. I suspect this was a veiled slap at Douglass by Wright, with regards to the changed landscape of politics and how Douglass stuck by the Republican Party even after its disastrous effort at Reconstruction and subsequent takeover by the rich, of whom Jake says, “them men owns and runs the country!” (29)